Description

One of the most exciting developments in recent literary studies bases interpretation on a new understanding of bodily aspects of text. Contributors Mary Carruthers, Michael Camille, Seth Lerer, and Carolyn Dinshaw bring various disciplinary perspectives to this intriguing subject.

The method employed here views the body as a text to be read. Though the approaches of these essays are widely varied, three concerns figure and refigure themselves throughout the book: the gendered body and the copied book as locus of pain, pleasure, and desire. They will be of immense interest to medievalists and other scholars of language, philosophy, history, art history, and gender studies.

Frese and O’Keeffe explore the liminal areas between the book and the body from contemporary perspectives. Though the approaches of these essays are widely varied, three concerns figure throughout the book: the gendered body and the copied book as locus of pain, pleasure, and desire.

Book and the Body

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RRP: £90.00 You save £9.00 (10%)
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Hardback by Dolores Frese , Katherine O'Brien O'Keeffe

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Short Description:

One of the most exciting developments in recent literary studies bases interpretation on a new understanding of bodily aspects of... Read more

    Publisher: University of Notre Dame Press
    Publication Date: 01/08/2022
    ISBN13: 9780268006990, 978-0268006990
    ISBN10: 0268006997

    Number of Pages: 160

    Non Fiction , ELT & Literary Studies , Education

    Description

    One of the most exciting developments in recent literary studies bases interpretation on a new understanding of bodily aspects of text. Contributors Mary Carruthers, Michael Camille, Seth Lerer, and Carolyn Dinshaw bring various disciplinary perspectives to this intriguing subject.

    The method employed here views the body as a text to be read. Though the approaches of these essays are widely varied, three concerns figure and refigure themselves throughout the book: the gendered body and the copied book as locus of pain, pleasure, and desire. They will be of immense interest to medievalists and other scholars of language, philosophy, history, art history, and gender studies.

    Frese and O’Keeffe explore the liminal areas between the book and the body from contemporary perspectives. Though the approaches of these essays are widely varied, three concerns figure throughout the book: the gendered body and the copied book as locus of pain, pleasure, and desire.

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