Description
Book SynopsisWhat happens in the wake of the event? Is the event’s aftermath always characterised by the experience of disorder, fragmentation, and impermanence? Or, alternatively, can aftermath be seen as a new growth, a second crop of grass that can be sown and reaped and which gives rise to a new integrity, a new unity? The volume’s twenty-three essays by scholars from Australia, France, Germany, India, Ireland, Luxembourg, New Zealand, Poland, Spain, and the United States re-visit the notion and representation of aftermath, understood here widely as a consequence/result/after-effect of a seminal event (to an individual, a community, society, regions or nations), and explore its transformative and life-changing characteristics. While acknowledging disastrous or catastrophic consequences of the event,
Aftermath argues in favour of recognising some rejuvenating potential of its after-effects.
Topographies of (Post)Modernity: Studies in 20th and 21st Century Literature in English is a bilingual, English-Polish book series dedicated to publishing original research on 20th and 21st century literature in English. Monographs and collective volumes in the series address, but are not restricted to, the following research areas: literary genre studies, comparative literature, cultural poetics and transversality of ideas, as well as transnationalism of literature in English.
Table of ContentsRobert Kusek, Beata Piątek, Wojciech Szymański - In the Wake of the EventPART ONE: After TraumaAnna Branach-Kallas - Discording After-Rites: Commemoration and Intimate Grief in British and French Fiction Published at the Great War’s Centenary
Dagmara Drewniak - “It Is, After All, a Communication with Ghosts” : Correspondences by Anne Michaels and Bernice Eisenstein as a Historical and Personal Elegy in the Aftermath of the Holocaust
Edyta Lorek-Jezińska - Memory of the Holocaust: Vicarious Trauma and Counter-Monuments in The Hideout by NeTTheatre
Magdalena Zolkos - “After You Died I Could Not Hold a Funeral, and so My Life Became a Funeral”: Catastrophic Aftermaths in Han Kang’s Human Acts
Héloïse Lecomte - “Phantom Growth”: Post-Traumatic Healing in Ian McEwan’s The Child in Time (1987) and Julian Farino’s T.V. Adaptation (2017)
PART TWO: The End of the Wor(l)d and AfterMałgorzata Sugiera - After the Earth: New Postsingularity Scenarios
Katarzyna Więckowska - The End of the World and After
Krystian Piotrowski - Life, End of: Secular Eschatology in Christine Brooke-Rose’s Out and Anna Kavan’s Ice
Mantra Mukim - After Naming: Rilke’s Namenlos, Kant, and the Subject of Aesthetics
PART THREE: After ImagesDouglas Klahr - The Precursor to Virtual Reality Documents Architectural Hell: A Stereoscopic View of the Crematorium at Dachau
Grace Pundyk - The Promise of a Hospitable Memory: Encounters on the Threshold
Amanda Wasielewski - “We Have Decided Not to Decide”: The End of History and the Punk Politics of De Reagering
Karolina Kolenda - After Nature: Landscape, Art, and Design in the Aftermath of Katrina and Sandy
Glenn Loughran - Evental Research… After the Future of Work
PART FOUR: Colonialism and Its AftermathClaudia Marquis - Colonialism and Its Aftermath in The Lord of the Rings: Postcolonial Reflections on Tolkien’s Imperial Fantasy
Paulina Grzęda - The Entangled Temporality of the Postcolony: Zakes Mda and the “Chaffing Temporalities” of Post-Apartheid
María Concepción Brito Vera, María Luz González Rodríguez - Life Out of Balance and Its Aftermath. Paradoxes in Arundhati Roy’s The Ministry of Utmost Happiness: A Material Ecocritical Reading
PART FIVE: “(Un)Catastrophic” AftermathsMarie-Anne Hansen-Pauly - Language and Disaster: “The Gulf (Between You and Me)” by Pierre Joris
Barbara Klonowska - The Aftermath of Love: Michael Haneke’s Amour
Christina Schönberger-Stepien - Rushdie’s Rebellious Joseph Anton: Chronicling the Aftermath of The Satanic Verses
Michaela Beck - The Post-Postmodern Afterlife of the American Novel: “Resurrecting” the Novel-as-Archive in Anne Valente’s Our Hearts Will Burn Us Down (2016) and Ed Park’s Personal Days (2008)
Tomasz Fisiak - Grande Dame Guignol and the Notion of the Aftermath: A Case Study of Robert Aldrich’s Hush…Hush, Sweet Charlotte (1964)
Author indexAbout the authors
