Description

Book Synopsis
Mechele Leon is Associate Professor and Chair of the Department of Theatre at the University of Kansas, USA.

Trade Review
This volume is full of information about the extratextual and performative aspects of theater and will be of interest to theater and drama scholars. * Lessing Yearbook *

Table of Contents
List of Illustrations Notes on Contributors Series Preface Editor's Acknowledgments Introduction: Theatre and the Enlightenment Matrix Mechele Leon, University of Kansas, USA 1 Institutional Frameworks: The State, the Market, and the People in the Age of Enlightenment John O'Brien, University of Virginia, USA 2 Social Functions: Audiences and Authority David Worrall, Nottingham Trent University, UK 3 Sexuality and Gender: Changing Identities Helen E. M. Brooks, University of Kent, UK 4 The Environment of Theatre: Power, Resistance and Commerce Mechele Leon, University of Kansas, USA 5 Circulation: Emergent Modalities of Intercultural Performance Mita Choudhury, Purdue Northwest, USA 6 Interpretations: From Theatrephobia to a Theatrical 'Science of Man' Logan J. Connors, University of Miami, USA 7 Communities of Production: Eighteenth-Century Acting Companies Deborah C. Payne, American University, USA 8 Repertoire and Genres: Cultural Logics and the Trick of Theatrical Longevity Lisa A. Freeman, University of Illinois at Chicago, USA 9 Technologies of Performance: Architecture, Scenery, Light Pannill Camp, Washington University, USA 10 Knowledge Transmission: Theatrical Intelligence and the Intelligence of Theatre Daniel O'Quinn, University of Guelph, Canada Notes Bibliography Index

A Cultural History of Theatre in the Age of

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      Description

      Book Synopsis
      Mechele Leon is Associate Professor and Chair of the Department of Theatre at the University of Kansas, USA.

      Trade Review
      This volume is full of information about the extratextual and performative aspects of theater and will be of interest to theater and drama scholars. * Lessing Yearbook *

      Table of Contents
      List of Illustrations Notes on Contributors Series Preface Editor's Acknowledgments Introduction: Theatre and the Enlightenment Matrix Mechele Leon, University of Kansas, USA 1 Institutional Frameworks: The State, the Market, and the People in the Age of Enlightenment John O'Brien, University of Virginia, USA 2 Social Functions: Audiences and Authority David Worrall, Nottingham Trent University, UK 3 Sexuality and Gender: Changing Identities Helen E. M. Brooks, University of Kent, UK 4 The Environment of Theatre: Power, Resistance and Commerce Mechele Leon, University of Kansas, USA 5 Circulation: Emergent Modalities of Intercultural Performance Mita Choudhury, Purdue Northwest, USA 6 Interpretations: From Theatrephobia to a Theatrical 'Science of Man' Logan J. Connors, University of Miami, USA 7 Communities of Production: Eighteenth-Century Acting Companies Deborah C. Payne, American University, USA 8 Repertoire and Genres: Cultural Logics and the Trick of Theatrical Longevity Lisa A. Freeman, University of Illinois at Chicago, USA 9 Technologies of Performance: Architecture, Scenery, Light Pannill Camp, Washington University, USA 10 Knowledge Transmission: Theatrical Intelligence and the Intelligence of Theatre Daniel O'Quinn, University of Guelph, Canada Notes Bibliography Index

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