Description

Luigi Pirandello is best known for his experimental plays, but his narrative production has not enjoyed the same degree of critical attention. O'Rawe's study represents the first major reassessment of this output, including the 'realist' novels, the historical novel I vecchi e i giovani (1909) and the autobiographical Suo marito (1911). The book identifies in Pirandello a practice of 'self-plagiarism' - constant rewriting and revision and obsessive re-use of material - and explores the relation of these overlooked modes of composition to the author's own theories of authorship and textuality. Drawing on a wide range of critical theory, O'Rawe repositions Pirandello as a major figure in the development of European narrative modernism.

Authorial Echoes: Textuality and Self-plagiarism in the Narrative of Luigi Pirandello

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Paperback / softback by Catherine O'Rawe

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Luigi Pirandello is best known for his experimental plays, but his narrative production has not enjoyed the same degree of... Read more

    Publisher: Taylor & Francis Ltd
    Publication Date: 01/12/2003
    ISBN13: 9781904713036, 978-1904713036
    ISBN10: 1904713033

    Number of Pages: 190

    Non Fiction , ELT & Literary Studies , Education

    Description

    Luigi Pirandello is best known for his experimental plays, but his narrative production has not enjoyed the same degree of critical attention. O'Rawe's study represents the first major reassessment of this output, including the 'realist' novels, the historical novel I vecchi e i giovani (1909) and the autobiographical Suo marito (1911). The book identifies in Pirandello a practice of 'self-plagiarism' - constant rewriting and revision and obsessive re-use of material - and explores the relation of these overlooked modes of composition to the author's own theories of authorship and textuality. Drawing on a wide range of critical theory, O'Rawe repositions Pirandello as a major figure in the development of European narrative modernism.

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