Description

Through an ethnographic study of the ‘Barefoot College’, an internationally renowned non- governmental development organisation (NGO) situated in Rajasthan, India, this book investigates the methods and practices by which a development organisation materialises and manages a construction of success. Paying particular attention to the material processes by which success is achieved and the different meanings and discourses that they act to perform, this book offers a timely and novel approach to how the world of development NGOs and development ideologies work. The author argues that the College, as a prolific producer of various forms of development media, achieves its success through materially mediated heterotopic spectacles: enacted and imperfect utopias that constitute the desires, imaginings and Otherness of its society. The chapters that follow consider the different scenarios through which success was realised at the College.

An Ethnography of Ngo Practice in India: Utopias of Development

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Hardback by Stewart Allen

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Through an ethnographic study of the ‘Barefoot College’, an internationally renowned non- governmental development organisation (NGO) situated in Rajasthan, India,... Read more

    Publisher: Manchester University Press
    Publication Date: 17/08/2018
    ISBN13: 9781784992996, 978-1784992996
    ISBN10: 1784992992

    Number of Pages: 192

    Non Fiction , Politics, Philosophy & Society

    Description

    Through an ethnographic study of the ‘Barefoot College’, an internationally renowned non- governmental development organisation (NGO) situated in Rajasthan, India, this book investigates the methods and practices by which a development organisation materialises and manages a construction of success. Paying particular attention to the material processes by which success is achieved and the different meanings and discourses that they act to perform, this book offers a timely and novel approach to how the world of development NGOs and development ideologies work. The author argues that the College, as a prolific producer of various forms of development media, achieves its success through materially mediated heterotopic spectacles: enacted and imperfect utopias that constitute the desires, imaginings and Otherness of its society. The chapters that follow consider the different scenarios through which success was realised at the College.

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