Description

Book Synopsis
Music was central to the medieval church's public worship: it was the essential medium of the Mass and the Divine Office. In this new critical edition, T. J. H. McCarthy presents the Latin text and the first English translation of Aribo's musical treatise, De musica and Sententiae. Written between 1070 and 1078, it is concerned with the workings of the liturgical music that Aribo and his contemporaries called Gregorian chant, and builds off of and responds to several contemporary treatises by Abbot Bern of Reichenau and his pupil Herman, Abbot William of Hirsau, Frutolf of Michelsberg, and Theoger of Metz. In the first new edition of the treatise in over sixty years, McCarthy addresses not only new approaches to the study of music history but newly discovered manuscripts of the treatise, paying careful attention to the diagrams that are integral to the coherence of the treatise.

Table of Contents
Figures Preface
Abbreviations
Sigla
Introduction
Manuscripts
The Present Edition
Edition and Translation
Bibliography
Index of Citations and Allusions
Index of Chants
General Index

Aribo, De musica and Sententiae

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    A Paperback / softback by T. J. H. McCarthy

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      View other formats and editions of Aribo, De musica and Sententiae by T. J. H. McCarthy

      Publisher: Medieval Institute Publications
      Publication Date: 02/10/2015
      ISBN13: 9781580441964, 978-1580441964
      ISBN10: 1580441963

      Description

      Book Synopsis
      Music was central to the medieval church's public worship: it was the essential medium of the Mass and the Divine Office. In this new critical edition, T. J. H. McCarthy presents the Latin text and the first English translation of Aribo's musical treatise, De musica and Sententiae. Written between 1070 and 1078, it is concerned with the workings of the liturgical music that Aribo and his contemporaries called Gregorian chant, and builds off of and responds to several contemporary treatises by Abbot Bern of Reichenau and his pupil Herman, Abbot William of Hirsau, Frutolf of Michelsberg, and Theoger of Metz. In the first new edition of the treatise in over sixty years, McCarthy addresses not only new approaches to the study of music history but newly discovered manuscripts of the treatise, paying careful attention to the diagrams that are integral to the coherence of the treatise.

      Table of Contents
      Figures Preface
      Abbreviations
      Sigla
      Introduction
      Manuscripts
      The Present Edition
      Edition and Translation
      Bibliography
      Index of Citations and Allusions
      Index of Chants
      General Index

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