Description
Book SynopsisTwo events in particular occasion this volume on the philosophy of photography: the blurring of boundaries that many took to demarcate photographic technology and practices from other representational and artistic technologies and the invention of digital photography.
Table of ContentsIntroduction DIARMUID COSTELLO and DOMINIC McIVER LOPES
1. Transparent Representation: Photography and the Art of Casting PETER ALWARD
2. Fiction, Non-fiction and Deceptive Photographic Representation PALOMA ATENCIA-LINARES
3. Facing the Camera: Self-Portraits of Photographers as Artists DAWN PHILLIPS
4. Photography as Performative Process RICHARD SHUSTERMAN
5. Photographic Art: An Ontology Fit to Print CHRISTY MAG UIDHIR
6. Digital Pictures, Sampling and Vagueness: The Ontology of Digital Pictures JOHN ZEIMBEKIS
7. The Macro and the Micro: Andreas Gursky’s Aesthetics BENCE NANAY
8. Artwork and Document in the Photography of Louise Lawler SHERRI IRVIN
9. The Question Concerning Photography DIARMUID COSTELLO
10. A Musical Photograph? RICHARD BEAUDOIN AND ANDREW KANIA
11. Drawings of Photographs in Comics ROY COOK
12. Photography and Knowledge SCOTT WALDEN
13. Depiction, Detection and the Epistemic Value of Photography LAURA PERINI
