Description

Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displays.

  • Discusses various films, including the Alien quartet, Christopher Nolan's Memento, Stanley Kubrick's 2001: A Space Odyssey and A Clockwork Orange, Nicolas Roeg's The Man Who Fell to Earth and Derek Jarman's The Garden.
  • Draws on a wide range of authors, both ancient and modern, religious and secular, from Plato to Levinas, from Karl Barth and Hans Urs von Balthasar to André Bazin and Leo Bersani.
  • Uses cinema to think about the church as an ecclesiacinema, and films to think about sexual desire as erotic dispossession, as a way into the life of God.
  • Written from a radically orthodox Christian perspective, at once both Catholic and critical.

Alien Sex: The Body and Desire in Cinema and Theology

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Paperback / softback by Gerard Loughlin

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Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional... Read more

    Publisher: John Wiley and Sons Ltd
    Publication Date: 20/11/2003
    ISBN13: 9780631211808, 978-0631211808
    ISBN10: 0631211802

    Number of Pages: 352

    Non Fiction , Religion

    Description

    Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displays.

    • Discusses various films, including the Alien quartet, Christopher Nolan's Memento, Stanley Kubrick's 2001: A Space Odyssey and A Clockwork Orange, Nicolas Roeg's The Man Who Fell to Earth and Derek Jarman's The Garden.
    • Draws on a wide range of authors, both ancient and modern, religious and secular, from Plato to Levinas, from Karl Barth and Hans Urs von Balthasar to André Bazin and Leo Bersani.
    • Uses cinema to think about the church as an ecclesiacinema, and films to think about sexual desire as erotic dispossession, as a way into the life of God.
    • Written from a radically orthodox Christian perspective, at once both Catholic and critical.

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