Description

Inverted Baroque, Mirrored Landscapes

Oberschwaben (Upper Swabia), between the Black Forest, Lake Constance and the Allgäu, offers a richness of Baroque architecture and picturesque rolling landscapes. Axel Hütte’s images are not intended as portrayals of a cultural landscape and its history. They are photographic images, but not necessarily photographically realistic images. They are, collectively, titled Reflexio. Hütte works with the inversion of the colour spectrum, the reflection of the pictorial space. The photographer’s interventions in the realistic image are a radical transformation of what the eye initially registered, they contradict experience; negate customary perception. Instead, they are an autonomous aesthetic construct and reveal a different side of reality. The two themes in these works—“Baroque” and “landscape”—thus become equivalent tools for thoroughly investigating pictorial realities.

Axel Hütte: Reflexio

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Hardback by Hans-Jörg Reisch , Andreas Reisch

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Inverted Baroque, Mirrored Landscapes Oberschwaben (Upper Swabia), between the Black Forest, Lake Constance and the Allgäu, offers a richness of... Read more

    Publisher: Hatje Cantz
    Publication Date: 22/06/2023
    ISBN13: 9783775754903, 978-3775754903
    ISBN10: 3775754903

    Number of Pages: 84

    Description

    Inverted Baroque, Mirrored Landscapes

    Oberschwaben (Upper Swabia), between the Black Forest, Lake Constance and the Allgäu, offers a richness of Baroque architecture and picturesque rolling landscapes. Axel Hütte’s images are not intended as portrayals of a cultural landscape and its history. They are photographic images, but not necessarily photographically realistic images. They are, collectively, titled Reflexio. Hütte works with the inversion of the colour spectrum, the reflection of the pictorial space. The photographer’s interventions in the realistic image are a radical transformation of what the eye initially registered, they contradict experience; negate customary perception. Instead, they are an autonomous aesthetic construct and reveal a different side of reality. The two themes in these works—“Baroque” and “landscape”—thus become equivalent tools for thoroughly investigating pictorial realities.

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