Description

An explosive, devastating debut book of poetry from the acclaimed author of The Boat

In his first international release since the award-winning, best-selling The Boat, Nam Le delivers a shot across the bow with a book-length poem that honors every convention of diasporic literature—in a virtuosic array of forms and registers—before shattering the form itself.

In line with the works of Claudia Rankine, Cathy Park Hong, and Theresa Hak Kyung Cha, this book is an urgent, unsettling reckoning with identity—and the violence of identity. For Le, a Vietnamese refugee in the West, this means the assumed violence of racism, oppression, and historical trauma.

But it also means the violence of that assumption. Of being always assumed to be outside one’s home, country, culture, or language. And the complex violence—for the diasporic writer who wants to address any of this—of language itself.

Making use of multiple

36 Ways of Writing a Vietnamese Poem

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Hardback by Nam Le

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An explosive, devastating debut book of poetry from the acclaimed author of The BoatIn his first international release since the... Read more

    Publisher: Knopf Doubleday Publishing Group
    Publication Date: 3/5/2024
    ISBN13: 9780593537206, 978-0593537206
    ISBN10: 0593537203

    Fiction , Poetry

    Description

    An explosive, devastating debut book of poetry from the acclaimed author of The Boat

    In his first international release since the award-winning, best-selling The Boat, Nam Le delivers a shot across the bow with a book-length poem that honors every convention of diasporic literature—in a virtuosic array of forms and registers—before shattering the form itself.

    In line with the works of Claudia Rankine, Cathy Park Hong, and Theresa Hak Kyung Cha, this book is an urgent, unsettling reckoning with identity—and the violence of identity. For Le, a Vietnamese refugee in the West, this means the assumed violence of racism, oppression, and historical trauma.

    But it also means the violence of that assumption. Of being always assumed to be outside one’s home, country, culture, or language. And the complex violence—for the diasporic writer who wants to address any of this—of language itself.

    Making use of multiple

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