Description
Book SynopsisBefore he joined the staff of
Punch and designed its iconic front cover, illustrator Richard “Dicky” Doyle was a young man whose father (political caricaturist John Doyle) charged him with sending a weekly letter, even though they lived under the same roof.
Trade Review“This beautifully presented book contains for the first time the complete series of fifty-three illustrated letters written to his father by Richard Doyle, the ‘precocious boy’ who would become famous for his
Punch drawings […] Their reproduction here in all their elusive detail, scrupulously annotated by the editor, is both pleasurable and educative.” * Times Literary Supplement *
“Across more than 300 pages of archival material, analysis, and annotation, Scott takes us back to early 1840s England via the prose and art of Doyle himself and the incisive scholarship of a standout professor of English literature and Victorian culture. The result is a triumph for the editor and his publishers and a boon for students of Victorian Studies. Great service has thus been done to a still under-appreciated artist, his world, and the remarkable dynasty of illustrators, cartoonists, satirists, and scholars, to which he belonged.…The volume helps to reaffirm what David Kunzle suggested over two decades ago (in
The History of the Comic Strip, Volume 2: The Nineteenth Century): that the modern comic strip and the graphic novel originate from the unpublished work of artists like Doyle, who experimented with text and image in new and innovative ways.” * Review 19 *
“In recovering the fascinating illustrated letters that Richard Doyle wrote to his father leading up to the work with
Punch, Grant Scott gives us access to both the visual virtuosity and the psychological depth of one of the most brilliant and inventive of Victorian graphic artists.”
“Scott’s collection of illustrated letters from the hand of Richard Doyle, the fascinating but neglected contributor to Punch magazine, are a goldmine. Accompanied by an excellent editorial apparatus, the letters provide a revealing glimpse into the lives of a Victorian family steeped in the arts in the early 1840s.”
