Description
Book SynopsisMuch has been said about how Javanese puppet theatre,
Wayang Kulit, richly reflects the Javanese world, and how changes and tensions in performance practice mirror those in culture and society.
For decades, television has been as intensely part of the Javanese world as
Wayang. This book explores the ways two complex media and modes of being, seeing and fantasising, with their different cultures, coexist and meet, and haunt or invade each other. It is what what a Javanese commentator calls a 'difficult marriage' — intimate on the one hand, deeply alienating on the other, institutionalised yet at the same time mercurial and shifting.
This encounter is explored on many levels including performance aesthetics, the technicalities of television production, issues of time, space, light, place, and movement, audience experience of live and televised performances, and the collaboration and struggle between performers and television producers. Central to the book are personal perspectives and experiences, as well as Javanese discussions surrounding the interaction between
Wayang and television and their cultures.
They are brought into a conversation with reflections on media and technology by writers such as Karl Marx, Martin Heidegger, Maurice Merleau-Ponty, Jacques Derrida, Paul Virilio, and James Siegel.
Wayang's relationship with television is considered in the context of the theatre's intercourse with older and newer media, including electricity, radio, audio- and video-recording, the internet and social media.
