Description
Book SynopsisDespite the ups and downs of his personal life and professional career-even in the face of deafness-Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency, the music historian Mark Evan Bonds argues, provides the key to understanding the composer''s life and works. Beethoven approached music as he approached life, weighing whatever occupied him from a variety of perspectives: a melodic idea, a musical genre, a word or phrase, a friend, a lover, a patron, money, politics, religion. His ability to unlock so many possibilities from each helps explain the emotional breadth and richness of his output as a whole, from the heaven-storming Ninth Symphony to the eccentric Eighth, and from the arcane Great Fugue to the crowd-pleasing Wellington''s Victory. Beethoven''s works, Bonds argues, are a series of variations on his life. The iconic scowl so familiar from later images of the composer is but one of many attitudes he could assume and project through his music. The supposedly characteristic furrowed brow and frown, moreover, came only after his time. Discarding tired myths about the composer, Bonds proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self.
Trade ReviewWritten in polished, clear prose, this book will appeal to those who decide to learn more about Beethoven. Recommended. General readers. * M. N.H. Cheng, CHOICE *
Bonds recognizes Beethoven's remarkable aptitude for challenging the listener through mastery of variation, malleability of perspective and extremity of feeling, frequently capturing aspects of the human condition. Hence, Bonds maintains the listener is rewarded with an always revelatory reminder of the power of music. * Samuel I. Grosby, Anthenaeum Review *
Table of ContentsIntroduction 1. The Scowl 2. The Life 3. Ideals 4. Deafness 5. Love 6. Money 7. Politics 8. Composing 9. Early-Middle-Late 10. The Music 11. "Beethoven" Notes For Further Reading
