Description

Book Synopsis
A comprehensive advanced introduction to and scholarly commentary on the work of the Swiss writer Max Frisch, one of the leading German-language dramatists and novelists of the late twentieth century. One of the most influential German-language writers of the late twentieth century, Max Frisch (1911-1991) not only has canonical status in Europe, but has also been well received in the English-speaking world. English translationsof his works are available in multiple recent editions. Frisch was a recipient of both the Büchner Award (1958), and the Peace Prize of the German Book Trade (1976); his body of work explores questions of identity, alienation, and ethics in modern society. He is best known for the plays Andorra (1961), a seminal drama that examines indifference and mass psychology in the context of the Shoah and continues to be produced by theaters around the world, and Biedermann und die Brandstifter (1958), another worldwide success and one of the most frequently used texts in advanced undergraduate German courses in the United States, as well as for his novels Stiller (1954), Homo Faber (1957), and Mein Name sei Gantenbein (1964). Yet Frisch has only recently begun to receive the sustained scholarly attention he deserves: neither a comprehensive introductory volume to nor a collaborative handbook on the works of Frisch is available in English, a situation that this volume redresses. Contributors: Régine Battiston, Klaus van den Berg, Olaf Berwald, Amanda Charitina Boyd, Céline Letawe, Walter Obschlager, John D. Pizer, Beatrice Sandberg, Caroline Schaumann, Frank Schaumann, Walter Schmitz, Margit Unser, Daniel de Vin, Ruth Vogel-Klein, Paul A. Youngman. Olaf Berwald is Professor of German and Chair of the Departmentof Foreign Languages at Kennesaw State University.

Trade Review
This companion volume will prove rewarding for students and scholars of Frisch's work and for those familiar with Frisch's ?ction and non-fiction. [It] provides the student and scholar with fresh insights, new critical approaches, and an overview of the secondary literature. * MONATSHEFTE *
Given the canonical status enjoyed by Max Frisch . . . , this volume has been a long time coming. It enhances in particular the relatively scant English-speaking secondary literature on Frisch. . . . The volume as a whole offers the reader a well-rounded picture of Frisch's works, their literary context and influences, and thematic affinities with the works of other writers. . . . With some particularly discerning contributions, the volume is an important and informative contribution to Frisch studies in English. . . . [E]ither in hardback or as an e-book, it is a handsome Companion and an essential library acquisition. -- Siobhán Donovan * MODERN LANGUAGE REVIEW *
This is a true companion to the works of Max Frisch . . ., not, as some 'companions' are, a collection of loosely connected conference papers assembled as an afterthought. There are informative chapters on all the genres Frisch worked in . . . . Frisch's speeches and essays are [also] discussed. . . . Highly recommended. * CHOICE *

Table of Contents
Introduction: Max Frisch in the Twenty-First Century Max Frisch's Early Plays Spielraum in Max Frisch's Graf Öderland and Don Juan: Transparency as Mode of Performance Max Frisch's Biedermann und die Brandstifter and Die große Wut des Philipp Hotz Max Frisch's Andorra: Balancing Act between Pattern and Particular Eternal Recurrence in Life and Death in Max Frisch's Late Plays Max Frisch's Early Fiction From Life to Literature: Max Frisch's Frisch's Tagebücher "Writing in order to be a stranger to oneself": Max Frisch's Stiller Cybernetic Flow, Analogy, and Probability in Max Frisch's Homo Faber The Ends of Blindness in Max Frisch's Mein Name sei Gantenbein Max Frisch's Montauk. Eine Erzählung Man, Culture, and Nature in Max Frisch's Der Mensch erscheint im Holozän "My life as a man. Everyman": Max Frisch's Blaubart. Erzählung Max Frisch's Essays and Speeches Frisch's Major Works Select Bibliography Notes on the Contributors Index

A Companion to the Works of Max Frisch

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A Hardback by Olaf Berwald

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    View other formats and editions of A Companion to the Works of Max Frisch by Olaf Berwald

    Publisher: Boydell & Brewer Ltd
    Publication Date: 01/11/2013
    ISBN13: 9781571134189, 978-1571134189
    ISBN10: 1571134182

    Description

    Book Synopsis
    A comprehensive advanced introduction to and scholarly commentary on the work of the Swiss writer Max Frisch, one of the leading German-language dramatists and novelists of the late twentieth century. One of the most influential German-language writers of the late twentieth century, Max Frisch (1911-1991) not only has canonical status in Europe, but has also been well received in the English-speaking world. English translationsof his works are available in multiple recent editions. Frisch was a recipient of both the Büchner Award (1958), and the Peace Prize of the German Book Trade (1976); his body of work explores questions of identity, alienation, and ethics in modern society. He is best known for the plays Andorra (1961), a seminal drama that examines indifference and mass psychology in the context of the Shoah and continues to be produced by theaters around the world, and Biedermann und die Brandstifter (1958), another worldwide success and one of the most frequently used texts in advanced undergraduate German courses in the United States, as well as for his novels Stiller (1954), Homo Faber (1957), and Mein Name sei Gantenbein (1964). Yet Frisch has only recently begun to receive the sustained scholarly attention he deserves: neither a comprehensive introductory volume to nor a collaborative handbook on the works of Frisch is available in English, a situation that this volume redresses. Contributors: Régine Battiston, Klaus van den Berg, Olaf Berwald, Amanda Charitina Boyd, Céline Letawe, Walter Obschlager, John D. Pizer, Beatrice Sandberg, Caroline Schaumann, Frank Schaumann, Walter Schmitz, Margit Unser, Daniel de Vin, Ruth Vogel-Klein, Paul A. Youngman. Olaf Berwald is Professor of German and Chair of the Departmentof Foreign Languages at Kennesaw State University.

    Trade Review
    This companion volume will prove rewarding for students and scholars of Frisch's work and for those familiar with Frisch's ?ction and non-fiction. [It] provides the student and scholar with fresh insights, new critical approaches, and an overview of the secondary literature. * MONATSHEFTE *
    Given the canonical status enjoyed by Max Frisch . . . , this volume has been a long time coming. It enhances in particular the relatively scant English-speaking secondary literature on Frisch. . . . The volume as a whole offers the reader a well-rounded picture of Frisch's works, their literary context and influences, and thematic affinities with the works of other writers. . . . With some particularly discerning contributions, the volume is an important and informative contribution to Frisch studies in English. . . . [E]ither in hardback or as an e-book, it is a handsome Companion and an essential library acquisition. -- Siobhán Donovan * MODERN LANGUAGE REVIEW *
    This is a true companion to the works of Max Frisch . . ., not, as some 'companions' are, a collection of loosely connected conference papers assembled as an afterthought. There are informative chapters on all the genres Frisch worked in . . . . Frisch's speeches and essays are [also] discussed. . . . Highly recommended. * CHOICE *

    Table of Contents
    Introduction: Max Frisch in the Twenty-First Century Max Frisch's Early Plays Spielraum in Max Frisch's Graf Öderland and Don Juan: Transparency as Mode of Performance Max Frisch's Biedermann und die Brandstifter and Die große Wut des Philipp Hotz Max Frisch's Andorra: Balancing Act between Pattern and Particular Eternal Recurrence in Life and Death in Max Frisch's Late Plays Max Frisch's Early Fiction From Life to Literature: Max Frisch's Frisch's Tagebücher "Writing in order to be a stranger to oneself": Max Frisch's Stiller Cybernetic Flow, Analogy, and Probability in Max Frisch's Homo Faber The Ends of Blindness in Max Frisch's Mein Name sei Gantenbein Max Frisch's Montauk. Eine Erzählung Man, Culture, and Nature in Max Frisch's Der Mensch erscheint im Holozän "My life as a man. Everyman": Max Frisch's Blaubart. Erzählung Max Frisch's Essays and Speeches Frisch's Major Works Select Bibliography Notes on the Contributors Index

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