Description

Book Synopsis
This groundbreaking book explores a range of largely overlooked literary and artistic works that challenge the invisibility of Black wartime history.

Trade Review
Sarah Phillips Casteel’s beautifully written Black Lives Under Nazism offers a startling new account of the memory of World War II and the Holocaust that centers Black artists and writers. Moving from internment camp art and memoirs by historical eyewitnesses to the novels, photography, and dance of later generations, Casteel’s book reveals how certain histories are rendered invisible while simultaneously showing us the power of art and literature to reanimate the forgotten past and decolonize hegemonic perspectives. Black Lives Under Nazism is a fascinating work of recovery and a strong argument for a relational approach to memory. -- Michael Rothberg, author of The Implicated Subject: Beyond Victims and Perpetrators
Sarah Phillips Casteel’s rich, imaginative, and compelling study seeks to make visible the Black experience of the wartime period. Through her deft analysis of a diverse range of Black testimonial and creative work she brilliantly illustrates the limitations and possibilities these offer in creating countermemories of the Holocaust. -- Robbie Aitken, coauthor of Black Germany: The Making and Unmaking of a Diaspora Community, 1884-1960
The experience of people of African descent in the Third Reich has been hauntingly absent in the public imagination of the Holocaust. With her penetrating and sophisticated study, Sarah Casteel illuminates the lived histories of Black victims and survivors of the Nazi regime, thereby expanding the canon of Holocaust representation. -- Erin McGlothlin, author of The Mind of the Holocaust Perpetrator in Fiction and Nonfiction
Black Lives Under Nazism provides an in-depth analysis of a largely unknown corpus of Black African diaspora artworks and literature that address Black lives under Nazism. By making this corpus coherently visible, this book illuminates the complex relations of Black and Jewish experiences in World War II Europe and challenges extant scholarship in Black and Holocaust Studies. -- Chigbo Arthur Anyaduba, author of The Postcolonial African Genocide Novel: Quests for Meaningfulness

Table of Contents
Preface and Acknowledgments
List of Abbreviations
Introduction: Invisible and Invented Archives
Part I: Documenting the Past: The Artist as Witness
Introduction to Part I
1. Outside the Frame: Josef Nassy’s Visual Diary of Internment in Nazi Germany
2. Broken Citizenship: Survivor Memoirs by Hans J. Massaquoi, Theodor Michael, and John William
Part II: Imagining the Past: The Artist as Historian
Introduction to Part II
3. Jazz Fiction and the Holocaust: Testimonial Objects in the Novels of John A. Williams and Esi Edugyan
4. Performing to Survive: “Queen of the Trumpet” Valaida Snow in Fiction, Drama, and Graphic Narrative
5. Postmemorial Landscapes of Black Europe: Maud Sulter’s Alpine Photomontages
Coda: Dancing Out History in Oxana Chi’s Durch Gärten Tanzen
Notes
Bibliography
Index

Black Lives Under Nazism Making History Visible

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    A Paperback / softback by Sarah Phillips Casteel

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      Publisher: Columbia University Press
      Publication Date: 06/02/2024
      ISBN13: 9780231211970, 978-0231211970
      ISBN10: 023121197X

      Description

      Book Synopsis
      This groundbreaking book explores a range of largely overlooked literary and artistic works that challenge the invisibility of Black wartime history.

      Trade Review
      Sarah Phillips Casteel’s beautifully written Black Lives Under Nazism offers a startling new account of the memory of World War II and the Holocaust that centers Black artists and writers. Moving from internment camp art and memoirs by historical eyewitnesses to the novels, photography, and dance of later generations, Casteel’s book reveals how certain histories are rendered invisible while simultaneously showing us the power of art and literature to reanimate the forgotten past and decolonize hegemonic perspectives. Black Lives Under Nazism is a fascinating work of recovery and a strong argument for a relational approach to memory. -- Michael Rothberg, author of The Implicated Subject: Beyond Victims and Perpetrators
      Sarah Phillips Casteel’s rich, imaginative, and compelling study seeks to make visible the Black experience of the wartime period. Through her deft analysis of a diverse range of Black testimonial and creative work she brilliantly illustrates the limitations and possibilities these offer in creating countermemories of the Holocaust. -- Robbie Aitken, coauthor of Black Germany: The Making and Unmaking of a Diaspora Community, 1884-1960
      The experience of people of African descent in the Third Reich has been hauntingly absent in the public imagination of the Holocaust. With her penetrating and sophisticated study, Sarah Casteel illuminates the lived histories of Black victims and survivors of the Nazi regime, thereby expanding the canon of Holocaust representation. -- Erin McGlothlin, author of The Mind of the Holocaust Perpetrator in Fiction and Nonfiction
      Black Lives Under Nazism provides an in-depth analysis of a largely unknown corpus of Black African diaspora artworks and literature that address Black lives under Nazism. By making this corpus coherently visible, this book illuminates the complex relations of Black and Jewish experiences in World War II Europe and challenges extant scholarship in Black and Holocaust Studies. -- Chigbo Arthur Anyaduba, author of The Postcolonial African Genocide Novel: Quests for Meaningfulness

      Table of Contents
      Preface and Acknowledgments
      List of Abbreviations
      Introduction: Invisible and Invented Archives
      Part I: Documenting the Past: The Artist as Witness
      Introduction to Part I
      1. Outside the Frame: Josef Nassy’s Visual Diary of Internment in Nazi Germany
      2. Broken Citizenship: Survivor Memoirs by Hans J. Massaquoi, Theodor Michael, and John William
      Part II: Imagining the Past: The Artist as Historian
      Introduction to Part II
      3. Jazz Fiction and the Holocaust: Testimonial Objects in the Novels of John A. Williams and Esi Edugyan
      4. Performing to Survive: “Queen of the Trumpet” Valaida Snow in Fiction, Drama, and Graphic Narrative
      5. Postmemorial Landscapes of Black Europe: Maud Sulter’s Alpine Photomontages
      Coda: Dancing Out History in Oxana Chi’s Durch Gärten Tanzen
      Notes
      Bibliography
      Index

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