Description

Australian Women's Historical Photography: Other Times, Other Views examines the photographs produced by six talented women photographers against the historical backdrop of settler violence towards Indigenous Australians, the First Women's Movement, the Great War of 19141918, Australia's imperial occupation of New Guinea, the final years of Chinese Nationalist Party rule in China and debates about photography's status as an art form. Women's works from the nineteenth and early twentieth centuries have been down-played or even ignored in existing accounts of Australia's cultural history, and this study is aimed at rectifying this situation. At the same time, the book demonstrates why amateur works are just as important as commercial works to our understanding of the past.
? Methodologically, the book draws on scholarship from history, art history, anthropology, sociology, gender studies and cultural studies to create an interdisciplinary critical frame

Australian Womens Historical Photography

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Paperback by Anne Maxwell

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Australian Women's Historical Photography: Other Times, Other Views examines the photographs produced by six talented women photographers against the historical... Read more

    Publisher: Anthem Press
    Publication Date: 01/02/2024
    ISBN13: 9781839990793, 978-1839990793
    ISBN10: 1839990791

    Non Fiction , Art & Photography

    Description

    Australian Women's Historical Photography: Other Times, Other Views examines the photographs produced by six talented women photographers against the historical backdrop of settler violence towards Indigenous Australians, the First Women's Movement, the Great War of 19141918, Australia's imperial occupation of New Guinea, the final years of Chinese Nationalist Party rule in China and debates about photography's status as an art form. Women's works from the nineteenth and early twentieth centuries have been down-played or even ignored in existing accounts of Australia's cultural history, and this study is aimed at rectifying this situation. At the same time, the book demonstrates why amateur works are just as important as commercial works to our understanding of the past.
    ? Methodologically, the book draws on scholarship from history, art history, anthropology, sociology, gender studies and cultural studies to create an interdisciplinary critical frame

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