Description
Book Synopsis1. Introduction: Space and Place in the European Screen Industries. Andrew Spicer, Ruth Barton and Amy Genders.- Section 1 – Approaches to Studying Locality.- 2. Location, Location, Location! From Local Colour to Location Placement and Sustainability: the Importance of Location in Television Drama Productions. Anne Marit and Risum Waade.- Section 2 – Region and Nation.- 3. The BBC and the UK’s Nations and Regions: Hierarchies, Rivalries and Contradictions. Amy Genders and Andrew Spicer.- 4. Navigating Affective Locations: Locations, Emotional Cconomies and Layers of Legitimisation in the Production of the Danish Feature Film Kalak in Greenland. Anders Grønland.- 5. Rewriting Place: Romanian Cinema and the Political dimensions of Cultural Identity. Alex Trãilã.- Section 3 – Minority Cultures.- Chapter 6 TG4, Irish Language Broadcasting and the Impact of Location. Ruth Barton.- 7. How to Represent a Nation Without Borders: Indigenous Public Service Broadcaster NRK Sápmi’s role as a Nation-builder in a Decolonial Context. Stine Agnete Sand.- 8. The New Framework for Audiovisual Production in Spain: Minority or Minoritised Languages? Enrique Castelló-Mayo, Roi Méndez-Fernández and Antía María López-Gómez.- Section 4: Location and Cultural Identity.- 9. Beyond ‘Destination Italy’: Revitalising Italian Television’s Spatial Capital. Valentina Re.- 10. The Political Economy of Italian Locations. Marco Cucco.- Section 5: Centres and Peripheries.- 11. Platform Power and Production Design: the Impact of Mobile SVOD Production on Creative Practices in East Central Europe. Petr Szczepanik.- 12. Feel-Bad Euro Noir: Imagining Europe from its Eastern Edge in the Polish HBO TV series The Border (Wataha). Anna Mrozewicz.- 13. Looking at Norway: Netflix Originals and Regional Identity. Audun Engelstad.- 14. Conclusion. Ruth Barton, Amy Genders and Andrew Spicer.
