Description

Book Synopsis
The modern imagination of classical Chinese thought has long been dominated by Confucius, Mozi, Mencius, and other “Masters” of the Warring States period. Michael Hunter argues that this approach neglects the far more central role of poetry, and the Shijing (Classic of Poetry) in particular, in the formation of the philosophical tradition.

Trade Review
An outstanding book focused on reconstructing the worldview of the Shijing and the role that worldview played in the development of early Chinese philosophy. This is a tremendously exciting work that will force a rethinking of many assumptions in the field concerning how we understand early Chinese thought. -- Michael Puett, coeditor of The Huainanzi and Textual Production in Early China
This is a remarkably constructive book. Building upon the achievements of recent revisionist scholarship regarding the Shi and armed with the tools of the digital humanities, Hunter restores the Shi to its rightful place at the center of early Chinese thought as the text to which all other texts return. -- Griet Vankeerberghen, coeditor of Chang'an 26 BCE: An Augustan Age in China
Hunter presents a radically different perspective on early Chinese literature, putting the Shi center stage and reading all other traditions through that genre. This shift is likely to generate lively debate in the entire field of early China studies and has the potential to open up new avenues of research. -- Matthias Richter, author of The Embodied Text: Establishing Textual Identity in Early Chinese Manuscripts
This is an extremely refreshing and inspiring placement of the Odes at the center of thought from the Warring States into the early Chinese imperial period. Hunter convincingly shows how the notion of coming home pervades the Shi and, through them, a wide array of other texts. By doing this, he also reconsiders the dominance of all too familiar boundaries and academic disciplines. -- Carine Defoort, coeditor of The Legitimacy of Chinese Philosophy
Reestablishing the Shijing as a text of major philosophical significance, The Poetics of Early Chinese Thought will not only incite vehement debates among scholars working on early Chinese thought, but also has the potential to open up new avenues of research in the entire field of early Chinese studies. -- Lisa Chu Shen * China Review *
The exemplary clarity and convincing argumentation of [this] book contribute to a new way to study Chinese intellectual history, avoiding the myopic over-emphasizing of ‘Masters’ texts, and acknowledging the essentially important anonymous compositions amongst which the Shi are of paramount importance. -- Yegor Grebnev * Monumenta Serica *

Table of Contents
Acknowledgments
Introduction
1. Reading the Shi
2. A Poetry of Return
3. Shi Poetics Beyond the Shi
4. The Shi and the Verses of Chu (Chuci 楚辭)
5. Comparing Canons: The Shi Versus the Masters
Conclusion: A Classic of N/Odes
Notes
Bibliography
Index

The Poetics of Early Chinese Thought

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    A Hardback by Michael Hunter

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      View other formats and editions of The Poetics of Early Chinese Thought by Michael Hunter

      Publisher: Columbia University Press
      Publication Date: 13/07/2021
      ISBN13: 9780231201223, 978-0231201223
      ISBN10: 0231201222

      Description

      Book Synopsis
      The modern imagination of classical Chinese thought has long been dominated by Confucius, Mozi, Mencius, and other “Masters” of the Warring States period. Michael Hunter argues that this approach neglects the far more central role of poetry, and the Shijing (Classic of Poetry) in particular, in the formation of the philosophical tradition.

      Trade Review
      An outstanding book focused on reconstructing the worldview of the Shijing and the role that worldview played in the development of early Chinese philosophy. This is a tremendously exciting work that will force a rethinking of many assumptions in the field concerning how we understand early Chinese thought. -- Michael Puett, coeditor of The Huainanzi and Textual Production in Early China
      This is a remarkably constructive book. Building upon the achievements of recent revisionist scholarship regarding the Shi and armed with the tools of the digital humanities, Hunter restores the Shi to its rightful place at the center of early Chinese thought as the text to which all other texts return. -- Griet Vankeerberghen, coeditor of Chang'an 26 BCE: An Augustan Age in China
      Hunter presents a radically different perspective on early Chinese literature, putting the Shi center stage and reading all other traditions through that genre. This shift is likely to generate lively debate in the entire field of early China studies and has the potential to open up new avenues of research. -- Matthias Richter, author of The Embodied Text: Establishing Textual Identity in Early Chinese Manuscripts
      This is an extremely refreshing and inspiring placement of the Odes at the center of thought from the Warring States into the early Chinese imperial period. Hunter convincingly shows how the notion of coming home pervades the Shi and, through them, a wide array of other texts. By doing this, he also reconsiders the dominance of all too familiar boundaries and academic disciplines. -- Carine Defoort, coeditor of The Legitimacy of Chinese Philosophy
      Reestablishing the Shijing as a text of major philosophical significance, The Poetics of Early Chinese Thought will not only incite vehement debates among scholars working on early Chinese thought, but also has the potential to open up new avenues of research in the entire field of early Chinese studies. -- Lisa Chu Shen * China Review *
      The exemplary clarity and convincing argumentation of [this] book contribute to a new way to study Chinese intellectual history, avoiding the myopic over-emphasizing of ‘Masters’ texts, and acknowledging the essentially important anonymous compositions amongst which the Shi are of paramount importance. -- Yegor Grebnev * Monumenta Serica *

      Table of Contents
      Acknowledgments
      Introduction
      1. Reading the Shi
      2. A Poetry of Return
      3. Shi Poetics Beyond the Shi
      4. The Shi and the Verses of Chu (Chuci 楚辭)
      5. Comparing Canons: The Shi Versus the Masters
      Conclusion: A Classic of N/Odes
      Notes
      Bibliography
      Index

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