Description

This book challenges existing notions of what is "American" and/or "Asian" art, moving beyond the identity issues that have dominated art-world conversations of the 1980s and the 1990s and aligning with new trends and issues in contemporary art today, e.g. the Global South, labor, environment, and gender identity.

Contributors examine both historical and contemporary instances in art practices and exhibition-making under the rubric of "American art in Asia." The book complicates existing notions of what constitutes American art, Asian American (and American Asian) art. As today’s production and display of contemporary art takes place across diffused borders, under the fluid conditions of a globalized art world since transformed by the COVID-19 pandemic, new contexts and art historical narratives are forming that upend traditional Euro-American mappings of center-margins, migratory patterns and community engagement.

The book will be of interest to scholars working in art history, American studies, Asian studies and visual culture.

American Art in Asia: Artistic Praxis and Theoretical Divergence

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£130.00

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Hardback by Michelle Lim , Kyunghee Pyun

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Short Description:

This book challenges existing notions of what is "American" and/or "Asian" art, moving beyond the identity issues that have dominated... Read more

    Publisher: Taylor & Francis Ltd
    Publication Date: 06/05/2022
    ISBN13: 9780367672133, 978-0367672133
    ISBN10: 0367672138

    Number of Pages: 264

    Non Fiction , Art & Photography

    Description

    This book challenges existing notions of what is "American" and/or "Asian" art, moving beyond the identity issues that have dominated art-world conversations of the 1980s and the 1990s and aligning with new trends and issues in contemporary art today, e.g. the Global South, labor, environment, and gender identity.

    Contributors examine both historical and contemporary instances in art practices and exhibition-making under the rubric of "American art in Asia." The book complicates existing notions of what constitutes American art, Asian American (and American Asian) art. As today’s production and display of contemporary art takes place across diffused borders, under the fluid conditions of a globalized art world since transformed by the COVID-19 pandemic, new contexts and art historical narratives are forming that upend traditional Euro-American mappings of center-margins, migratory patterns and community engagement.

    The book will be of interest to scholars working in art history, American studies, Asian studies and visual culture.

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