Description

Book Synopsis
Covering American, international, mainstream, and 'off-Hollywood' films, as well as television, this book offers creative strategies and useful practical information. It places screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character.

Table of Contents
Preface
Acknowledgments
Introduction

PART I: CHARACTER
Chapter One: The Feast of Becoming:
Carnival and Character
Chapter Two: Varieties of Voices Within Character
Chapter Three: Five Not-So-Easy Pieces:
Analysis of Character-Centered Scripts

PART II: NARRATIVE AND STRUCTURE
Chapter Four: Beyond the Classical Hollywood
Structure
Chapter Five: Developing a Character-Centered
Narrative
Chapter Six: Pitching

PART III: WRITING
Chapter Seven: Prelude to a Screenplay
Chapter Eight: The Fourteen-Week Character
Developing Schedule
Chapter Nine: The Fourteen-Week Feature
Screenplay

PART IV: LAUNCHING YOUR SCRIPT
Chapter Ten: From Rewrite to Screen:
An Overview of Options
Chapter Eleven: Live Writers Talking:
Screenwriting 2000 and Beyond

Appendix A: Coverage

Appendex B: Self-Critiques

Appendix C: Your Personal Screenwriting and Video Library

Appendix D: At Long Last the Recipe for a Screenwriter's
Gumbo with Character!

Index

Writing the CharacterCentered Screenplay Updated

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    A Paperback / softback by Andrew Horton

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      View other formats and editions of Writing the CharacterCentered Screenplay Updated by Andrew Horton

      Publisher: University of California Press
      Publication Date: 23/02/2000
      ISBN13: 9780520221659, 978-0520221659
      ISBN10: 0520221656

      Description

      Book Synopsis
      Covering American, international, mainstream, and 'off-Hollywood' films, as well as television, this book offers creative strategies and useful practical information. It places screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character.

      Table of Contents
      Preface
      Acknowledgments
      Introduction

      PART I: CHARACTER
      Chapter One: The Feast of Becoming:
      Carnival and Character
      Chapter Two: Varieties of Voices Within Character
      Chapter Three: Five Not-So-Easy Pieces:
      Analysis of Character-Centered Scripts

      PART II: NARRATIVE AND STRUCTURE
      Chapter Four: Beyond the Classical Hollywood
      Structure
      Chapter Five: Developing a Character-Centered
      Narrative
      Chapter Six: Pitching

      PART III: WRITING
      Chapter Seven: Prelude to a Screenplay
      Chapter Eight: The Fourteen-Week Character
      Developing Schedule
      Chapter Nine: The Fourteen-Week Feature
      Screenplay

      PART IV: LAUNCHING YOUR SCRIPT
      Chapter Ten: From Rewrite to Screen:
      An Overview of Options
      Chapter Eleven: Live Writers Talking:
      Screenwriting 2000 and Beyond

      Appendix A: Coverage

      Appendex B: Self-Critiques

      Appendix C: Your Personal Screenwriting and Video Library

      Appendix D: At Long Last the Recipe for a Screenwriter's
      Gumbo with Character!

      Index

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