Description

Book Synopsis

''Dazzling and fun, from the memorial to the formidable (or should I say notorious?) Paul de Man, which introduces the possibility of feminist deconstruction, to the revisions and re-readings of motherhood as a nearly untenable discursive position.''--Voice Literary Supplement.



Trade Review
Dazzling and fun, from the memorial to the formidable (or should I say notorious?) Paul de Man, which introduces the possibility of feminist deconstruction, to the revisions and re-readings of motherhood as a nearly untenable discursive position. Voice Literary Supplement Dazzling and fun, from the memorial to the formidable (or should I say notorious?) Paul de Man, which introduces the possibility of feminist deconstruction, to the revisions and re-readings of motherhood as a nearly untenable discursive position. Voice Literary Supplement

Table of Contents

Preface to the Paperback Edition
Acknowledgments
Introduction
Part I. The Fate of Deconstruction
Chapter 1. Nothing Fails Like Success
Chapter 2. Rigorous Unreliability
Chapter 3. Is Writerliness Conservative?
Chapter 4. Gender Theory and the Yale School
Chapter 5. Deconstruction, Feminism, and Pedagogy
Part II. Significant Gaps
Chapter 6. A Hound, a Bay Horse, and a Turtle Dove: Obscurity in Walden
Chapter 7. Erasing Panama: Mallarmé and the Text of History
Chapter 8. Teaching Ignorance: L'Ecole des femmes
Part III. Poetic Differences
Chapter 9. Strange Fits: Poe and Wordsworth on the Nature of Poetic Language
Chapter 10. Disfiguring Poetic Language
Chapter 11. Les Fleurs du Mal Armé: Some Reflections
Part IV. Other Inflections of Difference
Chapter 12. Mallarmé as Mother
Chapter 13. My Monster/My Self
Chapter 14. Metaphor, Metonymy, and Voice in Their Eyes Were Watching God
Chapter 15. Thresholds of Differences: Structures of Address in Zora Neale Hurston
Chapter 16. Apostrophe, Animation, and Abortion
Appendix to Chapter 7
Appendix to Chapter 16
Notes
Index

A World of Difference

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    Order before 4pm today for delivery by Fri 3 Jul 2026.

    A Paperback / softback by Barbara Johnson

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      Publisher: Johns Hopkins University Press
      Publication Date: 27/12/1988
      ISBN13: 9780801837456, 978-0801837456
      ISBN10: 0801837456
      Also in:
      Literary theory

      Description

      Book Synopsis

      ''Dazzling and fun, from the memorial to the formidable (or should I say notorious?) Paul de Man, which introduces the possibility of feminist deconstruction, to the revisions and re-readings of motherhood as a nearly untenable discursive position.''--Voice Literary Supplement.



      Trade Review
      Dazzling and fun, from the memorial to the formidable (or should I say notorious?) Paul de Man, which introduces the possibility of feminist deconstruction, to the revisions and re-readings of motherhood as a nearly untenable discursive position. Voice Literary Supplement Dazzling and fun, from the memorial to the formidable (or should I say notorious?) Paul de Man, which introduces the possibility of feminist deconstruction, to the revisions and re-readings of motherhood as a nearly untenable discursive position. Voice Literary Supplement

      Table of Contents

      Preface to the Paperback Edition
      Acknowledgments
      Introduction
      Part I. The Fate of Deconstruction
      Chapter 1. Nothing Fails Like Success
      Chapter 2. Rigorous Unreliability
      Chapter 3. Is Writerliness Conservative?
      Chapter 4. Gender Theory and the Yale School
      Chapter 5. Deconstruction, Feminism, and Pedagogy
      Part II. Significant Gaps
      Chapter 6. A Hound, a Bay Horse, and a Turtle Dove: Obscurity in Walden
      Chapter 7. Erasing Panama: Mallarmé and the Text of History
      Chapter 8. Teaching Ignorance: L'Ecole des femmes
      Part III. Poetic Differences
      Chapter 9. Strange Fits: Poe and Wordsworth on the Nature of Poetic Language
      Chapter 10. Disfiguring Poetic Language
      Chapter 11. Les Fleurs du Mal Armé: Some Reflections
      Part IV. Other Inflections of Difference
      Chapter 12. Mallarmé as Mother
      Chapter 13. My Monster/My Self
      Chapter 14. Metaphor, Metonymy, and Voice in Their Eyes Were Watching God
      Chapter 15. Thresholds of Differences: Structures of Address in Zora Neale Hurston
      Chapter 16. Apostrophe, Animation, and Abortion
      Appendix to Chapter 7
      Appendix to Chapter 16
      Notes
      Index

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