Description

Book Synopsis


Trade Review

"The Performing Pianist's Guide to Fingering is a very practical and highly useful (and musical!) approach to the subject. . . . [It] is an excellent resource and guide for informing pianists about factors that influence and impact their fingering choices and options."—Murray McLachlan, Chair, European Piano Teachers' Association



Table of Contents

Preface
Acknowledgments
Part I: Fingering Techniques
1. Fingering Keyboard Works of Selected Composers and Styles
Appendix: The Fingering of Benno Moiseiwitsch in Manuscript Illustrations
Bibliography
Part II: Baroque Fingering and Interpretation: What Can a Modern Pianist Learn?
Introduction: The Pianist's Dilemma
2. An Overview of General Baroque Fingering Concepts
3. Articulation (attack, decay, lifting, slurring, Affekt)
4. Hand splitting or Re-distributions, Stemming, and Cross hands
5. Crossing and Turning of the Fingers
6. Repeated Notes, Glissandi, Musical Figures, and the Overdot
7. Fingering in Ornamentation
8. Fingering in Chords and in Chordal Realizations
9. Bach's Poetic Meter
10. Singing with the Fingers
11. Dancing with the Fingers: A Guide to Understanding Scarlatti's Iberian Sonatas when Choosing a Fingering
Conclusion
Bibliography
Index

The Performing Pianists Guide to Fingering

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    A Hardback by Joseph Banowetz, Philip Fowke, Nancy Lee Harper

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      View other formats and editions of The Performing Pianists Guide to Fingering by Joseph Banowetz

      Publisher: Indiana University Press
      Publication Date: Publication Date: 09/02/2021
      ISBN13: 9780253053138, 978-0253053138
      ISBN10: 0253053137

      Description

      Book Synopsis


      Trade Review

      "The Performing Pianist's Guide to Fingering is a very practical and highly useful (and musical!) approach to the subject. . . . [It] is an excellent resource and guide for informing pianists about factors that influence and impact their fingering choices and options."—Murray McLachlan, Chair, European Piano Teachers' Association



      Table of Contents

      Preface
      Acknowledgments
      Part I: Fingering Techniques
      1. Fingering Keyboard Works of Selected Composers and Styles
      Appendix: The Fingering of Benno Moiseiwitsch in Manuscript Illustrations
      Bibliography
      Part II: Baroque Fingering and Interpretation: What Can a Modern Pianist Learn?
      Introduction: The Pianist's Dilemma
      2. An Overview of General Baroque Fingering Concepts
      3. Articulation (attack, decay, lifting, slurring, Affekt)
      4. Hand splitting or Re-distributions, Stemming, and Cross hands
      5. Crossing and Turning of the Fingers
      6. Repeated Notes, Glissandi, Musical Figures, and the Overdot
      7. Fingering in Ornamentation
      8. Fingering in Chords and in Chordal Realizations
      9. Bach's Poetic Meter
      10. Singing with the Fingers
      11. Dancing with the Fingers: A Guide to Understanding Scarlatti's Iberian Sonatas when Choosing a Fingering
      Conclusion
      Bibliography
      Index

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