Description

Book Synopsis
Dr. Avery has worked on Italian sculpture since he joined the Victoria and Albert Museum in 1966. His study continued during his career as Director of Christie's sculpture department (1979-1990) and since then as an independent consultant and historian. He has published extensively in this field, including his survey, Florentine Renaissance Sculpture (1970); Giambologna: the complete sculpture (1987); Donatello: an Introduction (1994); and Bernini, Genius of Baroque Rome (1997). A number of articles on Italian sculpture have been included in two successive volumes entitled Studies in European Sculpture (1981 and 1987). The present volume comprises further articles written over the decade since 1986, some on specific discoveries and others consisting of broader surveys of individual sculptors' activity or under-studied classes of Renaisance sculpture: bronze artefacts, such as seals and locks; and garden sculpture. Several are unpublished texts of lectures, or radical expansions of briefly published pieces.

Table of Contents
Preface

Donatello's character as revealed in the early sources: "Rough and simple in everything except his sculpture"

Donatello's Madonnas Revisited

Donatello's Marble Narrative Reliefs

The early Medici and Donatello

'Treasures in Relief' [Luca and Andrea della Robbia 'Madonna' reliefs in All Saints', Nynehead, Somerset]

An Assumption of the Virgin by Benvenuto Cellini. A Gilt-Bronze Seal in the Wernher Collection

Pierino da Vinci's 'Lost' Bronze Relief of The Death by Starvation of Count Ugolino della Gherardesca and his Sons rediscovered at Chatsworth

'The Flagellation of Christ': a Clarification of the Identity of the Reliefs by Pierino da Vinci and Vincenzo Danti

Giovanni Bandini (1540-1599) reconsidered

Giambologna's Horse and Rider

Giambologna's Horses: Questions and Hypotheses

Giambologna's Wood Statuette of Julius Caesar: The Rediscovery of a Masterpiece

Mercury - a Flight of the Renaissance Imagination

Giambologna's Bathsheba (Psyche?)

Cristoforo Stati of Bracciano, and Giambologna: New tDiscoveries

Fontainebleau, Milan or Rome? A Mannerist bronze lock-plate and hasp [with up-dated listing]

A Retreat from Reality: Sculpture Grottoes of the Medici

The 'Garden called Bubley': Foreign Impressions of Florentine Gardens, and a new discovery relating to Pratolino

Fanelli's Cupid on a Dolphin Mount on a Wanli Porcelain Ewer

The Bronze Statuettes of Caspar Gras

Additional Notes

Index

Studies in Italian Sculpture

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    A Hardback by Charles Avery

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      Publisher: Pindar Press
      Publication Date: 31/12/2001
      ISBN13: 9781899828319, 978-1899828319
      ISBN10: 1899828311

      Description

      Book Synopsis
      Dr. Avery has worked on Italian sculpture since he joined the Victoria and Albert Museum in 1966. His study continued during his career as Director of Christie's sculpture department (1979-1990) and since then as an independent consultant and historian. He has published extensively in this field, including his survey, Florentine Renaissance Sculpture (1970); Giambologna: the complete sculpture (1987); Donatello: an Introduction (1994); and Bernini, Genius of Baroque Rome (1997). A number of articles on Italian sculpture have been included in two successive volumes entitled Studies in European Sculpture (1981 and 1987). The present volume comprises further articles written over the decade since 1986, some on specific discoveries and others consisting of broader surveys of individual sculptors' activity or under-studied classes of Renaisance sculpture: bronze artefacts, such as seals and locks; and garden sculpture. Several are unpublished texts of lectures, or radical expansions of briefly published pieces.

      Table of Contents
      Preface

      Donatello's character as revealed in the early sources: "Rough and simple in everything except his sculpture"

      Donatello's Madonnas Revisited

      Donatello's Marble Narrative Reliefs

      The early Medici and Donatello

      'Treasures in Relief' [Luca and Andrea della Robbia 'Madonna' reliefs in All Saints', Nynehead, Somerset]

      An Assumption of the Virgin by Benvenuto Cellini. A Gilt-Bronze Seal in the Wernher Collection

      Pierino da Vinci's 'Lost' Bronze Relief of The Death by Starvation of Count Ugolino della Gherardesca and his Sons rediscovered at Chatsworth

      'The Flagellation of Christ': a Clarification of the Identity of the Reliefs by Pierino da Vinci and Vincenzo Danti

      Giovanni Bandini (1540-1599) reconsidered

      Giambologna's Horse and Rider

      Giambologna's Horses: Questions and Hypotheses

      Giambologna's Wood Statuette of Julius Caesar: The Rediscovery of a Masterpiece

      Mercury - a Flight of the Renaissance Imagination

      Giambologna's Bathsheba (Psyche?)

      Cristoforo Stati of Bracciano, and Giambologna: New tDiscoveries

      Fontainebleau, Milan or Rome? A Mannerist bronze lock-plate and hasp [with up-dated listing]

      A Retreat from Reality: Sculpture Grottoes of the Medici

      The 'Garden called Bubley': Foreign Impressions of Florentine Gardens, and a new discovery relating to Pratolino

      Fanelli's Cupid on a Dolphin Mount on a Wanli Porcelain Ewer

      The Bronze Statuettes of Caspar Gras

      Additional Notes

      Index

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