Description

The early twentieth century is usually remembered as an era of rising nationalism and military hostility, culminating in the disaster of the First World War. Yet it was marked also by a vigorous campaign against war, a movement that called into question the authority of the nation-state. This book explores the role of artists and writers in the formation of a modern, secular peace movement in Britain, and the impact of ideas about "positive peace" on their artistic practice. From Grace Brockington's meticulous study emerges a rich and interconnected world of Hellenistic dance, symbolist stage design, marionettes, and book illustration, produced in conscious opposition to the values of an increasingly regimented and militaristic society, and radically different from existing narratives of British wartime culture.



Published for the Paul Mellon Centre for Studies in British Art

Above the Battlefield: Modernism and the Peace Movement in Britain, 1900-1918

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Hardback by Grace Brockington

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The early twentieth century is usually remembered as an era of rising nationalism and military hostility, culminating in the disaster... Read more

    Publisher: Yale University Press
    Publication Date: 15/10/2010
    ISBN13: 9780300151954, 978-0300151954
    ISBN10: 0300151950

    Number of Pages: 244

    Non Fiction , Art & Photography

    Description

    The early twentieth century is usually remembered as an era of rising nationalism and military hostility, culminating in the disaster of the First World War. Yet it was marked also by a vigorous campaign against war, a movement that called into question the authority of the nation-state. This book explores the role of artists and writers in the formation of a modern, secular peace movement in Britain, and the impact of ideas about "positive peace" on their artistic practice. From Grace Brockington's meticulous study emerges a rich and interconnected world of Hellenistic dance, symbolist stage design, marionettes, and book illustration, produced in conscious opposition to the values of an increasingly regimented and militaristic society, and radically different from existing narratives of British wartime culture.



    Published for the Paul Mellon Centre for Studies in British Art

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