Description

Bertrand Tavernier is widely recognised as the leading French filmmaker of his generation. Both a consummate artist and a controversial public figure, he is a passionate advocate for social causes and also a tireless defender of world cinema in general and the French cinematic heritage in particular.

Lynn Higgins’ book offers a guided tour through Tavernier’s oeuvre, taking into account both its prodigious diversity and its unifying themes. It explores his use of genre and adaptation, his work with actors and his affection for characters, his treatment of France’s colonial history, his explorations of the powers of art and the complexities of intergenerational relations, both among fictional characters and within French cinema history.

This is the most comprehensive scholarly book about Tavernier. Original and lively, sophisticated and engaging, the book will appeal to anyone interested in film studies, gender studies, and French cultural studies including academics, students, cinema enthusiasts, and Tavernier fans.

Bertrand Tavernier

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Paperback / softback by Lynn Anthony Higgins

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Bertrand Tavernier is widely recognised as the leading French filmmaker of his generation. Both a consummate artist and a controversial... Read more

    Publisher: Manchester University Press
    Publication Date: 14/10/2015
    ISBN13: 9780719059230, 978-0719059230
    ISBN10: 719059232

    Number of Pages: 304

    Non Fiction , Art & Photography

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    Description

    Bertrand Tavernier is widely recognised as the leading French filmmaker of his generation. Both a consummate artist and a controversial public figure, he is a passionate advocate for social causes and also a tireless defender of world cinema in general and the French cinematic heritage in particular.

    Lynn Higgins’ book offers a guided tour through Tavernier’s oeuvre, taking into account both its prodigious diversity and its unifying themes. It explores his use of genre and adaptation, his work with actors and his affection for characters, his treatment of France’s colonial history, his explorations of the powers of art and the complexities of intergenerational relations, both among fictional characters and within French cinema history.

    This is the most comprehensive scholarly book about Tavernier. Original and lively, sophisticated and engaging, the book will appeal to anyone interested in film studies, gender studies, and French cultural studies including academics, students, cinema enthusiasts, and Tavernier fans.

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