Description

Book Synopsis
An examination of the popular horror comics of the 1950s and their re-emergence thirty years later. The popular horror comics of the 1950s not only frightened their readers, they also alarmed Cold War politicians who enacted the prohibitive Comics Code, sacrificing horror on the altar of good taste. Wandtke examines and explainsthe story of the resurgence of horror comics and introduces readers to the new shape of horror comics within the American culture in the 1980s. Terrence Wandtke is a professor at Judson University and the author of The Dark Night Returns (RIT, 2015).

Trade Review
A useful work for those interested in horror comics, especially in conjunction with his [Wandtke] 2015 volume on crime comics, and certainly if the reader is coming to the topic afresh. The book is also particularly useful for its focus on more contemporary iterations of horror comics. * STUDIES IN COMICS *

The Comics Scare Returns: The Contemporary

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    £23.75

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    RRP £25.00 – you save £1.25 (5%)

    Order before 4pm tomorrow for delivery by Sat 27 Jun 2026.

    A Paperback / softback by Terrence R. Wandtke

    10 in stock

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      Publisher: RIT Cary Graphic Arts Press
      Publication Date: 18/01/2019
      ISBN13: 9781939125514, 978-1939125514
      ISBN10: 1939125510
      Also in:
      Comic book and cartoon artwork

      Description

      Book Synopsis
      An examination of the popular horror comics of the 1950s and their re-emergence thirty years later. The popular horror comics of the 1950s not only frightened their readers, they also alarmed Cold War politicians who enacted the prohibitive Comics Code, sacrificing horror on the altar of good taste. Wandtke examines and explainsthe story of the resurgence of horror comics and introduces readers to the new shape of horror comics within the American culture in the 1980s. Terrence Wandtke is a professor at Judson University and the author of The Dark Night Returns (RIT, 2015).

      Trade Review
      A useful work for those interested in horror comics, especially in conjunction with his [Wandtke] 2015 volume on crime comics, and certainly if the reader is coming to the topic afresh. The book is also particularly useful for its focus on more contemporary iterations of horror comics. * STUDIES IN COMICS *

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