Description

Book Synopsis

This book examines the phenomenon of war-related contents tourism throughout Japanese history, from conflicts described in ancient Japanese myth through to contemporary depictions of fantasy and futuristic warfare.

It tackles two crucial questions: first, how does war transition from being traumatic to entertaining in the public imagination and works of popular culture; and second, how does visitation to war-related sites transition from being an act of mourning or commemorative pilgrimage into an act of devotion or fan pilgrimage? Representing the collaboration of ten expert researchers of Japanese popular culture and travel, it develops a theoretical framework for understanding war-related contents tourism and demonstrates the framework in practice via numerous short case studies across a millennium of warfare in Japan including: the tales of heroic deities in the Kojiki (Records of Ancient Matters, AD 712), the Edo poetry of Matsuo Basho, and the Pacific war through

Table of Contents

List of Figures

List of Contributors

Preface

PHILIP SEATON

Acknowledgements

Periods of Japanese history

1 Theorizing war-related contents tourism

PHILIP SEATON AND TAKAYOSHI YAMAMURA

PART I

From myths to the middle ages

2 The narrative worlds of ancient wars: Travelling heroes in Kojiki

TAKAYOSHI YAMAMURA

3 The Mongol invasions of Japan and Tsushima tourism

KYUNGJAE JANG

4 Sekiro: Shadows Die Twice and contents tourism in Aizu-Wakamatsu

ALEKSANDRA JAWOROWICZ-ZIMNY

5 History girls and women’s war-related contents tourism

AKIKO SUGAWA-SHIMADA

PART II

The rise and fall of the Tokugawas

6 Satsuma’s invasion of the Ryukyu Kingdom in 1609 and Okinawa tourism

KYUNGJAE JANG

7 War-related narratives and contents tourism during the ‘Tokugawa peace’

TAKAYOSHI YAMAMURA

8 Tōken Ranbu and samurai swords as tourist attractions

AKIKO SUGAWA-SHIMADA

9 Castles and castle towns in Japanese tourism

YOSUKE FUJIKI AND HITOSHI NAKAI

10 Festivals of war: Travelling the Shinsengumi in 2019

PHILIP SEATON

PART III

Imperial Japan

11 Hokkaido as imperial acquisition and the Ainu in popular culture and tourism

RYO KOARAI

12 The Russo-Japanese War and (contents) tourism

PHILIP SEATON

13 Tourism relating to the new culture introduced by First World War German POWs

KYUNGJAE JANG

14 Theatre (contents) tourism and war as a backdrop to romance

AKIKO SUGAWA-SHIMADA

PART IV

The Asia-Pacific War

15 Yasukuni Shrine’s Yūshūkan museum as a site of contents tourism

PHILIP SEATON AND TAKAYOSHI YAMAMURA

16 The sense of belonging created by In This Corner of the World

LULI VAN DER DOES

17 Travelling Grave of the Fireflies: The gap between creators’ intentions and audiences’/tourists’ interpretations

TAKAYOSHI YAMAMURA

18 Tours of Tokkōtai (kamikaze) training bases

LULI VAN DER DOES

19 Repatriation and the enka ballad Ganpeki no haha

AKIKO SUGAWA-SHIMADA

PART V

Postwar Japan

20 Kantai Collection and entertainmentization of the Second World War

KYUNGJAE JANG

21 The war metaphors underpinning Mizuki Shigeru yōkai tourism

QIAODAN WANG AND PHILIP SEATON

22 Shin Godzilla: Tourism consuming images of JSDF, kaiju characters, and destroyed sites

ALEKSANDRA JAWOROWICZ-ZIMNY AND TAKAYOSHI YAMAMURA

23 Fantasy wars and their real-life inspirations: Tourism and international conflicts caused by Attack on Titan

RYO KOARAI AND TAKAYOSHI YAMAMURA

Conclusions: Patterns of war-related (contents) tourism

TAKAYOSHI YAMAMURA AND PHILIP SEATON

Index

War as Entertainment and Contents Tourism in

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    A Paperback by Takayoshi Yamamura, Philip Seaton

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      Publisher: Taylor & Francis Ltd
      Publication Date: 9/25/2023 12:00:00 AM
      ISBN13: 9781032145693, 978-1032145693
      ISBN10: 1032145692

      Description

      Book Synopsis

      This book examines the phenomenon of war-related contents tourism throughout Japanese history, from conflicts described in ancient Japanese myth through to contemporary depictions of fantasy and futuristic warfare.

      It tackles two crucial questions: first, how does war transition from being traumatic to entertaining in the public imagination and works of popular culture; and second, how does visitation to war-related sites transition from being an act of mourning or commemorative pilgrimage into an act of devotion or fan pilgrimage? Representing the collaboration of ten expert researchers of Japanese popular culture and travel, it develops a theoretical framework for understanding war-related contents tourism and demonstrates the framework in practice via numerous short case studies across a millennium of warfare in Japan including: the tales of heroic deities in the Kojiki (Records of Ancient Matters, AD 712), the Edo poetry of Matsuo Basho, and the Pacific war through

      Table of Contents

      List of Figures

      List of Contributors

      Preface

      PHILIP SEATON

      Acknowledgements

      Periods of Japanese history

      1 Theorizing war-related contents tourism

      PHILIP SEATON AND TAKAYOSHI YAMAMURA

      PART I

      From myths to the middle ages

      2 The narrative worlds of ancient wars: Travelling heroes in Kojiki

      TAKAYOSHI YAMAMURA

      3 The Mongol invasions of Japan and Tsushima tourism

      KYUNGJAE JANG

      4 Sekiro: Shadows Die Twice and contents tourism in Aizu-Wakamatsu

      ALEKSANDRA JAWOROWICZ-ZIMNY

      5 History girls and women’s war-related contents tourism

      AKIKO SUGAWA-SHIMADA

      PART II

      The rise and fall of the Tokugawas

      6 Satsuma’s invasion of the Ryukyu Kingdom in 1609 and Okinawa tourism

      KYUNGJAE JANG

      7 War-related narratives and contents tourism during the ‘Tokugawa peace’

      TAKAYOSHI YAMAMURA

      8 Tōken Ranbu and samurai swords as tourist attractions

      AKIKO SUGAWA-SHIMADA

      9 Castles and castle towns in Japanese tourism

      YOSUKE FUJIKI AND HITOSHI NAKAI

      10 Festivals of war: Travelling the Shinsengumi in 2019

      PHILIP SEATON

      PART III

      Imperial Japan

      11 Hokkaido as imperial acquisition and the Ainu in popular culture and tourism

      RYO KOARAI

      12 The Russo-Japanese War and (contents) tourism

      PHILIP SEATON

      13 Tourism relating to the new culture introduced by First World War German POWs

      KYUNGJAE JANG

      14 Theatre (contents) tourism and war as a backdrop to romance

      AKIKO SUGAWA-SHIMADA

      PART IV

      The Asia-Pacific War

      15 Yasukuni Shrine’s Yūshūkan museum as a site of contents tourism

      PHILIP SEATON AND TAKAYOSHI YAMAMURA

      16 The sense of belonging created by In This Corner of the World

      LULI VAN DER DOES

      17 Travelling Grave of the Fireflies: The gap between creators’ intentions and audiences’/tourists’ interpretations

      TAKAYOSHI YAMAMURA

      18 Tours of Tokkōtai (kamikaze) training bases

      LULI VAN DER DOES

      19 Repatriation and the enka ballad Ganpeki no haha

      AKIKO SUGAWA-SHIMADA

      PART V

      Postwar Japan

      20 Kantai Collection and entertainmentization of the Second World War

      KYUNGJAE JANG

      21 The war metaphors underpinning Mizuki Shigeru yōkai tourism

      QIAODAN WANG AND PHILIP SEATON

      22 Shin Godzilla: Tourism consuming images of JSDF, kaiju characters, and destroyed sites

      ALEKSANDRA JAWOROWICZ-ZIMNY AND TAKAYOSHI YAMAMURA

      23 Fantasy wars and their real-life inspirations: Tourism and international conflicts caused by Attack on Titan

      RYO KOARAI AND TAKAYOSHI YAMAMURA

      Conclusions: Patterns of war-related (contents) tourism

      TAKAYOSHI YAMAMURA AND PHILIP SEATON

      Index

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