Description
Book SynopsisFeaturing scholarly perspectives from around the globe and drawing on a legacy of television studies, but with an eye toward the future, this authoritative collection examines both the thoroughly global nature of television and the multiple and varied experiences that constitute television in the twenty-first century.
Companion chapters include original essays by some of the leading scholars of television studies as well as emerging voices engaging television on six continents, offering readers a truly global range of perspectives. The volume features multidisciplinary analyses that offer models and guides for the study of global television, with approaches focused on the theories, audiences, content, culture, and institutions of television. A wide array of examples and case studies engage the transforming practices, technologies, systems, and texts constituing television around the world today, providing readers with a contemporary and multi-faceted perspective.
In this
Trade Review
"[T]his book is uniformly excellent. It makes for a strong, solid guide that can be used as student readings as well as for scholarly work."
Melissa Beattie, America University of Armenia, in Popular Culture Studies Journal Volume 9 Issue 2 2021
Table of ContentsPart I. Objects and Ideas
1. John Hartley: What is Television? –A Guide for Knowing Subjects
2. Timothy Havens: What Was Television?: The Global and the Local
3. Purnima Mankekar: Objectless Television
4. Stuart Cunningham and David Craig: Global Social Media Entertainment
5. Jorge A. González: Symbolic Ecologies: Between Technologies, Screens and Society
6. Lothar Mikos: Transnational Television Culture
7. Toby Miller: Future Perfect TV –And TV Studies
Part II. Audiences
8. Shanti Kumar: The Affective Audience: Beyond the Active vs. Passive Audience Theory Debate in Television Studies
9. Jonathan Corpus Ong and Ranjana Das: Two Concepts from Television Audience Research in Times of Datafication and Disinformation: Looking Back to Look Forward
10. Jerome Bourdon and Cécile Méadel: Globalizing the Peoplemetered Audience
11. Jeanette Steemers and Anna Potter: Transforming Markets for Children’s Television Industries
12. Andy Ruddock: Understanding Audiences: Television Publics as "Cultural Indicators"
13. Esther Milne and Aneta Podkalicka: Grand Designs and The Block: Audience Engagement and Modes of Consumption Through Lifestyle Reality TV in Australia
14. Annette Hill: Engaging with Reality Television
Part III. Information, Programs and Spectacle
15. Esther Hamburger: Transnational Mediation, Telenovela and Series
16. Susan Turnbull and Marion McCutcheon: Outback Noir and Megashifts in the Global TV Crime Landscape
17. David Rowe: Global Sport Television: Seamless Flows and Sticking Points
18. Asha Nadkarni: Neoliberal Multiculturalism, Outsourced
19. Ousmane K. Power-Greene: Roots: Here and There, Then and Now
20. Ayanna Dozier: The Music Video’s Counter-Poetics of Rhythm: Black Cultural Production in Lemonade
21. Ergin Bulut and Nurçin İleri: Screening Right-Wing Populism in “New Turkey”: Neo-Ottomanism, Historical Dramas and the Case of Payitaht Abdulhamid
22. Pawan Singh: Transnational Screen Navigations: Priyanka Chopra’s Televisual Mobility in Hollywood
23. Douglas Kellner: Media Spectacle and Donald Trump’s American Horror Show
Part IV. Cultures and Communities
24. Graeme Turner: TV Citizenship
25. Alexander Dhoest: Televisual Identities: The Case of Flemish TV Drama
26. Ana-Christina Ramón and Darnell Hunt: The Future is Now: Evolving Technology, Shifting Demographics, and Diverse TV Content
27. Frederic Chaume: Localizing Media Contents: Technological Shifts, Global and Social Differences, and Activism in Audiovisual Translation
28. Nomusa Makhubu: Curating Life, Staging Art: Modernisms and the Art Practices of Television
29. Divya McMillin: In the Big League: Television and Gaming in India
30. Ruoyun Bai: Refashioning Chinese Television Through Digital Fun
Part V. Systems, Structures and Industries
31. Jean K. Chalaby: Understanding Medial Globalization: A Global Value Chain Analysis
32. Aniko Imre: The Other Kind of Cold War TV (Not So Different After All)
33. Joe F. Khalil: Arab Television Industries: Enduring Players and Emerging Alternatives
34. Guillermo Mastrini and María Trinidad García Leiva: Structural Changes in the Ibero-American TV Market: Concentration and Convergence Against Diversity?
35. Lyombe Eko: African Television in the Age of Globalization, Digitization, and Media Convergence
36. Ying Zhu: TV China: Control and Expansion
37. Ece Algan: Tactics of the Industry Against the Strategies of the Government: The Transnationalization of Turkey’s Television Industry
38. Ruth Teer-Tomaselli: South African Television Moves into the Global Age
40. Martin Fredriksson: Pirate Utopia Revisited
41. Ramon Lobato: Evolving Practices of Informal Distribution in Internet Television
42. Aymar Jean Christian: Off the Line: Expanding Creativity in the Production and Distribution of Web Series
