Description

Book Synopsis

“Even the most useful reference guides are not always, well, shall we say, riveting. A refreshing exception is the new Broadview Guide to Writing, which is smart, helpful, and even fun to read.” —Gerald Graff and Cathy Birkenstein, authors of They Say / I Say: The Moves That Matter in Academic Writing

Key Features

  • —A coil-bound reference text suitable for a range of introductory composition and writing courses
    —Divided into three sections:
    • Writing Processes (including Research, Argumentation, and Style)
      Writing Mechanics (Grammar, Usage, and Punctuation)
      Writing Contexts (Writing in different academic disciplines, Forms and conventions, and citation)

    —Comprehensive treatment of citation style guides, with 2016 MLA style updates
    —Expanded treatment of research methods, argument structures, and writing in the workplace
    —A unique section on “How to Be Good With Words”—issues of gender, race, class, religion, sexual orientation, disability, etc.
    —Expanded coverage for those whose native language is not English
    —All-new chapter on reading images
    —Extensive companion website featuring interactive exercises

Increasingly, writing handbooks are seen as over-produced and overpriced. One stands out: The Broadview Guide to Writing is published in an elegant but simple format, and sells for roughly half the price of its fancier-looking competitors. That does not change with the new edition; what does change and stay up-to-date is the content of the book. The sixth edition brings a substantial re-organization of the contents under three headings: Writing Processes, Writing Mechanics, and Writing Contexts. Coverage of APA, Chicago, and CSE styles of documentation has been substantially expanded, and the MLA section has now been fully revised to take into account all the 2016 changes. Also expanded is coverage of academic argument; of writing and critical thinking; of writing about literature, of paragraphing; of how to integrate quoted material into one’s own work; of balance and parallelism; and of issues of gender, race, religion etc. in writing. The chapter “Seeing and Meaning: Reading (and Writing About) Visual Images” is entirely new to the sixth edition.



Trade Review

“The chapter on ‘How to Be Good with Words’ braves every thorny patch of ethical usage imaginable with clear-eyed candor, a serious and generous sensibility, and refreshing wit…. [Overall,] The Broadview Guide to Writing is not only informative and impressive; it is smart—smartly written and smartly designed.” — Dennis Paoli, Co-coordinator, Writing Across the Curriculum, Hunter College, CUNY

“This spiral-bound handbook is designed to provide all writers with basic and in-depth guidelines to all stages of the writing process…. The section on academic writing deserves particular mention here. Unlike many other writing handbooks, this volume provides in-depth discussion of the various types of academic writing and their unique characteristics. This section will be useful to the college writer… In particular, the guidance and analysis provided in the Academic Writing section will be of use to the undergraduate student who is expected to write papers in a wide variety of disciplines. Sections on writing about literature, writing about science, writing about texts and writing across the disciplines will clear up confusion on the expectations and norms of these varied types of academic writing…. This volume…can certainly serve as a useful one-stop resource for a wide variety of common questions.” — David Bell, Reference Reviews

“After a careful comparison between the two, I have just switched from A Writer’s Reference to The Broadview Guide to Writing. The lower price is definitely a factor in my decision—but it is so much more than that. The EAL designation [in the Broadview] is so much more welcoming and realistic, [and the overall] tone of the Broadview handbook is so approachable, clear, and encouraging.” — Carol Brown, Diablo Valley College

Comments on Previous Editions

The Broadview Guide remains the most readable writing guide available—at any price. It’s the only usage guide I’ve ever actually read for fun. Moreover, it’s sensible, and it’s complete. … The authors assume nothing, but they don’t condescend.” — Jacky Bolding, University of the Fraser Valley

“There’s so much to like here: the sense of proportion, the sensible layout, the precision of the usage notes, the sound stylistic advice, and the examples. … The text is clearly informed by the best traditions of composition and rhetoric, but comes across in a disarming fashion with a common sense approach. … Long after the course is over, students will want to keep this book as a manual of style and usage.”— Thomas L. Martin, Department of English, Florida Atlantic University

“While it is often difficult to distinguish one writing handbook from another … The Broadview Guide to Writing proves exceptional in a number of ways. … [It is] an accessible and relevant guide for twenty-first century college students, with a keen eye toward process, style, and documentation.” — Karen Head, Special Advisor to the Writing & Communication Program, The Georgia Institute of Technology

The Broadview Guide to Writing treats the rhetorical modes appropriately—not in any rigid or formulaic fashion as ends in themselves, but as means of fostering the development of ideas. It emphasizes stylistic fluency, something that writing pedagogy has too often neglected. … And the examples seem to me to be smart and engaging. All in all, this is a book that offers students the respect they deserve—and a book that deserves to be widely used.” — Beth Daniell, Director of Composition, Kennesaw State University

“Comprehensive, affordable, and student-friendly.” — Candice Rai, English Department, University of Washington–Seattle

“I use The Broadview Guide to Writing with my students and I plan to continue using it; it's very good —clear without being condescending. I especially appreciate its comprehensive discussion of writing styles in multiple academic disciplines. And one more thing—my students can actually afford to buy it.”— Jonathan Sadow, State University of New York at Oneonta



Table of Contents

How to Use This Book and Its Companion Website
Preface to the Sixth Edition

WRITING PROCESS

P1 Getting Started

  • P1.1 Attitude and Voice
    P1.2 Academic Style
    P1.3 Audience
    P1.4 Purpose
    P1.5 Focus
    P1.6 Discovery
    P1.7 Writer’s Block
    P1.8 Research
    P1.9 Finding Sources
    P1.10 Evaluating Sources
P2 Making Sense
  • P2.1 Argument
    P2.2 Logic
    P2.3 Fallacies
    P2.4 Thesis
    P2.5 Organization
    P2.6 Modes of Writing
    P2.7 Logical Fluency
    P2.8 Your Arguments, Others’ Arguments
    P2.9 Incorporating Sources through Summary, Paraphrase, and Question
    P2.10 Plagiarism
    P2.11 Citation
P3 Improving Style
  • P3.1 Stylistic Fluency
    P3.2 Diction
    P3.3 Syntax
    P3.4 Rhythm
    P3.5 Figures of Speech
    P3.6 Voice
    P3.7 Tone
    P3.8 Revision and Proofreading
    P3.9 Writing by Computer

SPECIAL TOPIC
How to Be Good with Words

WRITING MECHANICS

M1 Grammar
  • M1.1 “Right” and “Wrong”
    M1.2 Parts of Speech
    M1.3 Parts of Sentences
    M1.4 Verb Forms
    M1.5 Mood and Voice
    M1.6 Sentence Combining: How to Build Sentences
M2 Usage
  • M2.1 Verb Issues
    M2.2 Preposition Issues
    M2.3 Noun and Pronoun Issues
    M2.4 Word Order
    M2.5 Word Meanings
    M2.6 Part-of-Speech Conversions
    M2.7 Slang
    M2.8 Word Conventions
    M2.9 Joining Words
    M2.10 Wordiness
    M2.11 National Variants
M3 Punctuation and Other Conventions
  • M3.1 Punctuation Marks
    M3.2 Quotations
    M3.3 Capitalization
    M3.4 Abbreviations
    M3.5 Spelling

M4 EAL: For Those Whose Native Language Is Not English

SPECIAL TOPIC
Seeing and Meaning

WRITING CONTEXTS

C1 Writing Across the Disciplines
  • C1.1 Different Subjects, Different Styles
    C1.2 English Studies
    C1.3 Humanities
    C1.4 Natural and Applied Sciences
    C1.5 Social Sciences
    C1.6 Business and Commerce
C2 Forms and Conventions
  • C2.1 The Meanings of Texts
    C2.2 Meaning and Form in Literature
    C2.3 The Text in the Present Tense
    C2.4 Authors and Speakers
    C2.5 The Scientific Research Paper
    C2.6 Scientific Tone
    C2.7 First Person and Active Voice
    C2.8 Writing in the Workplace
    C2.9 Examinations and In-class Essays
C3 Style Guides
  • C3.1 MLA Style
    C3.2 APA Style
    C3.3 Chicago Style
    C3.4 CSE Style

Appendix 1: Correction Key
Appendix 2: Essay Checklist

The Broadview Guide to Writing: A Handbook for

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    A Spiral bound by Corey Frost, Karen Weingarten, Doug Babington

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      Publisher: Broadview Press Ltd
      Publication Date: 30/04/2017
      ISBN13: 9781554813131, 978-1554813131
      ISBN10: 1554813131

      Description

      Book Synopsis

      “Even the most useful reference guides are not always, well, shall we say, riveting. A refreshing exception is the new Broadview Guide to Writing, which is smart, helpful, and even fun to read.” —Gerald Graff and Cathy Birkenstein, authors of They Say / I Say: The Moves That Matter in Academic Writing

      Key Features

      • —A coil-bound reference text suitable for a range of introductory composition and writing courses
        —Divided into three sections:
        • Writing Processes (including Research, Argumentation, and Style)
          Writing Mechanics (Grammar, Usage, and Punctuation)
          Writing Contexts (Writing in different academic disciplines, Forms and conventions, and citation)

        —Comprehensive treatment of citation style guides, with 2016 MLA style updates
        —Expanded treatment of research methods, argument structures, and writing in the workplace
        —A unique section on “How to Be Good With Words”—issues of gender, race, class, religion, sexual orientation, disability, etc.
        —Expanded coverage for those whose native language is not English
        —All-new chapter on reading images
        —Extensive companion website featuring interactive exercises

      Increasingly, writing handbooks are seen as over-produced and overpriced. One stands out: The Broadview Guide to Writing is published in an elegant but simple format, and sells for roughly half the price of its fancier-looking competitors. That does not change with the new edition; what does change and stay up-to-date is the content of the book. The sixth edition brings a substantial re-organization of the contents under three headings: Writing Processes, Writing Mechanics, and Writing Contexts. Coverage of APA, Chicago, and CSE styles of documentation has been substantially expanded, and the MLA section has now been fully revised to take into account all the 2016 changes. Also expanded is coverage of academic argument; of writing and critical thinking; of writing about literature, of paragraphing; of how to integrate quoted material into one’s own work; of balance and parallelism; and of issues of gender, race, religion etc. in writing. The chapter “Seeing and Meaning: Reading (and Writing About) Visual Images” is entirely new to the sixth edition.



      Trade Review

      “The chapter on ‘How to Be Good with Words’ braves every thorny patch of ethical usage imaginable with clear-eyed candor, a serious and generous sensibility, and refreshing wit…. [Overall,] The Broadview Guide to Writing is not only informative and impressive; it is smart—smartly written and smartly designed.” — Dennis Paoli, Co-coordinator, Writing Across the Curriculum, Hunter College, CUNY

      “This spiral-bound handbook is designed to provide all writers with basic and in-depth guidelines to all stages of the writing process…. The section on academic writing deserves particular mention here. Unlike many other writing handbooks, this volume provides in-depth discussion of the various types of academic writing and their unique characteristics. This section will be useful to the college writer… In particular, the guidance and analysis provided in the Academic Writing section will be of use to the undergraduate student who is expected to write papers in a wide variety of disciplines. Sections on writing about literature, writing about science, writing about texts and writing across the disciplines will clear up confusion on the expectations and norms of these varied types of academic writing…. This volume…can certainly serve as a useful one-stop resource for a wide variety of common questions.” — David Bell, Reference Reviews

      “After a careful comparison between the two, I have just switched from A Writer’s Reference to The Broadview Guide to Writing. The lower price is definitely a factor in my decision—but it is so much more than that. The EAL designation [in the Broadview] is so much more welcoming and realistic, [and the overall] tone of the Broadview handbook is so approachable, clear, and encouraging.” — Carol Brown, Diablo Valley College

      Comments on Previous Editions

      The Broadview Guide remains the most readable writing guide available—at any price. It’s the only usage guide I’ve ever actually read for fun. Moreover, it’s sensible, and it’s complete. … The authors assume nothing, but they don’t condescend.” — Jacky Bolding, University of the Fraser Valley

      “There’s so much to like here: the sense of proportion, the sensible layout, the precision of the usage notes, the sound stylistic advice, and the examples. … The text is clearly informed by the best traditions of composition and rhetoric, but comes across in a disarming fashion with a common sense approach. … Long after the course is over, students will want to keep this book as a manual of style and usage.”— Thomas L. Martin, Department of English, Florida Atlantic University

      “While it is often difficult to distinguish one writing handbook from another … The Broadview Guide to Writing proves exceptional in a number of ways. … [It is] an accessible and relevant guide for twenty-first century college students, with a keen eye toward process, style, and documentation.” — Karen Head, Special Advisor to the Writing & Communication Program, The Georgia Institute of Technology

      The Broadview Guide to Writing treats the rhetorical modes appropriately—not in any rigid or formulaic fashion as ends in themselves, but as means of fostering the development of ideas. It emphasizes stylistic fluency, something that writing pedagogy has too often neglected. … And the examples seem to me to be smart and engaging. All in all, this is a book that offers students the respect they deserve—and a book that deserves to be widely used.” — Beth Daniell, Director of Composition, Kennesaw State University

      “Comprehensive, affordable, and student-friendly.” — Candice Rai, English Department, University of Washington–Seattle

      “I use The Broadview Guide to Writing with my students and I plan to continue using it; it's very good —clear without being condescending. I especially appreciate its comprehensive discussion of writing styles in multiple academic disciplines. And one more thing—my students can actually afford to buy it.”— Jonathan Sadow, State University of New York at Oneonta



      Table of Contents

      How to Use This Book and Its Companion Website
      Preface to the Sixth Edition

      WRITING PROCESS

      P1 Getting Started

      • P1.1 Attitude and Voice
        P1.2 Academic Style
        P1.3 Audience
        P1.4 Purpose
        P1.5 Focus
        P1.6 Discovery
        P1.7 Writer’s Block
        P1.8 Research
        P1.9 Finding Sources
        P1.10 Evaluating Sources
      P2 Making Sense
      • P2.1 Argument
        P2.2 Logic
        P2.3 Fallacies
        P2.4 Thesis
        P2.5 Organization
        P2.6 Modes of Writing
        P2.7 Logical Fluency
        P2.8 Your Arguments, Others’ Arguments
        P2.9 Incorporating Sources through Summary, Paraphrase, and Question
        P2.10 Plagiarism
        P2.11 Citation
      P3 Improving Style
      • P3.1 Stylistic Fluency
        P3.2 Diction
        P3.3 Syntax
        P3.4 Rhythm
        P3.5 Figures of Speech
        P3.6 Voice
        P3.7 Tone
        P3.8 Revision and Proofreading
        P3.9 Writing by Computer

      SPECIAL TOPIC
      How to Be Good with Words

      WRITING MECHANICS

      M1 Grammar
      • M1.1 “Right” and “Wrong”
        M1.2 Parts of Speech
        M1.3 Parts of Sentences
        M1.4 Verb Forms
        M1.5 Mood and Voice
        M1.6 Sentence Combining: How to Build Sentences
      M2 Usage
      • M2.1 Verb Issues
        M2.2 Preposition Issues
        M2.3 Noun and Pronoun Issues
        M2.4 Word Order
        M2.5 Word Meanings
        M2.6 Part-of-Speech Conversions
        M2.7 Slang
        M2.8 Word Conventions
        M2.9 Joining Words
        M2.10 Wordiness
        M2.11 National Variants
      M3 Punctuation and Other Conventions
      • M3.1 Punctuation Marks
        M3.2 Quotations
        M3.3 Capitalization
        M3.4 Abbreviations
        M3.5 Spelling

      M4 EAL: For Those Whose Native Language Is Not English

      SPECIAL TOPIC
      Seeing and Meaning

      WRITING CONTEXTS

      C1 Writing Across the Disciplines
      • C1.1 Different Subjects, Different Styles
        C1.2 English Studies
        C1.3 Humanities
        C1.4 Natural and Applied Sciences
        C1.5 Social Sciences
        C1.6 Business and Commerce
      C2 Forms and Conventions
      • C2.1 The Meanings of Texts
        C2.2 Meaning and Form in Literature
        C2.3 The Text in the Present Tense
        C2.4 Authors and Speakers
        C2.5 The Scientific Research Paper
        C2.6 Scientific Tone
        C2.7 First Person and Active Voice
        C2.8 Writing in the Workplace
        C2.9 Examinations and In-class Essays
      C3 Style Guides
      • C3.1 MLA Style
        C3.2 APA Style
        C3.3 Chicago Style
        C3.4 CSE Style

      Appendix 1: Correction Key
      Appendix 2: Essay Checklist

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