Description

Book Synopsis
The never-before-told story of the world's first Op-Ed page.

Trade Review
A chronicle of late twentieth-century history, replete with sardonic images of tyrants and visual commentaries on the fall of communism; the works of Eastern Europeans who fled totalitarian regimes are some of the most challenging and resonant. In this overflowing treasure chest of ideas, politics and cultural critiques, Kraus proves that 'art is dangerous' and sometimes necessarily so. Publishers Weekly Readers will be entertained and come away with a deeper appreciation of the power of illustration. Library Journal Worth the price of the book is Kraus's 2 1/2-hour encounter with former President Richard Nixon. History Wire An intensely personal history of the [op-ed] page as it weathered tempests and tinpot tyrannies at the Times. Columbia Journalism Review As a memoir, Kraus's work provides colorful, intimate, and occasionally searing portraits of several high-ranking Times executives. -- Michael Socolow JHistory Part memoir, part art book, and part journalism history. But all parts are exemplary. -- Beth Haller American Journalism An excellent reminder of the power of editorial illustration. These images do so much more than break up the gray space of columns of text. This book gives life to an underappreciated, and often unexamined, form of visual journalism. Jounralism [This] provocative book examines the images that shattered the conventions of newspaper imagery. Huffington Post

Table of Contents
List of Illustrations Acknowledgments Prologue Origins The Seventies The Eighties The Nineties The Aughts Notes Index

All the Art Thats Fit to Print And Some That

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    A Paperback / softback by Jerelle Kraus

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      Publisher: Columbia University Press
      Publication Date: 04/09/2012
      ISBN13: 9780231138253, 978-0231138253
      ISBN10: 0231138253

      Description

      Book Synopsis
      The never-before-told story of the world's first Op-Ed page.

      Trade Review
      A chronicle of late twentieth-century history, replete with sardonic images of tyrants and visual commentaries on the fall of communism; the works of Eastern Europeans who fled totalitarian regimes are some of the most challenging and resonant. In this overflowing treasure chest of ideas, politics and cultural critiques, Kraus proves that 'art is dangerous' and sometimes necessarily so. Publishers Weekly Readers will be entertained and come away with a deeper appreciation of the power of illustration. Library Journal Worth the price of the book is Kraus's 2 1/2-hour encounter with former President Richard Nixon. History Wire An intensely personal history of the [op-ed] page as it weathered tempests and tinpot tyrannies at the Times. Columbia Journalism Review As a memoir, Kraus's work provides colorful, intimate, and occasionally searing portraits of several high-ranking Times executives. -- Michael Socolow JHistory Part memoir, part art book, and part journalism history. But all parts are exemplary. -- Beth Haller American Journalism An excellent reminder of the power of editorial illustration. These images do so much more than break up the gray space of columns of text. This book gives life to an underappreciated, and often unexamined, form of visual journalism. Jounralism [This] provocative book examines the images that shattered the conventions of newspaper imagery. Huffington Post

      Table of Contents
      List of Illustrations Acknowledgments Prologue Origins The Seventies The Eighties The Nineties The Aughts Notes Index

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