Description

A close analysis of the work of Brazilian artist Ernesto Neto reveals the fundamental stakes of a contemporary art in the process of undoing the image-form.

The first volume of Éric Alliez and Jean-Claude Bonne's major work on contemporary art begins by outlining their exploratory and speculative project: not so much to produce a new “philosophy of art” as to enter into a space in-between philosophy and art—between a contemporary philosophy of contemporary art and an art contemporary with contemporary philosophy.

But what exactly is the “contemporary”? And how can we make ourselves, philosophically, the contemporaries of works whose problematic nature no longer sits well under the categories of the “aesthetic,” inherited from romanticism?

In these case-studies of an art-thought that is inseparable from the continued construction of the very concept of a “contemporary art,” philosophical analysis is continua

Body Without Organs Body Without Image Ernesto Netos AntiLeviathan Undoing the Image vol 1 Ernesto Netos AntiLeviathan Undoing the Image 1 Urbanomic Art Editions

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Paperback by Eric Alliez

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A close analysis of the work of Brazilian artist Ernesto Neto reveals the fundamental stakes of a contemporary art in... Read more

    Publisher: MIT Press
    Publication Date: 9/8/2017
    ISBN13: 9780995455023, 978-0995455023
    ISBN10: 0995455023

    Non Fiction , Art & Photography

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    Description

    A close analysis of the work of Brazilian artist Ernesto Neto reveals the fundamental stakes of a contemporary art in the process of undoing the image-form.

    The first volume of Éric Alliez and Jean-Claude Bonne's major work on contemporary art begins by outlining their exploratory and speculative project: not so much to produce a new “philosophy of art” as to enter into a space in-between philosophy and art—between a contemporary philosophy of contemporary art and an art contemporary with contemporary philosophy.

    But what exactly is the “contemporary”? And how can we make ourselves, philosophically, the contemporaries of works whose problematic nature no longer sits well under the categories of the “aesthetic,” inherited from romanticism?

    In these case-studies of an art-thought that is inseparable from the continued construction of the very concept of a “contemporary art,” philosophical analysis is continua

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