Description

Book Synopsis
Examines the importance of rhetoric in the study of film and film theory. Taking on such issues as Hollywood blacklisting, fascistic aesthetics, and postmodern dialogics, this work presents fifteen critical essays that examine rhetoric's role in such films as ""The Fifth Element"", ""The Last Temptation of Christ"", and ""A Time to Kill"".

Trade Review
The Terministic Screen: Rhetorical Perspectives on Film offers readers who have interests or specialities in rhetorical analysis a point of entry into contemporary cinema as it frames issues of style, representation, history, and culture. Although the literature on cinema is vast, relatively few books have adopted an explicitly rhetorical emphasis. Thus, this volume fills a long-neglected gap in the scholarly literature on film. - Stephen Prince, author of Movies and Meaning: An Introduction to Film

The Terministic Screen Rhetorical Perspectives

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    A Paperback by David Blakesley


      View other formats and editions of The Terministic Screen Rhetorical Perspectives by David Blakesley

      Publisher: MP-SIL Southern Illinois Uni
      Publication Date: 9/30/2007 12:00:00 AM
      ISBN13: 9780809328291, 978-0809328291
      ISBN10: 0809328291

      Description

      Book Synopsis
      Examines the importance of rhetoric in the study of film and film theory. Taking on such issues as Hollywood blacklisting, fascistic aesthetics, and postmodern dialogics, this work presents fifteen critical essays that examine rhetoric's role in such films as ""The Fifth Element"", ""The Last Temptation of Christ"", and ""A Time to Kill"".

      Trade Review
      The Terministic Screen: Rhetorical Perspectives on Film offers readers who have interests or specialities in rhetorical analysis a point of entry into contemporary cinema as it frames issues of style, representation, history, and culture. Although the literature on cinema is vast, relatively few books have adopted an explicitly rhetorical emphasis. Thus, this volume fills a long-neglected gap in the scholarly literature on film. - Stephen Prince, author of Movies and Meaning: An Introduction to Film

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