Art & Photography

A monumental gathering of more than 60 contemporary artists, photographers, musicians, writers and more, showcasing diverse approaches to Indigenous concepts, forms and mediums This landmark volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, An Indigenous Present presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. An Indigenous Present foregrounds transculturalism over affiliation and contemporaneity over outmoded categories. Artists include: Neal Ambrose-Smith, Teresa Baker, Natalie Ball, Laakkuluk Williamson Bathory, Rebecca Belmore, Andrea Carlson, Nani Chacon, Raven Chacon, Dana Claxton, Melissa Cody, Chris T. Cornelius, Lewis deSoto, Beau Dick, Demian DineYazhi’, Wally Dion, Divide and Dissolve, Korina Emmerich, Ka’ila Farrell-Smith, Yatika Starr Fields, Nicholas Galanin, Raven Halfmoon, Elisa Harkins, Luzene Hill, Anna Hoover, Sky Hopinka, Chaz John, Emily Johnson, Brian Jungen, Brad Kahlhamer, Sonya Kelliher-Combs, Adam Khalil, Zack Kahlil, Kite, Layli Long Soldier, Erica Lord, Cannupa Hanska Luger, Tanya Lukin Linklater, James Luna, Dylan McLaughlin, Meryl McMaster, Caroline Monnet, Audie Murray, New Red Order, Jamie Okuma, Laura Ortman, Katherine "KP" Paul/Black Belt Eagle Scout, Postcommodity, Wendy Red Star, Eric-Paul Riege, Cara Romero, Sara Siestreem, Rose B. Simpson, Jaune Quick-to-See Smith, Hulleah J. Tsinhnahjinnie, Anna Tsouhlarakis, Arielle Twist, Marie Watt, Dyani White Hawk and Zoon a.k.a. Daniel Glen Monkman.

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In With Reference, Soo Chan of SCDA explores the fundamentals of architecture - going back to inspirations and precedents, examining basic building blocks and core values - in search of a universal spatial vocabulary for contemporary practice. As practice becomes increasingly globalised and fragmented, the applied design language has to absorb nuances of climate, craft, culture, and place. Through a rich diagrammatic analysis of seminal projects by SCDA as well as masters of architecture around the world, With Reference argues for the revival of a rule-based design language.

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Today letterpress is in revival and widely used in books, posters, bespoke stationery like invitations, name cards, letterheads and so on. Letterpress designers like Alan Kitching or Jesús Morentin crave out their names in the computer-generated design world with beautiful-composed types. This book introduces the history and the process of letterpress printing and includes a list of classic movable types arranged in style order. The volume also includes letterpress designers, artists, type foundries, institutions, or even museums from all over the world, each with an elaborated biography and exclusive interviews with the most relevant professionals in this area. It will prove to be a handbook for type designers, letterpress designers, type lovers, design students and ordinary readers who enjoy crafts and prints.

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Singapore Good Class Bungalow traces the development of stand-alone residential architecture in Singapore from its early days as a colony to the present. Expertly researched by noted academic and author Robert Powell, it is also a partial history of the architectural profession in Singapore, mentioning many of its eminent practitioners and their works. Alongside the iconic Singapore Shophouse and the ‘Black and White’ house, Singapore Good Class Bungalow brings the history of the island’s detached residential architecture up to date. A detailed introduction is followed by a study of the evolution of the bungalow — from early plantation residences, through the late Victorian and Edwardian styles, Arts and Crafts and Art Deco inspired bungalows to post-Independence residences. The latter includes a history of how the Good Class Bungalow emerged through a planning and preservation initiative into a triumph for the architectural profession in Singapore. Featured in this ambitious book are singular examples of Modern Tropical Bungalow design together with sympathetic and expert restoration projects, linking architectural heritage with modern best practice. Singapore Good Class Bungalow showcases over 100 bungalows, mostly extant, and contains references to all the major phases of construction in the city-state. Beautifully photographed by award-winning photographer, Albert Lim KS, this is a welcome addition to the historical literature on Modern Singapore. This book is an illustrated history of Singapore viewed from the verandas of a cornucopia of personalities including East India Company employees, revolutionaries, politicians, plantation owners, governors, entrepreneurs, towkays, diplomats, colonial civil servants, architects, as well as a plethora of ordinary people. It is also a partial history of the architectural profession in Singapore, with histories of many of its eminent practitioners including R A J Bidwell, Frank Wilmin Brewer, Swan & Maclaren, Ho Kwong Yew, Ng Sek Siang, James Ferrie, Lim Chong Keat, Alfred Wong, William Lim Siew Wai, Victor Chew, Tay Kheng Soon, Sonny Chan Sau Yan and, more recently, Mok Wei Wei, Ernesto Bedmar, Chan Soo Khian, Wong Mun Summ, Richard Hassell and Teh Joo Heng.

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Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradeable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. This example showcases Gustav Klimt's popular The Kiss design. The Kiss is a prime example of Klimt's 'Golden Phase', in which he began to feature especially sumptuous ornamentation on a regular basis in his paintings. The couple in this artwork represent the mystical union of spiritual and erotic love, and the connection of life and the universe.

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In 2018 India's prime minister, Narendra Modi, inaugurated the world's tallest statue: a 597-foot figure of nationalist leader Sardar Patel. Twice the height of the Statue of Liberty, it is but one of many massive statues built following India's economic reforms of the 1990s. In Gods in the Time of Democracy Kajri Jain examines how monumental icons emerged as a religious and political form in contemporary India, mobilizing the concept of emergence toward a radical treatment of art historical objects as dynamic assemblages. Drawing on a decade of fieldwork at giant statue sites in India and its diaspora and interviews with sculptors, patrons, and visitors, Jain masterfully describes how public icons materialize the intersections between new image technologies, neospiritual religious movements, Hindu nationalist politics, globalization, and Dalit-Bahujan verifications of equality and presence. Centering the ex-colony in rethinking key concepts of the image, Jain demonstrates how these new aesthetic forms entail a simultaneously religious and political retooling of the “infrastructures of the sensible.”

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Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. This example features Monet's Bridge over a Pond of Water Lilies. ‘All of a sudden,’ Monet would one day recall, ‘I had the revelation of the enchantment of my pond. I took up my palette…’ And the rest is art-history. Again and again – well over 200 times, and often working on an enormous scale – Claude Monet would return to water lilies as his subject.

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Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradeable cello bag, and are themed with our art calendars, foiled notebooks and illustrated art books. This example features 'Wheatfield with a Lark' by Vincent van Gogh.

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PALATE PALETTE was inspired by a simple question that floated around the Victionary studio one day: ‘What do the best artists/illustrators around the world love to eat?’ Brimming with colourful and characterful artwork, the book features a variety of mouthwatering illustrations as well as charming personal anecdotes hand-drawn by the artists/illustrators themselves – making it a feast for the senses that will fill fans of visual appeal (and food) with delight. Besides savouring the scrumptious drawings, wannabe-gourmands who draw inspiration from the pages will be able to try out some of the recipes included!

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In the 1960s and 1970s, a generation of young Americans rejected the promise of prosperity and the suburban dream embraced by their parents. Furious about the war in Vietnam, fighting for civil rights at home, and eagerly exploring the effects of psychedelic drugs, the delights of free love, and the mystical teachings of eastern religions, thousands followed the advice to "turn on, tune in, drop out," bringing about a counterculture in the process. For many American jewellers, these events and values found their way into the studio, as well as affecting how they lived, worked, and loved. Jewellers, like other studio craftspeople, rode the wave of popularity for the hand-made and authentic that was at the heart of the counterculture. In Flux is the story of how their jewellery contributed to the raucous, contradictory, and enthusiastic clamour for a new kind of society that made the 1960s and 1970s so extraordinary.

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“The Tower is also present to the entire world... a universal symbol of Paris... from the Midwest to Australia, there is no journey to France which isn’t made, somehow, in the Tower’s name.” — Roland Barthes When Gustave Eiffel completed his wrought iron tower on Paris’s Champ de Mars for the World’s Fair in 1889, he laid claim to the tallest structure in the world. Though the Chrysler Building would, 41 years later, scrape an even higher sky, the Eiffel Tower lost none of its lofty wonder: originally granted just a 20-year permit, the Tower became a permanent and mesmerizing fixture on the Parisian skyline. Commanding by day, twinkling by night, it has mesmerized Francophiles and lovers, writers, artists, and dreamers from all over the world, welcoming around seven million visitors every single year. Based on an original, limited edition folio by Gustave Eiffel himself, this fresh TASCHEN edition explores the concept and construction of this remarkable building. Step by step, one latticework layer after another, Eiffel’s iconic design evolves over double-page plates, meticulous drawings, and on-site photographs, including new images and even more historical context. The result is at once a gem of vintage architecture and a unique insight into the idea behind an icon.

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The Little Big Book of Breasts features over 150 celebrated big breast models from the 1950s, ’60s, and ’70s, including Michelle Angelo, Virginia Bell, Roxanne Brewer, Joan Brinkman, Lorraine Burnett, Lisa DeLeeuw, Uschi Digard, Sylvia McFarland, Chesty Morgan, Roberta Pedon, Rosina Revelle, Janie Reynolds, Candy Samples, Tempest Storm, Mary Waters, June Wilkinson, and Julie Wills, plus Guinness Book of World Records bra-buster Norma Stitz in a compact and inexpensive format. Photos come not just from the original 398-page edition, but from subsequent Big Breast Calendars, meaning that 40% of the content is unique to this edition. Add reduced text to make more room for the stunning black-and-white and color photos and how could anyone—big, small, or in-between—ask for a better deal?

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Six women, six stories. They make cartoons and graphic work in the besieged Syrian city of Idlib or unfree Egypt of President al-Sisi, they fight fat shaming and homophobia in Mexico, are on the run from president Putin, criticise Hindu nationalism and misogyny from Indian Prime Minister Modi or defy the powers that be in The Washington Post. Whether they are from Mexico, the USA, Syria, Egypt, India or Russia, they all belong to the absolute world top. But the way to the top was not an easy one for any of them.

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Genius. Anti-artist. Charlatan. Impostor! Since 1914 Marcel Duchamp has been called all of these. No artist of the 20th century has aroused more passion and controversy, nor exerted a greater influence on art, the very nature of which Duchamp challenged and redefined as concept rather than product by questioning its traditionally privileged optical nature. At the same time, he never ceased to be engaged, openly or secretly, in provocative activities and works that transformed traditional artmaking procedures. Written with the enthusiastic support of Duchamp’s widow, this is one of the most original and important books ever written on this enigmatic artist, and challenges received ideas, misunderstanding and misinformation.With 172 illustrations in colour

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People who saw the first moving pictures at the end of the nineteenth century were delighted by a new art that communicated without words – yet they were also alarmed to be witnessing events in a strange, mute, spectral realm, where the laws of time and space were suspended and magical transformations could occur. Some early commentators hailed cinema as a blessing and praised it for resurrecting the dead; others likened it to a hypnotic trance or a hallucinogenic drug. The medium has always been excited by speed, and it enjoys sending the body on furious kinetic chases; at the same time, it stealthily probes our minds, invading our dreams and titillating our desires. Although this is an art kindled by light and inflamed by colour, it is nurtured by darkness and can reduce life to an insubstantial shadow play. Either way, as Peter Conrad argues in this brilliant book, the movie camera has given us new eyes and changed forever our view of reality. The Mysteries of Cinema sets out to map this ambiguous territory by taking readers on a thematic roller-coaster ride through movie history. Directors and critics speculate about the nature of cinematic vision, and there are contributions to the debate from writers like Kafka, Virginia Woolf and Joan Didion, artists including Salvador Dalí, George Grosz and Fernand Léger, and the composers Arnold Schoenberg and Dmitri Shostakovich. The book begins from the audacious innovations of silent film, and examines the influence of French surrealism and German expressionism; it accounts for the appeal of Hollywood genres like the Western, the horror film and the musical, and ends by considering the fate of the moving image in our visually glutted society. Combining contagious enthusiasm with an eye for the subjective quirks of filmmakers and the allure of favourite performers, Conrad delivers an astonishing addition to the literature on the seventh art. With 61 illustrations

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How artists created an aesthetic of “positive barbarism” in a world devastated by World War II, the Holocaust, and the atomic bombIn Brutal Aesthetics, leading art historian Hal Foster explores how postwar artists and writers searched for a new foundation of culture after the massive devastation of World War II, the Holocaust, and the atomic bomb. Inspired by the notion that modernist art can teach us how to survive a civilization become barbaric, Foster examines the various ways that key figures from the early 1940s to the early 1960s sought to develop a “brutal aesthetics” adequate to the destruction around them.With a focus on the philosopher Georges Bataille, the painters Jean Dubuffet and Asger Jorn, and the sculptors Eduardo Paolozzi and Claes Oldenburg, Foster investigates a manifold move to strip art down, or to reveal it as already bare, in order to begin again. What does Bataille seek in the prehistoric cave paintings of Lascaux? How does Dubuffet imagine an art brut, an art unscathed by culture? Why does Jorn populate his paintings with “human animals”? What does Paolozzi see in his monstrous figures assembled from industrial debris? And why does Oldenburg remake everyday products from urban scrap?A study of artistic practices made desperate by a world in crisis, Brutal Aesthetics is an intriguing account of a difficult era in twentieth-century culture, one that has important implications for our own.Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC

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A beautifully illustrated study of the caves at Dunhuang, exploring how this important Buddhist site has been visualized from its creation to todaySituated at the crossroads of the northern and southern routes of the ancient silk routes in western China, Dunhuang is one of the richest Buddhist sites in the world, with more than 500 richly decorated cave temples constructed between the fourth and fourteenth centuries. The sculptures, murals, portable paintings, and manuscripts found in the Mogao and Yulin Caves at Dunhuang represent every aspect of Buddhism. From its earliest construction to the present, this location has been visualized by many individuals, from the architects, builders, and artists who built the caves to twentieth-century explorers, photographers, and conservators, as well as contemporary artists.Visualizing Dunhuang: Seeing, Studying, and Conserving the Caves is a paperback edition of the ninth volume of the magnificent nine-volume hardback set, and examines how the Lo Archive, a vast collection of photographs taken in the 1940s of the Mogao and Yulin Caves, inspires a broad range of scholarship. Lavishly illustrated with selected Lo Archive and modern photographs, the essays address three main areas—Dunhuang as historical record, as site, and as art and art history. Leading experts across three continents examine a wealth of topics, including expeditionary photography and cave architecture, to demonstrate the intellectual richness of Dunhuang. Diverse as they are in their subjects and methodologies, the essays represent only a fraction of what can be researched about Dunhuang. The high concentration of caves at Mogao and Yulin and their exceptional contents chronicle centuries of artistic styles, shifts in Buddhist doctrine, and patterns of political and private patronage—providing an endless source of material for future work.Contributors include Neville Agnew, Dora Ching, Jun Hu, Annette Juliano, Richard Kent, Wei-Cheng Lin, Cary Liu, Maria Menshikova, Jerome Silbergeld, Roderick Whitfield, and Zhao Shengliang.Published in association with the Tang Center for East Asian Art, Princeton University

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From the 1950s, Beirut and Lebanon have been a veritable laboratory of architectural modernity in the Middle East, calling on the greatest national and international architects. Institutions and large Lebanese companies have turned to concrete and so-called brutalist forms, participating fully to the renewal of world architecture. If Lebanon gave birth to a flowering of exemplary buildings of this period, this work is an invitation to discover more than thirty, often unknown and admirably captured by the gaze by Matthieu Salvaing. By their selection, the authors invite the reader to follow in their footsteps at the heart of the various modernist experiences who crossed Lebanon as so many testimonies of an international and generous vision. Public commissions, such as the emblematic Tripoli International Fair built by Oscar Niemeyer or the Ministry of Defense of André Wogenscky, with private villas such as those created by Henri Edde, passing by the Interdesign building of Khalil Khoury, this work is the celebration of a history happy with Lebanon, rooted in modernity and open to the world. Text in English and French.

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Learn to create unique, contemporary works of art with traditional carving tools and printmaking techniques. Step-by-step projects and creative lino prints make it fun and easy. Aspiring artists, illustrators, art students, and art hobbyists will discover how to use basic carving tools and techniques to design and create custom lino prints for distinctive works of art. Practical instruction combined with approachable step-by-step projects and inspirational imagery guide readers on an engaging, easy-to-follow exploration of block printing. Following an introduction to essential materials, such as printmaking inks, linoleum blocks, carving tools, and papers, Block Print for Beginners demonstrates how to get from uncarved block to finished print, including transferring a drawing, carving the block, working with inks, and achieving the best print results. Once comfortable with the basics, aspiring printmakers can move on to explore a series of step-by-step tutorials for creating a variety of lino prints with blocks they can use over and over again. From basic block prints to more advanced techniques, such as printing in repeated patterns and creating stationery, wrapping paper, wallpaper, and more, Block Print for Beginners provides a fresh, contemporary, and enjoyable approach to learning this time-treasured art form. The Inspired Artist series invites art hobbyists and casual art enthusiasts to have fun learning basic art concepts, relaxing into the creative process to make art in a playful, contemporary style. Also from the series, find even more artistic inspiration with: Draw Every Little Thing, Paint Every Little Thing, and Watercolor Painting at Home.

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Take your watercolor painting beyond the studio—learn how to effectively use color and light to capture mood, create atmosphere, and convey emotion on location. Geared for beginning artists, En Plein Air: Light & Color introduces a variety of techniques for on-location watercolor painting. Following a brief introduction to the basics of painting en plein air and an overview of the necessary tools and materials, you will learn how to choose a subject and paint a compelling outdoor composition using the subtleties of watercolor to create beautifully expressive subjects and themes. Other important topics include perspective, rendering the background and foreground, capturing both urban and pastoral landscapes, mastering color to convey weather and time of day, and much more. From choosing just the right subject to awaiting the perfect time of day, let En Plein Air: Light & Color guide you in your artistic travels as you explore this daring and expressive medium. Painting outdoors is a rewarding, peaceful experience full of joy, adventure, and persistence. Let the En Plein Air Series guide you in your artistic travels as you explore this daring and expressive method of painting, wherever you may be.

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In recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition. Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take pictures in winter, during the ‘blue hour’, which occurs immediately after sunset or just before sunrise. At this time, the warm yellow colours inside apartment block windows contrast with the twilight gloom outside. To Kotov, this atmosphere reflects the Soviet period of his imagination. His impression of this time is unashamedly idealistic: he envisages a great civilization, built on a fair society, which hopes to explore nature and conquer space. From the Baikonur Cosmodrome in the desert steppes of Kazakhstan to the grim monolithic high-rise dormitory blocks of inner city Volgograd, Kotov captures the essence of the post-Soviet world. ‘The USSR no longer exists and in these photographs we can see what remains – the most outstanding buildings and constructions, where Soviet people lived and how Soviet cities once looked: no decoration, no bright colours and no luxury, only bare concrete and powerful forms.’

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'Prepare to laugh, sob and dance: this lively history of Indian cinema is imprinted with the memories of a life-long cinephile.' The Telegraph'A gem of a book and a must for film lovers everywhere' Abir Mukherjee'My biggest recommendation of the year. Sunny Singh's honouring of story and history shine through powerfully - an exquisitely enjoyable read' Nikita GillLike all Indians, Sunny Singh was born and brought up in a country of film fanatics. She and her friends waited impatiently for the latest releases, listened to the songs on radio and wore clothes inspired by those seen on screen. They learned about India and the world, determined their enemies and friends, and chose their moralities thanks to films.A Bollywood State of Mind is a personal, intellectual and emotional journey which crosses five continents and 50 years of modern Indian history and cinema and explores why Bollywood means so much to so many across the globe. Sunny describes how this exceptional cinema retains its hold on the national imagination, how Bollywood has enhanced India's global standing in the 21st century, and how its characteristics endure despite the social and political changes.Ranging over history, aesthetic theory and politics, A Bollywood State of Mind explores encounters with Bollywood in the market places of Dakar and Marrakesh, in the nightclubs of New York, Barcelona and Mexico City, and in the ruins of Egypt's Valley of the Kings, Petra and beyond. It shows how the pioneers and heroes of Bollywood cut across national, linguistic and cultural lines not only in India but in far reaches of Somalia, Peru, Malaysia and Russia.

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Painting Photography Painting is the essential first collection of essays by critic and theorist Carol Armstrong, bringing together writings encompassing the many inflection points of her academic work, including French painting, early photography, feminist theory, and the representation of women and gender in the visual arts. In the book's titular essay, Armstrong asks of Ellen Gallagher's 2008 painting An Experiment of Unusual Opportunity, which depicts a barely-visible sea creature created out of ink, graphite, oil, varnish, and variously sliced paper, 'in what sense is this a painting exactly?' This enquiry into the very essence of the medium provides a thread that runs throughout the book's wide-ranging essays and ties together a variety of works on paper 'inscribed, drawn, printed, photographed, and variously pierced and punctured'. Considering these various works, Painting Photography Painting provides a compelling path through Armstrong's decades of writing, weaving together figures from across the nine-teenth and twentieth centuries including Helen Frankenthaler, Paul Cezanne, Ellen Gallagher, Georges Seurat, Julia Margaret Cameron, Tina Modotti, and Diane Arbus in a single, illuminating volume.

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The idea of climbing a tree for shelter, or just to see the earth from another perspective, is as old as humanity. In this neat TASCHEN edition, take a tour of some of our finest arboreal adventures with the most beautiful, inventive, and enchanting tree houses around the world.From romantic to contemporary, from famed architects to little-known craftsmen, you'll scale the heights to visit all manner of treetop structures, from a teahouse, restaurant, hotel, and children's playhouse to simple perches from which to contemplate life, enjoy the view, and discover that tree houses take as many forms as the imagination can offer. With an abundance of gorgeous photographs and illustrations, this is an ode to alternative living, where playful imagination meets eco-sensitive finesse.

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A must-have tome for any ski fan, this wonderfully illustrated book is about all things skiing. Beginning with early Alpine pioneers through to the development of modern skiing, author and ski aficionado Gabriella Le Breton presents the evolution of this much-loved mountain sport and all the essentials of contemporary ski culture. Where is the longest run in the Andes? Which is the most spectacular descent in the Alps? Which is the most legendary hut in the Rockies? Hit the slopes with all of this expert insider info, as well as the best in ski fashion, style, accommodations, and après ski entertainment.

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Selected research projects and architecture exploring the role of design within complex social, political and environmental conditions Toshiko Mori is a New York-based architect and Professor in the Practice of Architecture at the Harvard University Graduate School of Design for many years. As a long-time member of the World Economic Forum’s Global Agenda Council on the Future of Cities, Mori led research and inquiry into sustainable architecture, enhancing cities’ livability, and creating efficient urban services. Mori is also on the board of Dassault Systems, a company connecting technology to environment and life science. And she has founded the platform VisionArc, a think tank dedicated to exploring the role of design within complex social and environmental issues. This book will focus on TMA’s projects based on research, and the impact of socially valuable projects to society. The book will illustrate how the observation of the architect operates as opposed to how the imagination of the architect manifests itself. Different chapters in the book are describing various ways of approaching the task of observation. Seven chapters are divided into specific projects and provide a look at the hidden thought processes that can take place behind the ideas, solutions, and physical manifestations or architecture. Presented projects include the Portable Concert Hall, called Paracoustica, which is an ongoing nonprofit work to come up with an affordable and sharable concert hall among many constituents in remote and underserved community; the Novartis Institutes for BioMedical Research focusing on socialization among scientists as a new model of work that promotes further discovery and teamwork. And i.e. the research on the role of libraries in the future using the example of the Brooklyn Public Library Central Branch. Another chapter is dedicated to the vernacular typology development in Senegal with the Albers Foundation, and the research on social spaces for collaborative educational environments.

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This fresh and engaging, illustrated history of art explains the fundamentals every art lover needs while presenting the development of different schools and styles as one continuous, astonishing timeline from Giotto to Leonardo, Frida to Banksy. When she became interested in painting, the author would visit museums and wonder about all the information she was missing. How did one style develop after another? What meanings were hidden in these works? What were these artists' lives like? How did their works survive for so many years? She longed for the kind of essential knowledge that would enable her to decode a painting loaded with references. The result of her curiosity is a highly accessible and vividly illustrated book that brings together the fundamentals of eight centuries of art. It covers the basics about such topics as how museums are structured, how painters use proportion and perspective, the anatomy of a painting. Jouneaux offers surprising comparisons between artists s

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In The New Silversmith, jewelry artist Nicole Ringgold shares her cutting-edge sculptural torchwork techniques for creating hand-fabricated, nature-inspired jewelry in sterling silver.Taking an innovative approach that challenges metalworking’s conventional wisdom, Ringgold creates intricate designs by fusing and carving scraps, and minimizes the need for chemicals by using tools in visionary ways.  Essentials. An overview of safety rules, as well as metal, tools, and torch and how to use them.  Projects. A variety of techniques, illustrated by stunning projects ranging from simple chain designs to a textured branch to a delicate dragonfly, provide inspiration as well as instruction. Access to online tutorials. QR codes throughout the book link to concise, silent how-to videos that depict the techniques shown. With The New Silversmith, you’ll learn to create sumptuous e

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The Big Sleep: Marlowe and Vivian practising kissing; General Sternwood shivering in a hothouse full of orchids; a screenplay, co-written by Faulkner, famously mysterious and difficult to solve. Released in 1946, Howard Hawks' adaptation of Raymond Chandler reunited Bogart and Bacall and gave them two of their most famous roles. The mercurial but ever-manipulative Hawks dredged humour and happiness out of film noir. 'Give him a story about more murders than anyone can keep up with, or explain,' David Thomson writes in his compelling study of the film, 'and somehow he made a paradise.' When it was first shown to a military audience The Big Sleep was coldly received. So, as Thomson reveals, Hawks shot extra scenes, 'fun' scenes, to replace one in which the film's murders had been explained, and in so doing left the plot unresolved. Thomson argues that, if this was accidental, it also signalled a change in the nature of Hollywood cinema: 'The Big Sleep inaugurates a post-modern, camp, satirical view of movies being about other movies that extends to the New Wave and Pulp Fiction.'

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How the work of contemporary architecture practices covers far more than the design and construction of buildings – an important and thought-provoking collection of original projects by unique thinkers in the world of architecture and spatial design, such as Diller + Scofidio, David Adjaye, and Ensamble Studio Architectural practice today goes far beyond the design and construction of buildings – the most exciting, forward-thinking architecture is also found in digital landscapes, art, apps, films, installations, and virtual reality. This remarkable book features projects – surprising, beautiful, outrageous, and sometimes even frightening - that break rules and shatter boundaries. In this timely book, the work of award-winning architects, designers, artists, photographers, writers, filmmakers, and researchers – all of whom synthesize and reflect our spatial environments – comes together for the first time. Radical Architecture of the Future's featured architects include Diller Scofidio + Renfro, David Adjaye, SANAA, Amateur Architecture Studio, and Ensamble Studio. Artists, designers, filmmakers, and writers covered include Julie Mehretu, Wolfgang Tillmans, and John Gerrard.

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Textiles and Fashion explores the integration of textile design with fashion, showing the many ways designers use fibre, fabric construction and surface treatments within a garment and on the body. It begins with a brief history of textiles in fashion, showing the links with technical innovation and social developments. You’ll then briefly learn about the processes of textile design, including ethical and environmental considerations, as well as fibre production, dyeing and finishin techniques, before moving on to making the most of different surface treatments and the ways in which colour and trend influence fashion and textiles. This 3rd edition includes updated coverage of emerging technologies, including smart textiles and 3D printing, and interviews with fashion designers to offer insight into how they use textiles in their work. Overall, this is the ideal introduction to using textiles within a fashion context.

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Unlocking Paintings is a new guide, highlighting masterpieces from the collection of Dulwich Picture Gallery while also offering universal tools to help 'unlock' the secrets behind any work of art. This book provides an in-depth look into the mind of the artist and the unique context in which they created their art, finding new perspectives that show exactly why these works are still so powerful today.

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The first multidisciplinary analysis of one of the most impactful and popular contemporary artworks of recent years.In 1999, a short video of a solitary boy kicking an empty bottle up a hill in Mexico City became the first instalment of Children’s Games, a series of works by artist Francis Alÿs (b. Antwerp, 1959). The ongoing project, which now numbers around thirty-five works, has gradually given shape to an extensive collection of videos of children at play. For almost twenty-five years, Alÿs and his collaborators Félix Blume, Julien Devaux, and Rafael Ortega have been travelling around the world to document the distinctive ways in which children interact with each other and their physical environment. They have gone from remote villages in the Democratic Republic of the Congo, Afghanistan, Venezuela, and Nepal to the mountains of Switzerland and metropoles like Hong Kong and Paris, but have also visited the war-torn city of Mosul in Iraq, the border between Mexico and the United States, and the strait of Gibraltar that divides Africa and Europe. The resulting images are standing proof of the seriousness of play and of children’s stunning powers of resilience in the face of conflict.This volume provides a multidisciplinary perspective to the many layers of Children’s Games. It includes an interview with Francis Alÿs and Rafael Ortega, a series of essays by well-known scholars and art critics, curatorial statements, and a logbook related to the presentation of Children’s Games at the Venice Biennale of 2022.Contributors: Francis Alÿs (artist), Gerard-Jan Claes (filmmaker, artistic director of Sabzian), Tim Ingold (anthropologist, University of Aberdeen), Zeynep Kubat (art historian, curator and writer), Karen Lang (art historian, Royal Society of Arts), Rafael Ortega (artist), Rodrigo Perez de Arce (architect, Pontificia Universidad Católica de Chile), Juan Martín Pérez García (Network for the Rights of Children in Mexico (REDIM), Giulio Piovesan (journalist and photographer), John Potter (media education, University College London), Virginia Roy (curator at the University Museum of Contemporary Art of the National Autonomous University of Mexico), Stéphane Symons (professor of philosophy, KU Leuven), Hilde Teerlinck (Han Nefkens Foundation /curator of the Belgian Pavilion at the Venice Art Biennale 2022).Ebook available in Open Access.

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Hitchcock Annual, volume 24, includes essays on unresolved ambiguities in Suspicion and trauma and recovery in Under Capricorn. A special feature of the volume is an expanded section reviewing current critical work on Hitchcock, including detailed review essays on recent books on such key topics as Hitchcock's comedy, collaborators, approach to acting, notion of pure cinema, and negotiations with censors through the years.

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“If this book of shocking intelligence and moral hope is read widely and above all well, word for word, it will help the world.” —Peter Schjeldahl An expanded edition of Hickey’s controversial and exquisitely written apologia for beauty—championed by artists, reviled by art critics, and as powerful as ever 30 years on The 30th anniversary cloth edition brings back into print Dragon’s four essays on beauty and commingles them with newly discovered essays by the MacArthur Foundation “genius.” Art by Caravaggio, Bellini, Velázquez, Raphael, Warhol and Mapplethorpe is complemented by Hickey’s tributes to Dolly Parton and Richard Pryor, outing of John Rechy’s gay novel Numbers, essays on the art of writing and witty analysis of paintings by Ed Ruscha. An afterword by Hickey’s friend and Dragon’s editor queers the brash, heterosexual gambler as it situates the creation of Dragon squarely within the AIDS plague. At the time, the book made beauty visible under the looming presence of death and bodily decay. Today, Hickey’s prescient diagnosis of the “therapeutic institution” resonates even louder and artists respond by harnessing beauty as a source of meaning and of joy. Dave Hickey (1938–2021) was one of the preeminent arts and cultural writers of the turn of the 21st century. A MacArthur "Genius" Fellow known as the "beauty guy" in the popular press, Hickey opened A Clean, Well-Lighted Place gallery in Austin, Texas, in the 1960s, before becoming executive editor at Art in America magazine. In the 1970s, he was a songwriter in Nashville, Tennessee, where he coined and helped create the "Outlaw country" music movement. By the 1990s, Hickey had made a home in Las Vegas, from where he regularly traveled to speak with audiences worldwide.

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A New York Times best art book of 2021 “[A] gold mine of a book . . . Funny, biting, morbid, it’s a page-turner for sure.”—Holland Cotter, New York Times Ray Johnson (1927–1995) was a renowned maker of meticulous collages whose works influenced movements including Pop Art, Fluxus, and Conceptual Art. Emerging from the interdisciplinary community of artists and poets at Black Mountain College, Johnson was extraordinarily adept at using social interaction as an artistic endeavor and founded a mail art network known as the New York Correspondence School. Drawing on the vast collection of Johnson’s work at the Art Institute of Chicago, this volume gives new shape to our understanding of his artistic practice and features hundreds of pieces that include artist’s books, collages, drawings, mail art, and performance documentation. In keeping with Johnson’s democratic, rhizomatic, and antihierarchical ethos, this indispensable resource on the artist’s oeuvre contains 700 illustrations, many of them never before published, and twenty-one short essays by various contributors that allow readers to dip into and out of the book in a nonlinear manner. Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of Chicago (November 26, 2021–March 21, 2022)

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Drawing from the media multiverse of TV shows, movies, and the internet, Cumwizard69420 casts a penetrating eye on the inflated egos and self-delusions raging through our celebrity-obsessed culture. And yet these images, which are often unnerving and frequently grotesque, are also generously human, laced with affection and humor. Cumwizard69420’s work reflects the chaotic topography of the internet, with subject matter that leans heavily on the scatological, the sexual, and the pop cultural.

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