Description

Fusing European expressionism with American popular culture, André Butzer started painting his way through the artistic and political extremes of the 20th century. With wide-ranging influences including the likes of Friedrich Hölderlin, Edvard Munch, Walt Disney, and Henry Ford, he developed a fictitious universe centered around the space colony NASAHEIM. There dwells the Peace-Siemens, a friendly head-shape that combines utopian ideas with the economical thinking of budding mass-consumerism, while a figure like the Wanderer offers romantic projections, or the Shame-Human reflections of the political past. This universe lends thematic depth to the canvases, with the characters acting as protagonists of paint, surrounding the N-House, home of all colors, in the style the artist has termed Science-Fiction Expressionism.

Some years into the new millennium, the colors took on a life of their own and grew into abstract paintings of lines freewheeling across the canvas. Moving

Andre Butzer

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Fusing European expressionism with American popular culture, André Butzer started painting his way through the artistic and political extremes of... Read more

    Publisher: Taschen GmbH
    Publication Date: 4/11/2024
    ISBN13: 9783836596664, 978-3836596664
    ISBN10: 3836596660

    Non Fiction , Art & Photography

    Description

    Fusing European expressionism with American popular culture, André Butzer started painting his way through the artistic and political extremes of the 20th century. With wide-ranging influences including the likes of Friedrich Hölderlin, Edvard Munch, Walt Disney, and Henry Ford, he developed a fictitious universe centered around the space colony NASAHEIM. There dwells the Peace-Siemens, a friendly head-shape that combines utopian ideas with the economical thinking of budding mass-consumerism, while a figure like the Wanderer offers romantic projections, or the Shame-Human reflections of the political past. This universe lends thematic depth to the canvases, with the characters acting as protagonists of paint, surrounding the N-House, home of all colors, in the style the artist has termed Science-Fiction Expressionism.

    Some years into the new millennium, the colors took on a life of their own and grew into abstract paintings of lines freewheeling across the canvas. Moving

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