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Book Synopsis

The volume offers a chance to approach the work of Brassaï (1899-1984), a multifaceted figure in the history of French photography.

A painter, sculptor and writer in addition to being a photographer, his name is inextricably linked to the masterpiece Paris de Nuit, published in 1933 with a preface by Paul Morand. Brassaï's views of the capital illuminated by public lighting and other sources, and at times shrouded in fog lend a mysterious aura to the urban landscape. Brassaï was a forerunner in capturing the night-time atmosphere of different areas of Paris, masterfully blending photographic art with his personal sensitivity.

The volume, curated by the photographer's nephew Philippe Ribeyrolles, sets out to revive Brassaï's body of work, offering an overview of his evolution over the years. From the artist's collaboration with Edward Steichen to international recognition in the wake of his 1957 exhibit at the Museum of Modern Art (MoMA) in New York, Brassaï's

Brassai

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      Publisher: Silvana
      Publication Date: 1/14/2024
      ISBN13: 9788836657421, 978-8836657421
      ISBN10: 8836657427

      Description

      Book Synopsis

      The volume offers a chance to approach the work of Brassaï (1899-1984), a multifaceted figure in the history of French photography.

      A painter, sculptor and writer in addition to being a photographer, his name is inextricably linked to the masterpiece Paris de Nuit, published in 1933 with a preface by Paul Morand. Brassaï's views of the capital illuminated by public lighting and other sources, and at times shrouded in fog lend a mysterious aura to the urban landscape. Brassaï was a forerunner in capturing the night-time atmosphere of different areas of Paris, masterfully blending photographic art with his personal sensitivity.

      The volume, curated by the photographer's nephew Philippe Ribeyrolles, sets out to revive Brassaï's body of work, offering an overview of his evolution over the years. From the artist's collaboration with Edward Steichen to international recognition in the wake of his 1957 exhibit at the Museum of Modern Art (MoMA) in New York, Brassaï's

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