Description

Lawrence Harbison has selected 100 terrific monologues for women ä from contemporary plays all by characters between the ages of 18 and 35 ä perfect for auditions or class. There are comic monologues (laughs) and dramatic monologues (no laughs). Most have a compelling present-tense action for actors to perform. A few are story monologues ä and they're great stories. Actors will find pieces by star playwrights such as Don Nigro Itamar Moses Adam Bock and Jane Martin; by exciting up-and-comers such as Nicole Pandolfo Peter Sinn Nachtrieb Crystal Skillman Greg Kalleres and Frances Ya-Chu Cowhig; and information on getting the complete text of each play. This is a must-have resource in the arsenal of every aspiring actor hoping to knock 'em dead with her contemporary piece after bowling over teachers and casting directors alike with a classical excerpt.

Best Contemporary Monologues for Women 18-35

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Paperback / softback by Lawrence Harbison

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Lawrence Harbison has selected 100 terrific monologues for women ä from contemporary plays all by characters between the ages of... Read more

    Publisher: Hal Leonard Corporation
    Publication Date: 01/11/2014
    ISBN13: 9781480369627, 978-1480369627
    ISBN10: 1480369624

    Number of Pages: 204

    Description

    Lawrence Harbison has selected 100 terrific monologues for women ä from contemporary plays all by characters between the ages of 18 and 35 ä perfect for auditions or class. There are comic monologues (laughs) and dramatic monologues (no laughs). Most have a compelling present-tense action for actors to perform. A few are story monologues ä and they're great stories. Actors will find pieces by star playwrights such as Don Nigro Itamar Moses Adam Bock and Jane Martin; by exciting up-and-comers such as Nicole Pandolfo Peter Sinn Nachtrieb Crystal Skillman Greg Kalleres and Frances Ya-Chu Cowhig; and information on getting the complete text of each play. This is a must-have resource in the arsenal of every aspiring actor hoping to knock 'em dead with her contemporary piece after bowling over teachers and casting directors alike with a classical excerpt.

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