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Book Synopsis

Created in 1936, following the bequest of Count Moïse de Camondo to the French State in memory of his son Nissim, who died for France in 1917, the Musée Nissim de Camondo houses a rich collection of 18th-century art objects. Reflecting the donor''s taste for this period of French art, the collection includes a significant number of pieces of furniture and objects embellished with gilded bronze ornaments. Gathered with incredible foresight by Moïse de Camondo between 1890 and 1935, these gilded bronzes reflect the evolution of styles during the 18th century, from the fantasies of rocaille, the severity of the return to the antique model, to the delicacy of the Louis XVI style. This catalogue presents a selection of 30 furniture bronzes, all masterpieces. Signed Osmond, attributed to Jean-Louis Prieur, François Rémond or Jean-Noël Turpin, they testify to the expertise of Parisian gilders in the second half of the 18th century, as well as to their collaboration with other trad

Bronze and Gold

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    A Hardback by Anne Forray-Carlier

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      Publisher: Les Arts Decoratifs
      Publication Date: Publication Date: 1/27/2024
      ISBN13: 9782383140238, 978-2383140238
      ISBN10: 2383140236

      Description

      Book Synopsis

      Created in 1936, following the bequest of Count Moïse de Camondo to the French State in memory of his son Nissim, who died for France in 1917, the Musée Nissim de Camondo houses a rich collection of 18th-century art objects. Reflecting the donor''s taste for this period of French art, the collection includes a significant number of pieces of furniture and objects embellished with gilded bronze ornaments. Gathered with incredible foresight by Moïse de Camondo between 1890 and 1935, these gilded bronzes reflect the evolution of styles during the 18th century, from the fantasies of rocaille, the severity of the return to the antique model, to the delicacy of the Louis XVI style. This catalogue presents a selection of 30 furniture bronzes, all masterpieces. Signed Osmond, attributed to Jean-Louis Prieur, François Rémond or Jean-Noël Turpin, they testify to the expertise of Parisian gilders in the second half of the 18th century, as well as to their collaboration with other trad

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