Description

Book Synopsis

Whether it is doing a TEDx, presenting a podcast, sharing on social media, presenting at a conference, or pitching to a potential funder, engaging with storytelling and performance is now a prerequisite of an academics âmodus operandi.â Exploring the relationship between and the key concepts associated with storytelling and performance, crime, and criminology, this book offers practical tips and insights into creative methods for presenting research, disseminating criminological knowledge, giving lectures, and developing pedagogy.

The book presents a reflexive account of the author's experiences of using creativity with incarcerated men and women. Drawing on a range of topics including ethical storytelling, presentation literacy, poetic inquiry, staging ethno-drama, crime fiction, and auto-ethnography, it makes a clear and compelling case for a creative criminology and a performative social science.

Written by a seasoned criminologist, theatre director, storyteller, and

Storytelling for Crime and Justice

    Product form

    A Paperback by Martin Glynn

    £36.99

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    Order before 4pm tomorrow for delivery by Sat 19 Sep 2026.

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      Book details

      Publisher Taylor & Francis
      Published 7 September 2025
      ISBN-13 9781032866215
      978-1032866215
      ISBN-10 1032866217
      Also in:
      Law Legal aspects of criminology

      Description

      Book Synopsis

      Whether it is doing a TEDx, presenting a podcast, sharing on social media, presenting at a conference, or pitching to a potential funder, engaging with storytelling and performance is now a prerequisite of an academics âmodus operandi.â Exploring the relationship between and the key concepts associated with storytelling and performance, crime, and criminology, this book offers practical tips and insights into creative methods for presenting research, disseminating criminological knowledge, giving lectures, and developing pedagogy.

      The book presents a reflexive account of the author's experiences of using creativity with incarcerated men and women. Drawing on a range of topics including ethical storytelling, presentation literacy, poetic inquiry, staging ethno-drama, crime fiction, and auto-ethnography, it makes a clear and compelling case for a creative criminology and a performative social science.

      Written by a seasoned criminologist, theatre director, storyteller, and

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