Description

Human forms can be intensely intimate or broadly universal. Here, figurative artists use the human form as a tool to express varied content and contemporary issues. These paintings depict our feelings and sentiments, our sense of belonging to a larger community in the contemporary world, while capturing the impulses behind the range of figuration presented by today's contemporary international artists. Portraitist Marlene Dumas presents figures in a gritty, unsentimental manner, evoking the essence of the human condition, while Kerry James Marshall paints the life of African-Americans in the twentieth-century, employing recent historical review to document the social challenges. British artist Jenny Saville paints the figure in massive scale, combined with an overt, never-ending interest in the pure rendering of human flesh. Hope Gangloff paints her figures as characters, intimate friends, and acquaintances, narrating a drama from their canvases. An important resource for those interested in contemporary figurative painting.

Bodies of Work—Contemporary Figurative Painting: Contemporary Figurative Painting

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Hardback by Lauren P. Della Monica

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Human forms can be intensely intimate or broadly universal. Here, figurative artists use the human form as a tool to... Read more

    Publisher: Schiffer Publishing Ltd
    Publication Date: 28/01/2016
    ISBN13: 9780764349829, 978-0764349829
    ISBN10: 0764349821

    Number of Pages: 272

    Non Fiction , Art & Photography

    Description

    Human forms can be intensely intimate or broadly universal. Here, figurative artists use the human form as a tool to express varied content and contemporary issues. These paintings depict our feelings and sentiments, our sense of belonging to a larger community in the contemporary world, while capturing the impulses behind the range of figuration presented by today's contemporary international artists. Portraitist Marlene Dumas presents figures in a gritty, unsentimental manner, evoking the essence of the human condition, while Kerry James Marshall paints the life of African-Americans in the twentieth-century, employing recent historical review to document the social challenges. British artist Jenny Saville paints the figure in massive scale, combined with an overt, never-ending interest in the pure rendering of human flesh. Hope Gangloff paints her figures as characters, intimate friends, and acquaintances, narrating a drama from their canvases. An important resource for those interested in contemporary figurative painting.

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