Description

Book Synopsis
‘Tanbûr Long-Necked Lutes Along the Silk Road and Beyond’ explores the origin, history, construction, and playing techniques of tanbûrs, a musical instrument widely used over vast territories and over many centuries. The diffusion of the tanbûr into the musical cultures along the Silk Road resulted in a variety of tanbûrs with two or more, occasionally doubled or tripled courses, a varying number and variously tuned frets, each having its own characteristic sound, playing technique, and repertory. Since the last century, tanbûrs spread beyond the Silk Road while new versions continue to appear due to changing musical and tonal demands made on them. Similar or identical instruments are also known by other names, such as saz or bağlama, dotâr or dutâr, setâr, dömbra, and dambura.

Table of Contents
Preface and Acknowledgements ; The Tanbûr Tradition; General Introduction; Chapter 1: Historical background; Chapter 2: Construction; Chapter 3: Playing technique; Chapter 4: Tanbûr; Chapter 5: Dotâr; Chapter 6: Saz; Chapter 7: Setâr; Chapter 8: Dömbra; Chapter 9: Dambura; Glossary of Musical Instruments; Discography; Bibliography; Illustration Credits; Index

Tanbûr Long-Necked Lutes along the Silk Road and

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    A Paperback / softback by Hans de Zeeuw

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      Publisher: Archaeopress
      Publication Date: 11/03/2019
      ISBN13: 9781789691696, 978-1789691696
      ISBN10: 1789691699

      Description

      Book Synopsis
      ‘Tanbûr Long-Necked Lutes Along the Silk Road and Beyond’ explores the origin, history, construction, and playing techniques of tanbûrs, a musical instrument widely used over vast territories and over many centuries. The diffusion of the tanbûr into the musical cultures along the Silk Road resulted in a variety of tanbûrs with two or more, occasionally doubled or tripled courses, a varying number and variously tuned frets, each having its own characteristic sound, playing technique, and repertory. Since the last century, tanbûrs spread beyond the Silk Road while new versions continue to appear due to changing musical and tonal demands made on them. Similar or identical instruments are also known by other names, such as saz or bağlama, dotâr or dutâr, setâr, dömbra, and dambura.

      Table of Contents
      Preface and Acknowledgements ; The Tanbûr Tradition; General Introduction; Chapter 1: Historical background; Chapter 2: Construction; Chapter 3: Playing technique; Chapter 4: Tanbûr; Chapter 5: Dotâr; Chapter 6: Saz; Chapter 7: Setâr; Chapter 8: Dömbra; Chapter 9: Dambura; Glossary of Musical Instruments; Discography; Bibliography; Illustration Credits; Index

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