Description
Book SynopsisA Companion to Euripides is an up-to-date, centralized assessment of Euripides and his work, drawing from the most recently published texts, commentaries, and scholarship, and offering detailed discussions and provocative interpretations of his extant plays and fragments.
Trade Review"This Companion highlights the performative and contextual aspects of old plays, making experienced researchers look afresh to them and presenting itself as a great introduction for students and young scholars." Sofia Frade, Universidade de Lisboa, Faculdade de Letras, Centro de Estudos Clássicos, Cadmo – Revista de História Antiga, Cadmo 27
Table of ContentsNotes on Contributors viii
Acknowledgments xiii
List of Abbreviations xiv
1 Introduction 1
Laura K. McClure
Part I Text, Author, and Tradition 9
2 Text and Transmission 11
Donald J. Mastronarde
3 The Euripidean Biography 27
Ruth Scodel
4 Euripides and the Development of Greek Tragedy 42
John Gibert
Part II Early Plays (438–416 BCE) 59
5 Alcestis 61
Eirene Visvardi
6 Medea 80
Laura Swift
7 Children of Heracles 92
Owen E. Goslin
8 Hippolytus 107
Mary Ebbott
9 Andromache 122
Ian C. Storey
10 Hecuba 136
Daniel Turkeltaub
11 Suppliant Women 152
Laura K. McClure
12 Electra 166
Hanna M. Roisman
13 Heracles: The Perfect Piece 182
C.W. Marshall
Part III Later Plays (After 416 BCE) 197
14 Trojan Women 199
Nancy Sorkin Rabinowitz
15 Iphigenia in Tauris 214
Jennifer Clarke Kosak
16 Ion: An Edible Fairy Tale? 228
Emma M. Griffiths
17 Significant Inconsistencies in Euripides’ Helen 243
Deborah Boedeker
18 Phoenician Women 258
Anna A. Lamari
19 Orestes 270
Elton Barker
20 Iphigenia at Aulis 284
Isabelle Torrance
21 Bacchae 298
Laurialan Reitzammer
Part IV Satyr, Spurious, and Fragmentary Plays 313
22 Cyclops 315
Patrick O’Sullivan
23 Rhesus 334
Vayos Liapis
24 Fragments and Fragmentary Plays 347
Christopher Collard
Part V Form, Structure, and Performance 365
25 Form and Structure 367
Markus Dubischar
26 The Theater of Euripides 390
David Kawalko Roselli
27 The Euripidean Chorus 412
Sheila Murnaghan
28 Euripides and the Sound of Music 428
Armand D’Angour
Part VI Topics and Approaches 445
29 Euripides and his Intellectual Context 447
Francis M. Dunn
30 Myth 468
Matthew Wright
31 Euripides and Religion 483
Judith Fletcher
32 Gender 500
Melissa Mueller
Part VII Reception 515
33 Euripides, Aristophanes, and the Reception of “Sophistic” Styles 517
Nancy Worman
34 Euripides in the Fourth Century BCE 533
Anne Duncan
35 Euripides and Senecan Drama 546
Christopher Star
36 All Aboard the Bacchae Bus: Reception of Euripides in the Twentieth and Twenty‐first Centuries 565
Barbara Goff
Index 583