Art & Photography

“IN MANY LANGUAGES, ‘UNDERSTANDING’ ALSO COMES FROM THE IDEA OF PUTTING SOMETHING INSIDE YOUR BODY” – CAMILLE HENROT Over the past twenty years, Camille Henrot has developed a critically acclaimed practice that moves seamlessly between drawing, painting, sculpture, installation, and film. Mother Tongue is Henrot’s first publication focused solely on painting and drawing, bringing together over 200 works from the series System of Attachment, Wet Job, and Soon, created between 2018 and 2022. This recent body of work addresses the ambivalent nature of care and the tension between the simultaneous developmental need for attachment and independence, beginning at infancy and continuing throughout life. Her deeply personal and intimate interrogations ultimately relate to broader questions such as the expectations placed on mothers and the representation of the female body. This richly illustrated catalogue is accompanied by texts from Emily LaBarge, Legacy Russell, Marcus Steinweg, Hélene Cixous, Seamus Kealy, and a conversation with Camille Henrot and curator Julika Bosch.

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This book investigates important and illuminating aspects of Al Taylor’s drawings, which numbered over five thousand at the time of his death. It includes a chronological survey of Taylor’s drawings from the mid-1980s, when he abandoned painting in favour of sculpture and drawing, and highlights the combination of technical refinement, humour, and sensuousness that characterises his works on paper. Stunning reproductions of the works, which were inspired by such ordinary things as tin cans, pet stains, and broomsticks, reveal the drawings’ minute details, nuanced shading, and playfully agile pencil lines. Lively texts explore how the rich and complex visual sensibilities of Taylor’s drawings resonate with that of late Renaissance and Baroque Old Masters. The book also examines Taylor’s innovative approach to process and materials, such as photocopier toner, with its intense black, and the extreme white of correction fluid. Created with equal parts humour and technical virtuosity, and informed by scientific models as well as everyday minutiae, Al Taylor’s magnificent drawings are meditations on form and structure that stand as testament to great draftsmanship.

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The market for art can be as eye-catching as artworks themselves. Works by artists from da Vinci and Rembrandt to Picasso and Modigliani have sold for hundreds of millions of dollars. The world’s ultrawealthy increasingly treat art as part of their portfolios. Since artworks are often valuable assets, how should financial professionals analyze them?Arturo Cifuentes and Ventura Charlin provide an expert guide to the methods, risks, and rewards of investing in art. They detail how to apply the financial and statistical tools and techniques used to evaluate more traditional investments such as stocks, bonds, and real estate to art markets.The Worth of Art: Financial Tools for the Art Markets shows readers how to use empirical evidence to answer questions such as: How do the returns on Basquiat compare to the S&P 500? Are Monet’s portraits as valuable as his landscapes? Do red paintings fetch higher prices than blue ones, and does the color palette matter equally to the sales of abstract Rothkos and figurative Hockneys? How much should be loaned to a borrower who is pledging one of Joan Mitchell’s late abstract paintings as collateral? Would the risk-return profile of a conventional portfolio benefit from exposure to Warhol?Rigorous and readable, this book also demonstrates how quantitative analysis can deepen aesthetic appreciation of art.

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What exactly is contemporary war art in the West today? This book considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the ‘War on Terror’. Exploring the role contemporary art plays within conversations around war and imperialism, the book brings together chapters from international contemporary artists, theorists and curators, alongside the voices of contemporary war artists through original edited interviews. It addresses newly emerged contexts in which war is found: not only sites of contemporary conflicts such as Ukraine, Yemen and Syria, but everywhere in western culture, from social media to ‘culture’ wars. With interviews from official war artists working in the UK, the US, and Australia, such as eX de Medici (Australia) and David Cotterrell (UK), as well as those working in post-colonial contexts, such as Baptist Coelho (India), the editors reflect on contemporary processes of memorialisation and the impact of British colonisation in Australia, India and its relation to historical conflicts. It focuses on three overlapping themes: firstly, the role of memory and amnesia in colonial contexts; secondly, the complex role of ‘official’ war art; and thirdly, questions of testimony and knowing in relation to alleged war crimes, torture and genocide. Richly illustrated, and featuring three substantial interview chapters, The Politics of Artists in War Zones is a hands-on exploration of the complexities and challenges faced by war artists that contextualises the tensions between the contemporary art world and the portrayal of war. It is essential reading for researchers of fine art, curatorial studies, museum studies, conflict studies and photojournalism.

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This well-established and respected directory supports actors in their training and search for work in theatre, film, TV, radio and comedy. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the industry. Covering training and working in theatre, film, radio, TV and comedy, it contains invaluable resources such as a casting calendar and articles on a range of topics from your social media profile to what drama schools are looking for to financial and tax issues. With the listings updated every year, the Actors' and Performers' Yearbook continues to be the go-to guide for help with auditions, interviews and securing/sustaining work within the industry. Actors' and Performers' Yearbook 2024 is fully updated and includes a newly commissioned article by actor Mark Weinman, a new foreword, 4 new interviews by casting director Sam Stevenson, giving timely advice in response to today's fast-changing industry landscape, and an article by Paterson Joseph.

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Miniature souvenir version of the large-format book. Bright enlarged details of paintings, icons, sculpture, jewelry, mosaic from one of the best museum collections can be found here.

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The first book to concentrate on the early ceramic work of ‘Transvestite Potter’, bestselling author, broadcaster and social commentator Grayson Perry. Grayson Perry is now a household name as a result of his widely viewed television documentaries, numerous publications – including his critically acclaimed book about masculinity, The Descent of Man – and dazzling appearances dressed as his alter ego, Claire. However, Perry first came to public attention in 2003 when he won the Turner Prize, the first ceramicist to do so, and rapidly established a unique brand as ‘the transvestite potter’. Ceramics are still central to Perry’s work as an artist, and this book examines the plates, pots and statues from the early 1980s to the mid-1990s that laid the foundations of his career. It traces his artistic development, examining the iconography and meaning behind the work, as well as placing his art in the context not only of his own psychological make-up in the period before he underwent therapy but also of the various subcultures of the London art scene. With essays by Grayson Perry, Andrew Wilson and Catrin Jones.

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Hot Cold Heavy Light collects 100 writings—some long, some short—that taken together form a group portrait of many of the world’s most significant and interesting artists. From Pablo Picasso to Cindy Sherman, Old Masters to contemporary masters, paintings to comix, and saints to charlatans, Schjeldahl ranges widely through the diverse and confusing art world, an expert guide to a dazzling scene. No other writer enhances the reader’s experience of art in precise, jargon-free prose as Schjeldahl does. His reviews are more essay than criticism, and he offers engaging and informative accounts of artists and their work. For more than three decades, he has written about art with Emersonian openness and clarity. A fresh perspective, an unexpected connection, a lucid gloss on a big idea awaits the reader on every page of this big, absorbing, buzzing book.

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How to Rule at Drawing features 50 bite-size tips and tricks to help you improve your art skills. This easy-to-follow, irresistibly illustrated book will get you in the habit of capturing not just what you see, but also what you feel. Whether you're a beginner just learning the basics or an expert looking to hone your skills, this handbook is the perfect easy-breezy volume for anyone who wants to up their art-making game. The simple and actionable takeaways will help readers take their sketching skills to new heights. • Filled with irresistible illustrations from artist Rachel Harrell • Accessible to beginners but still useful for the advanced artist • Easy-to-follow instructional content In How to Rule at Drawing, budding artists will discover new ways to warm up, master new tools and techniques, and make good art. Part of the How to Rule series, a collection of tiny how-to books you can take anywhere to improve your creative skills. • A perfect gift for aspiring and hobbyist artists, art students, burgeoning creatives, sketchers, doodlers, and mark-makers of all sorts • Makes drawing easy, approachable, and super fun • Great for readers and artists who enjoyed How to Draw What You See by Ruby De Reyna, Drawing for the Absolute Beginner: A Clear & Easy Guide to Successful Drawing by Mark Willenbrink, and Draw the Draw 50 Way by Lee J. Ames

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This dazzling volume records the artist’s travels through the Lone Star State, a grand expedition for our time Renowned artist Mark Dion (b. 1961) has a deep passion for history and the natural world. His installations mine the materials of the past to level an institutional critique in the present. Evoking the grand expeditionary journals of the 19th century, this singular volume records Dion’s latest work, produced through his crisscrossing of Texas and exploration of the Lone Star State. Dion retraces the travels of four artists and naturalists—John James Audubon, Sarah Ann Lillie Hardinge, Frederick Law Olmsted, and Charles Wright—who journeyed to the region over a century ago. Dion’s travel companions include preservationists, ranchers, botanists, a poet, a tarot card reader, and fellow artists who offer accompanying texts, while lavish illustrations feature the objects Dion made or collected during his travels alongside historical artworks and botanical specimens. The result is a stunning document of the American West, past and present.Distributed for the Amon Carter Museum of American ArtExhibition Schedule:Amon Carter Museum of American Art, Fort Worth (February 8–May 17, 2020)

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An in-depth look at the transformative influence of Mexican artists on their U.S. counterparts during a period of social change The first half of the 20th century saw prolific cultural exchange between the United States and Mexico, as artists and intellectuals traversed the countries’ shared border in both directions. For U.S. artists, Mexico’s monumental public murals portraying social and political subject matter offered an alternative aesthetic at a time when artists were seeking to connect with a public deeply affected by the Great Depression. The Mexican influence grew as the artists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros traveled to the United States to exhibit, sell their work, and make large-scale murals, working side-by-side with local artists, who often served as their assistants, and teaching them the fresco technique. Vida Americana examines the impact of their work on more than 70 artists, including Marion Greenwood, Philip Guston, Isamu Noguchi, Jackson Pollock, and Charles White. It provides a new understanding of art history, one that acknowledges the wide-ranging and profound influence the Mexican muralists had on the style, subject matter, and ideology of art in the United States between 1925 and 1945.Published in association with the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art, New York (February 17–May 17, 2020)McNay Art Museum, San Antonio (June 25–October 4, 2020)

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The artists featured in this book approach the inner self through a variety of media. The work of Njideka Akunyili Crosby comprises vibrantly patterned paintings on paper that negotiate the complex cultural terrain of a life formed between two worlds: her adopted home in America and her native Nigeria. Inspired by photography, fashion, architecture, and design, as well as her own family history, Akunyili Crosby’s works often feature domestic spaces that function as physical, conceptual, and emotional points of arrival and departure. Conversely, the Portuguese sculptor Leonor Antunes focuses on migration and the transformation of form and ideas beyond temporal and geographical spaces. The starting point for her elegant site-specific sculptures is the exploration of art, design, and architectural history. Adriana Varejão addresses the colonial history of Brazil in her visceral sculptures and paintings. She often deploys the motif of the wall, the boundary between inside and outside, in her work. The omnipresence of the past also colours the work of trained stage designer Henrike Naumann, whose immersive installations engage with the history of East-West German relations, as well as contemporary instances of right-wing ideology. Naumann explores the mechanisms of radicalisation and explores how they manifest themselves in space. Taken together, the works offer a radical and innovative formal language that positions interiority as both political and aesthetic.

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This book provides a revolutionary new 3-step tracing technique that beginning artists can use to quickly learn to draw manga characters just like a pro!Every page presents a classic manga pose, from walking and running to jumping for joy, in three different steps: A simple outline of the body The defining elements of the character (like clothes, hair and facial expression) highlighted for easy tracing so you can practice placing them onto the basic body outline. The finished drawing (for inspiration). Popular manga artists Junka Morozumi and Tomomi Mizuna guide you through a series of carefully graded lessons to build up your skills gradually. Each pose and scene has a star skill level, so you can build your way up from 1 to 5! Chapter 1 deals with the basic poses of standing, walking, and running. Chapter 2 presents signature manga poses such as turning around in surprise and being angry with hands on hips. Chapter 3 practices various sitting and lying down poses. Chapter 4 deals with drawing perspective, looking at characters from above, below and diagonal viewpoints. Chapter 5 focuses on 2-person manga poses including the classic prince with a princess in his arms. Chapter 6 lets readers try out the skills they have acquired by tracing and copying a full-page manga illustration containing multiple characters. These six chapters are supplemented by expert tips and easy exercises for capturing the right facial expressions, drawing the clothes and getting the perspective and body proportions right.Beginning manga artists are in good hands with Morozumi, who lectures at art academies in Tokyo, and Mizuna, whose work has been exhibited in the U.S., Europe and beyond. If you've been looking for an easy-to-use guide to drawing manga, The Manga Artist's Handbook: Drawing Basic Manga Characters is the perfect place to start!

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Two superstars of anime and manga open their studio doors and spill their secrets in this private master class.Join Hisashi Kagawa, an animation director for Sailor Moon, and Yoshihiko Umakoshi, a character developer for My Hero Academia, as they show you how to bring your battle heroines boldly to life.Helpful sidebars and tips appear in dialogue bubbles throughout this book, as the artists guide aspiring illustrators from initial idea to finished artworks, pointing out common missteps and pitfalls that can easily frustrate beginning artists along the way.The essential techniques and design elements needed to create engaging female-led battle scenes are first reviewed in detail. Then each author walks the reader through their entire creative process of developing an original story from beginning to end. Along the way the authors give you hundreds of helpful tips on how to create compelling characters and render realistic expressions and poses, showing you how practiced professionals work. Starting from a storyboard sequence of simple sketches you'll progress to a polished finished drawing.By learning from two artists with different styles at the same time, readers get twice the advice and emerge doubly prepared to create scenes, stories and battle heroines of their own.

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A Financial Times Book of the Year: the definitive story of fashion's most enigmatic icon. Karl Lagerfeld lived a very public life. He shaped the Chanel and Fendi brands for decades, and his wit and wisdom amused and informed the world. Yet despite a massively public persona, his hinterland remained unknown. What is the truth behind this larger-than-life but enigmatic figure? The journalist and fashion specialist Alfons Kaiser met Lagerfeld on numerous occasions. He has now written the first authoritative biography on this fascinating character, whose life has always been marked by elements of secrecy. From his parents’ links with the Nazi regime to Lagerfeld’s last days in the company of only his closest friends, this book – the result of unprecedented archival and field work – divulges all the facets of a passionate artist and workaholic: the precocious boy who preferred to draw in the attic rather than play with his peers; the son who quarrelled with his parents but never got away from them; the competitor of Yves Saint Laurent, whom he outshone in the end; the brother, uncle, friend; and finally, the partner of Jacques de Bascher, the great love of his life.

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A down-to-earth, visual guidebook that shows how to ‘read’, understand and get the most out of art. For beginners, art history might seem a daunting subject with complex rules and impenetrable technical language. Even for more seasoned art lovers the question of how to think about art is a perennial riddle. Art Unpacked is the perfect resource for both audiences: an engaging, visual primer for the general reader, as well as educators. Designed like an instruction manual, fifty key artworks from around the world are deconstructed with pithy explanations, diagrams and close-ups, in order to reveal the elements that make up a masterpiece. Dating from the earliest times to the present, the artworks under analysis are drawn from many cultures, and cover all forms of visual media including: drawing, illustration, photography, prints and sculpture. Matthew Wilson’s simplicity of approach, using established art historical methods, enables the reader to discover the fundamentals of art history, from considerations of function, historical context, iconography and artists’ experience, to broader issues of identity including feminism, gender and postcolonialism. Whether it’s the mask of Tutankhamun or Dorothea Lange’s photograph of Migrant Mother, Hokusai’s Great Wave or Kara Walker’s Gone, each image is dissected on the page in a no-nonsense style, with explanatory notes detailing artists’ sources of inspiration, associated styles and movements, plus any relevant quotes, related visuals and other contextual and issue-led information with keywords for handy cross-referencing. The resulting book is a dynamic, visual resource that will inspire and spark enjoyment of art in all its forms.

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Exploring art made in Latin America during the 1930s and 1940s, Hemispheric Integration argues that Latin America’s position within a global economic order was crucial to how art from that region was produced, collected, and understood. Niko Vicario analyzes art’s relation to shifting trade patterns, geopolitical realignments, and industrialization to suggest that it was in this specific era that the category of Latin American art developed its current definition. Focusing on artworks by iconic Latin American modernists such as David Alfaro Siqueiros, Joaquín Torres-García, Cândido Portinari, and Mario Carreño, Vicario emphasizes the materiality and mobility of art and their connection to commerce, namely the exchange of raw materials for manufactured goods from Europe and the United States. An exceptional examination of transnational culture, this book provides a new model for the study of Latin American art.

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A treasure trove of carefully selected letters written by great artists, providing unique insight into their characters and a glimpse into their lives. Artists’ Letters is a collection of intriguing, entertaining, moving, significant, surprising, witty and insightful correspondence from great artists. Arranged thematically, it includes writings and musings on love, work, daily life, money, travel and the creative process. On the theme of friendship, for example, letters provide evidence of a creative community between peers, with support and mutual appreciation that helps to dispel the myth of the artist as solitary genius. Letters between Vincent van Gogh and Paul Gauguin show an ongoing conversation and exchange of ideas. We see mutual admiration between Claude Monet and Berthe Morisot, and Picasso’s quick notes to Jean Cocteau illustrate their closeness. Letters, some of which includes sketches and drawings, are reproduced with the transcript and some background and contextual information alongside. Artists include: Salvador Dali, Goya, Lucian Freud, Vanessa Bell, Michelangelo, Mondrian, Gustav Klimt, Jasper Johns, Edward Burne-Jones, William Blake, Marcel Duchamp, Dorothea Tanning, Paul Gauguin, Vincent van Gogh, Picasso, Mark Rothko, David Hockney, Monet, Marina Abramovic, Cindy Sherman, Joseph Cornell, Leonora Carrington, Wang Zhideng, Yayoi Kusama, Yoko Ono, Renoir, Rubens, Eva Hesse, Cy Twombly, Roy Lichtenstein, Mary Cassatt, Jackson Pollock, Leonardo da Vinci, Joseph Beuys, Judy Chicago, Frida Kahlo, Alfred Stieglitz, Georgia O'Keeffe, Auguste Rodin, Camille Claudel, Henry Moore, Joshua Reynolds, Rembrandt, Whistler, Anni Albers, Naum Gabo, Kazimir Malevich, Francis Bacon, Ana Mendieta, Lee Krasner, Andy Warhol

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Arts philanthropy is at a crucial moment: many arts organisations are facing a financial crisis, the 2020-21 Covid-19 pandemic exposed the fragility of existing funding structures, and various social initiatives and causes have thrown renewed focus on how the arts are funded. Around the world, a new generation of philanthropists is emerging with different motivations and priorities. This book offers an open and wide-ranging exploration of philanthropy in the arts from the perspectives of both the donors and the recipients, seeking to improve understanding on both sides, and asks what the future holds for arts philanthropy given the rapidly changing landscape. It provides an essential guide for collectors, philanthropists and patrons, as well as art-market and museum professionals, on the peculiarities of giving and taking in the arts sector.

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This is the first guide to sites in the British Isles connected to the French Revolutionary and Napoleonic wars to be published. Stately homes, memorials, statues, dockyards, fortifications, tombs, churches, hospitals and museums associated with the wars are all described in vivid detail. There are hundreds of such sites with many of them being closely linked to military heroes like Wellington and Nelson and the forces they commanded. Highpoints include not only St Paul's Cathedral, Nelson's Column and Apsley House in London but more obscure monuments and buildings outside the capital like Edinburgh Castle, HMS Victory in Portsmouth Dockyard, the Western Heights Fortifications in Dover, Fishguard invasion site in Wales, Castlebar battlefield in Ireland and Martello towers along the English coastline. Many minor sites of great interest are listed too. David Buttery's guidebook gives the reader a fascinating insight into this long period of conflict between the British and the French and into the buildings, statues and memorials that commemorate it.

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Learning from China showcases 50 of the country’s pioneering retail designs and explores them as windows into the industry’s future. As e-commerce uproots the norms and conventions of physical retail, Chinese retailers are showing the way forward. What can designers, architects and industry leaders learn from this melting pot of innovation? Departing from Frame’s successful Powershop series, Learning from China showcases 50 retail designs developed by a troupe of national and international designers in China. From multifunctional lifestyle destinations and food kiosks to multi-brand stores and themed pop-ups, this curated selection of case studies provides a window into the future of the industry.

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Kenneth Frampton: Conversations with Daniel Talesnik presents seven interviews with the architectural historian reflecting on the long arc of his rich and influential career in the discipline. Spanning Frampton’s early years as an architecture student at the Guildford School of Art to his nearly fifty years as a professor at Columbia University’s Graduate School of Architecture, Planning, and Preservation, the interviews trace not only the development and implications of his work but also the cultural, political, and discursive terrain surrounding it. Here Frampton outlines the formation of his seminal ideas of “critical regionalism” and “tectonic culture,” and also ruminates on how he understands his own role as a writer on architecture. The book includes an essay by Mary McLeod, which takes stock of Frampton’s “criticality” and his enduring impact on architectural practice. As a whole, Kenneth Frampton: Conversations with Daniel Talesnik is as much a portrait of a thinker as a record of the books, buildings, and ideas that have inspired such profound architectural thought.

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Published in 1986, Nan Goldin’s Ballad of Sexual Dependency, with its fresh, unflinching portrayal of the photographer’s circle of friends, dramatically changed the course of photography. Decades on, the series retains its searing power, influencing new generations of artists. Goldin herself remains a bold, singular force in our culture. Recently, she has taken on the Sackler family, shining a light on their role in creating America’s opioid crisis. Goldin’s trenchant activism is a reminder of the artist’s power to effect social change. The Ongoing Ballad issue of Aperture magazine is organized around the themes contained within the original ballad—intimacy, friendship, community, love, sex, trauma, music—while also honoring the urgent role of the artist as a force for cultural and social change.

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An in-depth portrait of the life and work of Shoji Hamada, one of the key figures behind the development of studio pottery in the 20th century, and the legacy he left. Shoji Hamada was one of the seminal figures in 20th century ceramics. Along with the British potter Bernard Leach, he was instrumental in the development of the international Studio Pottery movement in the early 1900s. Their dramatic influences are still felt today, particularly in the United States and Great Britain. Hamada, also a major figure in Japan’s folk art revival, was designated a ‘Living National Treasure’ by the Japanese government in 1955 and awarded the Order of Culture in 1968. Shoji Hamada is an ebullient and fascinating portrait of a great potter, tracing his place in the ceramic tradition and revealing a keen perception of his energetic lifestyle, dazzling work cycle, and intriguing specifics about the firing of his kilns. The text and over 200 new colour photographs from Peterson’s stay at Hamada’s compound in 1970 present a wealth of detail about techniques and processes. Equally important are the author’s insights depicting Hamada’s bequest to us: one whose life was concentrated toward the perpetuation and achievement of fundamental, unchanging and universal values and goals. In this completely re-designed and updated version of her classic book, Susan Peterson brings together the East-West connection personified by Hamada and Leach. In a completely new concluding chapter, she assesses Hamada’s ongoing legacy to the world of studio pottery. This is an authoritative account of one of the towering figures in the ceramics world by one of the first people to welcome him to America in the early 1950s. The book is a must for anyone interested in the evolvement of hand pottery and the dynamics of ceramics in general.

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This first ever monograph in English on Olga Jevrić offers a unique opportunity to discover the work of a remarkable Serbian artist whose long and distinguished career established her as the most significant modernist sculptor from the former Yugoslavia. Despite gaining widespread acclaim from her contemporaries both in Europe and the USA, economic, social and geopolitical upheavals meant that her work has been little seen outside Serbia in the past four decades. As a witness to the Second World War and its aftermath, Jevrić sought to give voice to the spiritual roots, cultural foundation and social conditions of the war-torn environment in which her work developed. Through her materials – primarily a mixture of cement, iron oxide, rods and nails – she created distinctive forms that communicate the relationship between matter and void; weight and weightlessness; containment and release. Though many of her works are modest in scale, they have an immensely powerful presence. This collection of texts and images provides a range of perspectives on, and a thorough contextual overview of, Jevrić’s work from some of the UK’s most influential sculptors, alongside prominent art historians from the former Yugoslavia. It was produced in celebration of Jevrić's exhibitions at London art platforms PEER (28 June–14 September 2019) and Handel Street Projects (28 June–13 December 2019), along with the acquisition of nine of her sculptures by Tate Modern.

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Information Design Workbook, Revised and Updated takes a methodical, comprehensive, approach to conveying the fundamentals of effective, innovative information design. With loads of new case studies demonstrating the latest approaches, you'll learn about the history, theory, criticism, technology and media, process, method, and practice of information design as well as learn how to create visually compelling and meaningful graphics. Opening with a brief history followed by an instructive breakdown of the discipline, get an intimate understanding of the complexities of crafting information designto effectively improve communication both functionally and aesthetically. You'll learn every aspect of the discovery process, including how to work within your client's business structure, create a project timeline, identify and prioritize possible audiences, construct a creative brief, and explore personas (user profiles) and scenarios. Then, explore best practices and get practical tips on creating planning documents and testing your design. An overview of key design principles—including color, type styling, structure, and graphic elements—shows you how to apply these basic tools to develop powerful information design solutions. A wide range of case studies from premier design firms around the world illustrate how all the complex considerations and techniques outlined in the first half of the book come into play. The author critiques and explains why each design is successful in terms of formal quality (Aesthetics) and function (How does it improve communication?). The case studies include cutting edge examples of printed matter, information graphics, interactive experiences, environmental design, as well as experimental projects. Using these principles and methods as a foundation and the real-world examples as a springboard, you can learn to execute well-crafted, functional, and aesthetically beautiful information design.

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An innovative look at the creation of Leonardo’s The Virgin of the Rocks This concise but innovative book, published to accompany an immersive digital exhibition at the National Gallery, London, focuses on a single Leonardo painting, and one of the artist’s most celebrated: The Virgin of the Rocks. The quarter-century process of its creation is described, while a technical study shows how the latest scanning technology has been used by the National Gallery to explore beneath the surface of the picture, resulting in new insights into Leonardo’s approach, optical theories, and painting technique. Illustrated with details of the painting, technical images, drawings, and comparative works, this volume combines the expertise of curators, conservators, and scientists in order to introduce readers to a fresh perspective on one of history’s most extraordinary minds.Published by National Gallery Company/Distributed by Yale University PressExhibition Schedule:National Gallery, London (November 9, 2019–January 12, 2020)

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The archetypal artist of the High Renaissance, Raphael is regarded as one of the greatest painters of all time. Particularly noted for his paintings of Madonna and Child, his art spanned religious and classical subjects and included a number of portraits and frescoes that are renowned for the excellent skill and grandeur they convey. This beautifully illustrated new book discusses Raphael’s life as well as the themes, styles and techniques of his art, along with examples of his most famous works like The School of Athens, Sistine Madonna, The Triumph of Galatea and Transfiguration.

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Life and work of the artist and style icon Frida Kahlo in a compact overview. Frida Kahlo has become an icon of art with her powerfully expressive work. Her pictures not only reflect a view of herself, her fears, the biography of her illness, her passions and her joie de vivre; they also take up subjects which were regarded by society as taboo. As a pioneer of the feminist movement, this Mexican artist serves women the world over as a figure of identification. Pride and strength, vulnerability and bitterness all lie close to each other in Frida Kahlo’s art. Her self-portraits, which make up the principal part of her work, not infrequently show a charismatic woman dressed in traditional Tehuana costume, which the artist wore as a visible sign of her culture and her Mexican roots, but also to hide her wounds. Kahlo’s biography had a direct influence on her subjects: her not uncomplicated marriage to the artist Diego Rivera, her tragic accident, and her childlessness, loneliness and grief.

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A new edition of a classic title from a master artist! From the basics of drawing from life, to drawing the human figure from memory, Figure Drawing without a Model is the perfect introduction to the technique of drawing accurate and evocative figures without a life model. Author Ron Tiner offers a course of instruction illustrated with his own work that is designed to encourage artists of all levels and abilities, including cartoonists and graphic artists. Starting with informal sketches and a brief introduction to anatomical structure, readers are guided through the process of bringing a figure to life on the page through lessons in figure movement, exploring how the body shows its age, expresses emotion and displays character. Key to learning the skills necessary to produce beautiful and accurate artworks and illustrations is the ability to portray anatomically accurate, yet also dynamic and expressive, figures. To do this from memory and imagination frees the artist to create, wherever, whenever, and with no limitations on pose. By learning the skills taught in Figure Drawing Without A Model, the artist can gain that freedom and apply them to all circumstances. Perfect for all artists, from the beginner to the more experienced, the breadth of styles and depth of knowledge conveyed from a master of the craft makes it easy to learn the art of figure drawing, and apply those lessons to illustration, graphic design, and in graphic narratives. With his years of experience, Ron Tiner shares how producing accurate figures from memory can elevate your drawing practice and give artists the freedom to explore different styles.

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Lawrence Weiner, born 1942 in the Bronx, New York City, is a key protagonist of early conceptual art. His work is characterised by his use of language as an artistic medium. It is descriptive rather than prescriptive and does not instruct the viewer to perform a particular action or interpret a piece in any unequivocal sense. Rather, it presents the viewer with an infinite number of meanings and equally infinite possibilities for realisation. ATTACHED BY EBB & FLOW is an installation Weiner created for Museo Nivola in Orani, Sardina. The title refers to the tides and relates to Sardinia-born artist Costantino Nivola's experience of exile and relocation, as well the current migrant crisis in the Mediterranean Sea. Sentences are translated from English to Italian to local Sardu, using different words and verbal constructs and presented simultaneously to open manifold possibilities to read and interpret: something may be lost in translation, yet much more can be found. Text in English and Italian.

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Enjoy the countdown to Christmas! Open a numbered window every day in December until the big day and reveal a beautiful image to help you get in the festive spirit! Produced in partnership with The Courtauld, each window reveals a detail of a masterpiece from their incredible collection, including Renaissance and Modern works from such artists as Lucas Cranach the elder, Manet, Degas, Gauguin and Van Gogh. The front cover has been created by the artist Bertille de Lestrade, who has imagined the London house of art collector Samuel Courtauld decorated for Christmas. Printed on FSC-certified paper.

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A CELEBRATION OF THE SCIENCE AND ART OF MAORI WEAVING, FOCUSED ON THE LARGEST COLLECTION OF MAORI CLOAKS IN THE WORLD Weaving is more than just a product of manual skills. From the simple rourou (food basket) to the prestigious kahukiwi (kiwi feather cloak), weaving is endowed with the very essence of the spiritual values of Maori people. This award-winning book opens the storeroom doors of the Te Papa Tongarewa Maori collections, illuminating the magnificent kakahu in those collections and the art and tradition of weaving itself. More than fifty rare and precious kakahu are featured within this book, with glossy colour detail illustrations of each, plus historical and contextual images and graphic diagrams of weaving techniques. These are accompanied by engaging descriptions bringing together information on every cloak - its age, materials, and weaving technique with quotes from master weavers and other experts, stories of the cloaks, details of their often remarkable provenance, discussion of how the craft is being revived and issues to do with cloaks held in international museums. A full glossary, illustrated guide to cloak types, and index are included. Contemporary cloaks made with novel materials also feature.

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Today one of Australia's leading architects, Angelo Candalepas's career lifted off in 1994, when, at the age of twenty-six, he gained wide recognition for his winning project in the international competition for housing in Sydney's Pyrmont neighbourhood. Over the course of twenty-five years, the designs of Sydney-based firm Candalepas Associates have won numerous awards and have been widely published internationally in magazines and journals. They show a development of architectural considerations drawing upon the heritage of past masters such as Louis I. Kahn, Carlo Scarpa, or Le Corbusier, and that of eminent Australian architects Glenn M. Murcutt, Richard Johnson and Colin Madigan. This has evolved into a body of work of a quality rarely found in Australia's contemporary architectural environment. This first full-scale monograph features a selection of on Angelo Candalepas's key designs through photographs, plans and elevations as well as his hand-drawings and sketches. Completed buildings feature alongside unrealised projects that mark milestones in the firm's development, and other not yet built ones, also offering an insight into the firm's future trajectory. Together with topical essays by Alberto Campo Baeza and Laura Harding as well as an insightful text by the architect it offers a comprehensive, lavishly illustrated survey of the outstanding achievements of Candalepas Associates to date.

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A stylish collection of legendary designer Yves Saint Laurent’s maxims on fashion, craft, women and inspiration, presented in an attractive gift format. Founded by Yves Saint Laurent and Pierre Bergé in 1962, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. The designer put the women who wore his clothes first (‘What’s most important in couture is the body we dress, the woman we dress, more so than the ideas we might have’) and was determined to change attitudes of the era (‘Fashion’s purpose was not only to make a woman look beautiful, but also to reassure them and to give them confidence’). He could be critical of the fashion industry (‘I adore clothes but I hate fashion’) and saw himself as a craftsman who perfectly understood his customer (‘I think there are three kinds of designers. The big ones, the real ones, and those who know how to strike a chord with a woman just by making a very simple dress, or a very simple suit’). Presented in a beautiful package and accessible format, The World According to Yves Saint Laurent is the perfect gift for fashion fans, capturing the essence of a true visionary.

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What makes the places we inhabit extraordinary? Why are some urban spaces more vital and restorative? Wonderful landscapes, inspiring works of architecture and urban design, and the numinous experiences that accompany them have been an integral dimension of our culture. Up-lifting spaces, dramatic use of natural light, harmonic proportional geometry, magical landscapes, historic sites and vital city centers create special, even sacred moments in architecture and planning. This quality of experience is often seen as an aesthetic purpose intended to inspire, ennoble, ensoul and spiritually renew. Architecture and urban spaces, functioning in this way, are considered to be thin places.

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A visual compendium of botanical sketches, many specially photographed, providing a revealing insight into the immediate responses of artists encountering the glories of the plant world. While highly finished drawings and paintings frequently feature in histories of botanical art, the preparatory sketches, first impressions and creative thoughts on paper behind them are rarely seen and have often remained hidden and locked away. Botanical Sketchbooks brings these personal and vividly spontaneous records gloriously back into the light. In a series of biographical portraits organized thematically into four sections, the book illuminates a range of intriguing characters, from many different countries and cultures, including Germany, France, Italy, America, Australia, Japan and China. Sketchbooks proper are joined by notebooks, journals, albums, loose pieces of paper, works on vellum, manuscripts, letters, herbarium sheets and marginalia – even one drawing on the back of an envelope. Turning the pages of this book will be an invitation to relive extraordinary experiences, imagine lost worlds, and be immersed in the endeavours, observations and motivations of the makers of such beautiful and enchanting art.

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It was around Kengo Kuma’s tenth birthday that he came into contact with Kenzō Tange’s fishlike Yoyogi National Gymnasium, completed for the 1964 Tokyo Olympics, and determined that he would become an architect. In the intervening five or so decades, he has become one of the world’s most fascinating and influential architects. Kuma is known throughout the world for his formally daring and materially expressive buildings, recognized for his inventive use of traditional materials, and his use of innovative materials in vernacular forms. He is perhaps less known for his work inside his native Japan, where he works actively towards the preservation of ancient building techniques and craft. A keen curiosity for all forms of building and a wealth of knowledge about the world acquired through expansive travels make Kuma a unique commentator on Tokyo’s dynamic architecture. Through twenty-five stories, this intimate little publication paints a picture of how a building inspired a boy to become an architect, how Japan’s national heritage helped form his thinking, and how his professional experience has made him one of the most successful architects of his generation. This book contains something for everyone: design acumen, insights into Japanese culture, a tour of Tokyo and the heartfelt commitment to producing buildings that have meaning and longevity.With 41 illustrations, 21 in colour

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The aesthetic of our contemporary environment, including everything from housing developments to furniture and websites, is partly the result of a school of art and design founded in Germany in 1919, the Bauhaus. While in operation for only fourteen years before being shut down by the Nazis in 1933, the school left an indelible mark on design as well as the practice of art education throughout the world. Placing the Bauhaus into its socio-historic context, Frank Whitford traces the ideas behind the school’s conception and describes its teaching methods. He examines the activities of the teachers, who included artists as eminent as Paul Klee, Josef Albers and Wassily Kandinsky, and the daily lives of the students. This remains the most accessible and highly illustrated introduction to perhaps the most significant design movement of the last hundred years.

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A controversial manifesto on the role of classical principles in architecture critically examined for relevance today. First published in 1959, The Golden City is a seminal, critical document that developed one of the earliest and most compelling arguments against the then-dominant hegemony of modernism by reawakening interest in the value of our country's built patrimony, particularly with respect to its notable classical architecture, classical sculpture, and ornament in the built environment. The book's argument remains valuable today. The Golden City can be credited with building the constituency for the preservation movement in the United States in general, and in New York City in particular. That constituency coalesced around Reed's powerful polemic, eventually contributing to the formulation in 1965 of New York City's groundbreaking Landmark Law, one of the most important milestones in the preservation movement in the United States.

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Mehboob Khan's 1957 epic family drama Mother India, starring movie legends Nargis, Sunil Dutt and Rajendra Kumar, is a cornerstone of Indian cinema. In her insightful study of this classic, Gayatri Chatterjee draws on new research in the Mehboob studio archive to outline the film's eventful production history, the ambitious vision of its director, and the performances of its stars. Rooted both in Hindu mythology and in the collective experience of a newly-independent nation-state on the brink of industrialisation and social change, this family melodrama inexorably towards tragedy and renewal. Chatterjee's careful analysis reflects the film's vibrancy and passion and illuminates its many aspects - performance styles, reception and reputation, mythological underpinnings, its relationship to India's post-Independence culture and politics, and its many references to the history of a country in transition. In her foreword to this new edition, the author reflects upon the film's impact at the time of its release, and its continuing resonance for audiences in many different countries around the world.

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Winston Churchill hated The Life and Death of Colonel Blimp, and tried to have it banned when it was released in 1943. But Martin Scorsese, a champion of directors Michael Powell and Emeric Pressburger, considers it a masterpiece. It’s a film about desires repressed in favour of worthless and unsatisfying ideals. And it’s a film about how England dreamt of itself as a nation and how this dream disguised inadequacy and brutality in the clothes of honour. A. L. Kennedy, writing as a Scot, is fascinated by the nationalism which The Life and Death of Colonel Blimp explores. She finds human worth in the film and the pathos of stifled emotions and unfulfilled lives. ‘If he is unaware of his passions, ‘ she writes of Clive Candy, the film’s central figure, ‘this is because his pains have become habitual, a part of personality, and because he was never taught a language that could speak of emotions like pain.’. This edition includes a foreword by the author exploring the film's continuing relevance in an age of Brexit, when English and British national identity are deeply contested concepts.

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Helen Lewis' acclaimed memoir, A Time to Speak (Blackstaff Press, Belfast, 1997), tells the story of the first thirty years of her life in Czechoslovakia, from childhood to her professional training as a choreographer and dancer. It also contains her devastating account of Nazi persecution, of loss and suffering in the Holocaust: Helen came very close to death. Maddy Tongue now completes the story of this extraordinary woman who overcame unimaginable suffering to become a creative force in Ireland. The author's friendship with Helen lasted for more than fifty years. As a dancer she performed in many of Helen's significant works. Shadows Behind the Dance describes Helen's creative approach, her struggle to overcome an Irish indifference to modern dance, her pursuit of perfection and her unshakeable belief in humanity. In Ireland today the presence of modern dance owes much to her innovative teaching and practice. Shadows Behind the Dance is supplemented with Chris Agee's 2002 interview with Helen, "An Irish Epilogue", and a folio of Holocaust poems and drawings by Michael Longley and Sarah Longley (who was a pupil of Helen's). Helen's sons, Robin and Michael, have also written a Foreword. The book has been generously funded through subscription by family, friends, colleagues and admirers of the unforgettable Helen Lewis.

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