Description

Book Synopsis
Highlights the important roles that things play in our everyday lives by examining how things and humans interact. Based on ethnographical data from Asia, Africa, and Oceania, the included essays challenge the instrumentalist idea that humans alone are subjects with agency (freedom to act) while things are merely objects at their disposal. Anthropologists have, typically, viewed things through anthropocentric lenses; reducing things to social function or cultural meaning.

The book's approach is to shift the question from "what do things mean?" to "what do they do (cause)?" - a shift from meaning to agency. Using an interdisciplinary approach, including researchers from archaeology, ecological anthropology and primatology, as well as cultural anthropologists, and taking the broadest understanding of things, this book probes the permeable boundaries between subject and object, mind and body, and between humans and things to demonstrate that cultures and things are mutually constitutive.

This book was published as a joint publication with Kyoto University Press.

Table of Contents
  • Figures
  • Tables
  • Photographs
  • Contributors
  • Prologue: Let Things Tell Us 1
  • Introduction: Why the Anthropology of Mono (Things)?
  • Part I: The Genesis, Extinction and Continuation of Mono
  • 1 Between Form, Word and Materiality: Shanbei Paper-Cuts
  • 2 Mono that lurk, retreat, or manifest: Mono and the body
  • Part II: The Nexus Between Mono and the Environment
  • 3 Mono beyond control: A New Perspective on Cultured Pearls
  • 4 An Ecological Analysis of Pottery Culture: From Clay to “Mono”
  • Part III: The Dynamic Between Mono and the Body
  • 5 Learning Pottery Making: Transmission of Body Techniques
  • 6 Nature and the Body in Male Sex Stimulants
  • Part IV: The Agency of Mono
  • 7 Masks as Performers: Topeng, a Balinese Masked Dance Drama
  • 8 “Living” Musical Instruments: On Changing Sounds of Suling
  • 9 Mono that Show and Tempt: Contingency by Fortune-Tellers
  • Part V: Toward a New Mono Theory
  • 10 The Origin of Tool-using Behavior and Human Evolution
  • 11 “Things” and Their Emergent Sociality in the Primates’ World
  • 12 Livestock as Interface: The Case of the Samburu in Kenya
  • 13 The Cicadas Drizzle of the Chamus
  • Epilogue: Stonehood: Agency as Inagency
  • Essay I: The Appearance of “Mono”
  • I-1 Where a Name Acquires a Form: Motifs of Javanese Batik
  • I-2 Kashta Drives People: The “Mono” Power of Uzbek Embroidery
  • I-3 “Play” Between Mono and Humans: Interdependence with bananas?
  • Essay II: Mysterious “Mono”
  • II-1 Fetishism on Pagodas and Buddha Images
  • II-2 “Mono” Sucked Out of the Body: Shamanic Rituals of Ladakh
  • Essay III: Fluctuating “Mono”
  • III-1 Globalization of Aboriginal Paintings, Localization of “Art”
  • III-2 The Bodies and Art Forms of Pacific Islander Artists
  • III-3 Staying Authentic: Between bingata and Ryukyu Bingata
  • Notes
  • Bibliography
  • Index

An Anthropology of Things

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    A Paperback / softback by Ikuya Tokoro, Kaori Kawai

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      Publisher: Kyoto University Press and Trans Pacific Press
      Publication Date: 30/07/2021
      ISBN13: 9781920901738, 978-1920901738
      ISBN10: 1920901736
      Also in:
      Anthropology

      Description

      Book Synopsis
      Highlights the important roles that things play in our everyday lives by examining how things and humans interact. Based on ethnographical data from Asia, Africa, and Oceania, the included essays challenge the instrumentalist idea that humans alone are subjects with agency (freedom to act) while things are merely objects at their disposal. Anthropologists have, typically, viewed things through anthropocentric lenses; reducing things to social function or cultural meaning.

      The book's approach is to shift the question from "what do things mean?" to "what do they do (cause)?" - a shift from meaning to agency. Using an interdisciplinary approach, including researchers from archaeology, ecological anthropology and primatology, as well as cultural anthropologists, and taking the broadest understanding of things, this book probes the permeable boundaries between subject and object, mind and body, and between humans and things to demonstrate that cultures and things are mutually constitutive.

      This book was published as a joint publication with Kyoto University Press.

      Table of Contents
      • Figures
      • Tables
      • Photographs
      • Contributors
      • Prologue: Let Things Tell Us 1
      • Introduction: Why the Anthropology of Mono (Things)?
      • Part I: The Genesis, Extinction and Continuation of Mono
      • 1 Between Form, Word and Materiality: Shanbei Paper-Cuts
      • 2 Mono that lurk, retreat, or manifest: Mono and the body
      • Part II: The Nexus Between Mono and the Environment
      • 3 Mono beyond control: A New Perspective on Cultured Pearls
      • 4 An Ecological Analysis of Pottery Culture: From Clay to “Mono”
      • Part III: The Dynamic Between Mono and the Body
      • 5 Learning Pottery Making: Transmission of Body Techniques
      • 6 Nature and the Body in Male Sex Stimulants
      • Part IV: The Agency of Mono
      • 7 Masks as Performers: Topeng, a Balinese Masked Dance Drama
      • 8 “Living” Musical Instruments: On Changing Sounds of Suling
      • 9 Mono that Show and Tempt: Contingency by Fortune-Tellers
      • Part V: Toward a New Mono Theory
      • 10 The Origin of Tool-using Behavior and Human Evolution
      • 11 “Things” and Their Emergent Sociality in the Primates’ World
      • 12 Livestock as Interface: The Case of the Samburu in Kenya
      • 13 The Cicadas Drizzle of the Chamus
      • Epilogue: Stonehood: Agency as Inagency
      • Essay I: The Appearance of “Mono”
      • I-1 Where a Name Acquires a Form: Motifs of Javanese Batik
      • I-2 Kashta Drives People: The “Mono” Power of Uzbek Embroidery
      • I-3 “Play” Between Mono and Humans: Interdependence with bananas?
      • Essay II: Mysterious “Mono”
      • II-1 Fetishism on Pagodas and Buddha Images
      • II-2 “Mono” Sucked Out of the Body: Shamanic Rituals of Ladakh
      • Essay III: Fluctuating “Mono”
      • III-1 Globalization of Aboriginal Paintings, Localization of “Art”
      • III-2 The Bodies and Art Forms of Pacific Islander Artists
      • III-3 Staying Authentic: Between bingata and Ryukyu Bingata
      • Notes
      • Bibliography
      • Index

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