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Book Synopsis

This book presents a new perspective on colonialism in Africa. Drawing on work from a variety of subjects and disciplines – from the ancient Mediterranean to colonial Spain, and from anthropology to psychology – the author argues that colonialism in Africa needs to be understood through the medium of writing and the particular world it belonged to. Focusing on the LoDagaa of northern Ghana and their relationship with British colonialism, Hawkins describes colonialism as an encounter between a world of experience – a world of knowledge, practice, and speech – and 'the world on paper' – a world of writing, rules, and a linear concept of history. The various ways in which 'the world on paper' affected the LoDagaa are examined thematically. The first four chapters explore how writing imposed a form of historical consciousness on different aspects of LoDagaa culture – identity, politics, and religion – that was alien to them. The second half of t

Writing and Colonialism in Northern Ghana

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    A Hardback by Sean Hawkins

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      Book details

      Publisher University of Toronto Press
      Published 17 August 2002
      ISBN-13 9780802048721
      978-0802048721
      ISBN-10 0802048722
      Also in:
      Colonialism and imperialism Social, group or collective psychology

      Description

      Book Synopsis

      This book presents a new perspective on colonialism in Africa. Drawing on work from a variety of subjects and disciplines – from the ancient Mediterranean to colonial Spain, and from anthropology to psychology – the author argues that colonialism in Africa needs to be understood through the medium of writing and the particular world it belonged to. Focusing on the LoDagaa of northern Ghana and their relationship with British colonialism, Hawkins describes colonialism as an encounter between a world of experience – a world of knowledge, practice, and speech – and 'the world on paper' – a world of writing, rules, and a linear concept of history. The various ways in which 'the world on paper' affected the LoDagaa are examined thematically. The first four chapters explore how writing imposed a form of historical consciousness on different aspects of LoDagaa culture – identity, politics, and religion – that was alien to them. The second half of t

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