Description

Winner, 2023 Columbia University Press Distinguished Book Award

Finalist, 2023 Pauli Murray Book Prize in Black Intellectual History, African American Intellectual History Society

Shortlisted, Historical Nonfiction Legacy Award, Hurston / Wright Foundation

Ralph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.

From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O’Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O’Meally’s readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.

Antagonistic Cooperation: Jazz, Collage, Fiction, and the Shaping of African American Culture

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Hardback by Robert O'Meally

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Short Description:

Winner, 2023 Columbia University Press Distinguished Book AwardFinalist, 2023 Pauli Murray Book Prize in Black Intellectual History, African American Intellectual... Read more

    Publisher: Columbia University Press
    Publication Date: 15/03/2022
    ISBN13: 9780231189187, 978-0231189187
    ISBN10: 0231189184

    Number of Pages: 296

    Non Fiction , Entertainment

    Description

    Winner, 2023 Columbia University Press Distinguished Book Award

    Finalist, 2023 Pauli Murray Book Prize in Black Intellectual History, African American Intellectual History Society

    Shortlisted, Historical Nonfiction Legacy Award, Hurston / Wright Foundation

    Ralph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.

    From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O’Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O’Meally’s readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.

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