Description
Trade ReviewThis challenging, impressive study implies new ways of thinking about music and listening. No other books cover the same territory. * Choice *
This is the first book to place an ecological approach to perception at the core of music theory. The result is that many problems created by the hitherto dominant cognitive approach simply disappear: emotion and meaning emerge as primary attributes of music (as common sense might always have suggested). Clarke's highly approachable book, with its wide range of musical case studies, will prompt both musicians and psychologists to rethink some of their most basic assumptions. * Nicholas Cook, Royal Holloway, University of London *
Using a holistic approach to perception, Clarke captures the particularity and import of that unique aspect of musical sound Roland Barthes called 'the grain of the voice.' Through this, he is able to build a rich and textured account of musical meaning equally applicable to W.A. Mozart and P.J. Harvey. This important and innovative book offers a fresh perspective on music cognition that will be much discussed in the years to come. * Lawrence Zbikowski, University of Chicago Department of Music *
Table of ContentsIntroduction ; Ch.1 Perception, Ecology, and Music ; Ch. 2 Jimi Hendrix's "Star Spangled Banner" ; Ch. 3 Music, Motion and Subjectivity ; Ch. 4 Subject Position in Music ; Ch.5 Autonomy/Heteronomy and Perceptual Style ; Ch.6 The First Movement of Beethoven's Quartet in A Minor, Op 132 ; Conclusions ; Notes ; References ; Index
