Description

Book Synopsis
Featuring images that converse across temporal, political and cultural boundaries by artists such as Lola and Manuel Alvarez Bravo, Henri Cartier-Bresson, Marcelo Brodsky, Joan Colom, Marc Ferrez and Joan Fontcuberta, this book argues that the photographic image comes into being only as a consequence of reproduction, displacement and itinerancy.

Trade Review
“A comprehensive, multidimensional look at photography’s peripatetic nature, through seven concise essays in the first half, followed by four sections of stunning, full-page images illustrating photography’s itinerancy in relation to archives. . . . Emphasizing both individual and collective emotions, with precise and stirring essays about the social, political, and historical implications of photography, this essential book will change the way we interact with images, and with each another.”—Publishers Weekly * Publishers Weekly *

The Itinerant Languages of Photography

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    A Hardback by Eduardo Cadava, Gabriela Nouzeilles, Joan Fontcuberta

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      Publisher: Yale University Press
      Publication Date: 22/10/2013
      ISBN13: 9780300174366, 978-0300174366
      ISBN10: 0300174365
      Also in:
      History of art Photographs: collections Photography and photographs

      Description

      Book Synopsis
      Featuring images that converse across temporal, political and cultural boundaries by artists such as Lola and Manuel Alvarez Bravo, Henri Cartier-Bresson, Marcelo Brodsky, Joan Colom, Marc Ferrez and Joan Fontcuberta, this book argues that the photographic image comes into being only as a consequence of reproduction, displacement and itinerancy.

      Trade Review
      “A comprehensive, multidimensional look at photography’s peripatetic nature, through seven concise essays in the first half, followed by four sections of stunning, full-page images illustrating photography’s itinerancy in relation to archives. . . . Emphasizing both individual and collective emotions, with precise and stirring essays about the social, political, and historical implications of photography, this essential book will change the way we interact with images, and with each another.”—Publishers Weekly * Publishers Weekly *

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