Description

Book Synopsis
In 1916 a young woman, Rahvaema, leaves the forest community where she grew up, and sets off for a century-long adventure whose struggles and sufferings she could never have imagined. She becomes a campaigner for her Surelik language and culture, and in doing this she expands her horizons and is paradoxically drawn away from the language she loves and wants to defend. The novel confronts the personal costs of political activism and questions our ability to mould our future rationally and morally, whilst also suggesting that we have no choice but to attempt just that. A fortuitous coincidence of events allows her to establish an autonomous republic for her people, the Surelikud, but power brings no only opportunities but also compromises and betrayals. She lives too long and thus she lives to see her achievements crumble. The novel has has many themes, but the way progress is used or abused in order to worsen the living conditions of humanity is the primary one. Rahvaema is the first-person narrator but her ideas about progress are not necessarily the author's, but would be understandable in someone coming from her background.

Trade Review
[A Woman's War against Progress] is a majestic, always original work. I was most excited by passages where personalities drove stories, the relationships with Osip, for example, and with Andrei as interrogator. Giving the novel the voice of a 'First People' somebody opens a quite new way of feeling one's way into that Soviet period, too. All the parables and extended dialogues [are] well written, of course, and always striking in the social/political criticism they carry. But [they are] so massive and discursive that they slow everything down and feel like digressions, which they aren't. [It is suited to] the sort of intelligent reader in no hurry who would be happily captured and moved by The Woman. A Russian river of a novel. - Neal Ascherson ;; “I fear the readership for A Woman’s War against Progress may not be vast, but those who read it will find their minds stretched, challenged and enlarged by the experience. It’s a remarkable achievement, but I am not quite sure why I think that.” – James Robertson

A Woman's War against Progress

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    Order before 4pm today for delivery by Sat 13 Jun 2026.

    A Paperback / softback by Allan Cameron

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      Publisher: Vagabond Voices
      Publication Date: 02/10/2023
      ISBN13: 9781913212353, 978-1913212353
      ISBN10: 1913212351

      Description

      Book Synopsis
      In 1916 a young woman, Rahvaema, leaves the forest community where she grew up, and sets off for a century-long adventure whose struggles and sufferings she could never have imagined. She becomes a campaigner for her Surelik language and culture, and in doing this she expands her horizons and is paradoxically drawn away from the language she loves and wants to defend. The novel confronts the personal costs of political activism and questions our ability to mould our future rationally and morally, whilst also suggesting that we have no choice but to attempt just that. A fortuitous coincidence of events allows her to establish an autonomous republic for her people, the Surelikud, but power brings no only opportunities but also compromises and betrayals. She lives too long and thus she lives to see her achievements crumble. The novel has has many themes, but the way progress is used or abused in order to worsen the living conditions of humanity is the primary one. Rahvaema is the first-person narrator but her ideas about progress are not necessarily the author's, but would be understandable in someone coming from her background.

      Trade Review
      [A Woman's War against Progress] is a majestic, always original work. I was most excited by passages where personalities drove stories, the relationships with Osip, for example, and with Andrei as interrogator. Giving the novel the voice of a 'First People' somebody opens a quite new way of feeling one's way into that Soviet period, too. All the parables and extended dialogues [are] well written, of course, and always striking in the social/political criticism they carry. But [they are] so massive and discursive that they slow everything down and feel like digressions, which they aren't. [It is suited to] the sort of intelligent reader in no hurry who would be happily captured and moved by The Woman. A Russian river of a novel. - Neal Ascherson ;; “I fear the readership for A Woman’s War against Progress may not be vast, but those who read it will find their minds stretched, challenged and enlarged by the experience. It’s a remarkable achievement, but I am not quite sure why I think that.” – James Robertson

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