Description

Book Synopsis
This compelling cultural history draws on visual, material and textual evidence to investigate the characterization of the sex of adult male bodies before the Enlightenment. Simons redirects attention away from the modern focus on anatomical attributes to find that male bodies were considered in terms of their active physiological processes.

Trade Review
'This is a remarkable book, based on an extraordinary depth of scholarship. Patricia Simons provides a detailed unpicking of the sexual codes of Renaissance Europe, so that one can finally understand the innuendo. No-one else has her detailed knowledge, and she has it for language, image and material object - this is real cultural history in the round. And her fundamental argument is completely original, and will change how we think about the period. The book is a treat to read, never jargonistic and always witty.' Lyndal Roper, University of Oxford
'With this book Patricia Simons offers a characteristically original, learned, and passionate critique of some of the ruling assumptions of gender studies, above all as these have operated in the study of early modern culture. Artifacts and images are called upon to serve a set of arguments grounded in medical literature, trial reports concerning medical-juridical anomalies such as hermaphrodites, popular and elite literatures, jokes, pastimes and folklore. The breadth of erudition is impressive in the extreme.' Stephen Campbell, Johns Hopkins University
'This exuberant new history of the masculine body combines art history, material culture, literature and sexuality. Patricia Simons has it all - encyclopedic knowledge, phenomenal interpretations, subtle inferences from the medical archive, and the keenest observation of visual nuance.' James Grantham Turner, University of California, Berkeley
'In this excellent study, Patricia Simons finally makes comprehensible the conceptual framework that shaped understandings and experiences of the body that, she argues, have been largely obscured by both psychoanalytic theory and cultural history … Based on diverse sources from medical to popular literature and encompassing a wide range of visual and material culture, the analysis is alert to the interrelationship between representation and metaphor on the one hand and action and experience on the other, which affords mutual agency to the cultural and corporeal.' Alexandra Shepard, Bulletin of the History of Medicine
'A thought-provoking and important study of the premodern European perceptions of the sexed (male) body that provides critical insights on sex and gender not only for the scholars of early modernity but for anyone concerned with bodies and gender, past or present.' Council for European Studies

Table of Contents
Introduction; Part I. Witnessing Men's Bodies: Paradigms Old and New: 1. How to be a man in early modern Europe; 2. The phallus: history and humour; 3. Material culture in late medieval and early modern Europe; Part II. Projecting Male Sex: Models and Metaphors: 4. Physiology and anatomy; 5. Value and expenditure; 6. Pleasure and the unequal two-seed theory; 7. Fertility and beyond; 8. Implements in action; Conclusion.

The Sex of Men in Premodern Europe A Cultural History 17 Cambridge Social and Cultural Histories Series Number 17

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    A Hardback by Patricia Simons

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      View other formats and editions of The Sex of Men in Premodern Europe A Cultural History 17 Cambridge Social and Cultural Histories Series Number 17 by Patricia Simons

      Publisher: Cambridge University Press
      Publication Date: 10/13/2011 12:00:00 AM
      ISBN13: 9781107004917, 978-1107004917
      ISBN10: 1107004918

      Description

      Book Synopsis
      This compelling cultural history draws on visual, material and textual evidence to investigate the characterization of the sex of adult male bodies before the Enlightenment. Simons redirects attention away from the modern focus on anatomical attributes to find that male bodies were considered in terms of their active physiological processes.

      Trade Review
      'This is a remarkable book, based on an extraordinary depth of scholarship. Patricia Simons provides a detailed unpicking of the sexual codes of Renaissance Europe, so that one can finally understand the innuendo. No-one else has her detailed knowledge, and she has it for language, image and material object - this is real cultural history in the round. And her fundamental argument is completely original, and will change how we think about the period. The book is a treat to read, never jargonistic and always witty.' Lyndal Roper, University of Oxford
      'With this book Patricia Simons offers a characteristically original, learned, and passionate critique of some of the ruling assumptions of gender studies, above all as these have operated in the study of early modern culture. Artifacts and images are called upon to serve a set of arguments grounded in medical literature, trial reports concerning medical-juridical anomalies such as hermaphrodites, popular and elite literatures, jokes, pastimes and folklore. The breadth of erudition is impressive in the extreme.' Stephen Campbell, Johns Hopkins University
      'This exuberant new history of the masculine body combines art history, material culture, literature and sexuality. Patricia Simons has it all - encyclopedic knowledge, phenomenal interpretations, subtle inferences from the medical archive, and the keenest observation of visual nuance.' James Grantham Turner, University of California, Berkeley
      'In this excellent study, Patricia Simons finally makes comprehensible the conceptual framework that shaped understandings and experiences of the body that, she argues, have been largely obscured by both psychoanalytic theory and cultural history … Based on diverse sources from medical to popular literature and encompassing a wide range of visual and material culture, the analysis is alert to the interrelationship between representation and metaphor on the one hand and action and experience on the other, which affords mutual agency to the cultural and corporeal.' Alexandra Shepard, Bulletin of the History of Medicine
      'A thought-provoking and important study of the premodern European perceptions of the sexed (male) body that provides critical insights on sex and gender not only for the scholars of early modernity but for anyone concerned with bodies and gender, past or present.' Council for European Studies

      Table of Contents
      Introduction; Part I. Witnessing Men's Bodies: Paradigms Old and New: 1. How to be a man in early modern Europe; 2. The phallus: history and humour; 3. Material culture in late medieval and early modern Europe; Part II. Projecting Male Sex: Models and Metaphors: 4. Physiology and anatomy; 5. Value and expenditure; 6. Pleasure and the unequal two-seed theory; 7. Fertility and beyond; 8. Implements in action; Conclusion.

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