Description

Book Synopsis
The first career retrospective of activist photographer Brian Weil, whose work and practice explored insular cultures.

This book offers the first career retrospective of Brian Weil (1954-1996), an artist whose photographs pushed viewers into a deeply unsteadying engagement with insular communities and subcultures. A younger contemporary of such participant-observer photographers as Larry Clark and Nan Goldin, Weil took photographs that foreground the complex relationships between photographer and subject, and between photograph and viewer.

Weil was a member of ACT UP and the founder of New York City's first needle exchange, and his photographs became inextricably tied to his activist practice. His late work, an extensive series of portraits whose subjects bear witness to the emerging AIDS pandemic, is included here, along with selections from several earlier and concurrent projects: Sex (underground sex and bondage participants), Miami Crime (homicide scenes inve

Brian Weil 197995 Being in the World Semiotexte

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    A Paperback by Stamatina Gregory

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      View other formats and editions of Brian Weil 197995 Being in the World Semiotexte by Stamatina Gregory

      Publisher: MIT Press
      Publication Date: 2/7/2014
      ISBN13: 9780884541271, 978-0884541271
      ISBN10: 0884541274

      Description

      Book Synopsis
      The first career retrospective of activist photographer Brian Weil, whose work and practice explored insular cultures.

      This book offers the first career retrospective of Brian Weil (1954-1996), an artist whose photographs pushed viewers into a deeply unsteadying engagement with insular communities and subcultures. A younger contemporary of such participant-observer photographers as Larry Clark and Nan Goldin, Weil took photographs that foreground the complex relationships between photographer and subject, and between photograph and viewer.

      Weil was a member of ACT UP and the founder of New York City's first needle exchange, and his photographs became inextricably tied to his activist practice. His late work, an extensive series of portraits whose subjects bear witness to the emerging AIDS pandemic, is included here, along with selections from several earlier and concurrent projects: Sex (underground sex and bondage participants), Miami Crime (homicide scenes inve

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